The Other Side of Benny Golson | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | November 12, 1958 Nola's Penthouse Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 37:09 | |||
Label | Riverside RLP 12-290 | |||
Producer | Orrin Keepnews | |||
Benny Golson chronology | ||||
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The Other Side of Benny Golson is the third album by saxophonist Benny Golson featuring performances recorded in late 1958 and originally released on the Riverside label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Scott Yanow of Allmusic says, "Tenor-saxophonist Benny Golson's third recording as a leader was significant in two ways. It was his first opportunity to work with trombonist Curtis Fuller (the two would be members of The Jazztet by 1960) and it was one of his first chances to really stretch out on record as a soloist; up to this point Golson was possibly better known as a composer". [2]
All compositions by Benny Golson except as indicated
Big 6 is the debut album by American trumpeter Blue Mitchell recorded in 1958 and released on the Riverside label. It contains the first recording of Benny Golson's jazz standard "Blues March".
Meet the Jazztet is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson featuring performances recorded in 1960 and originally released on the Argo label.
Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.
Another Git Together is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in 1962 and originally released on the Mercury label. It was the band's last recording for 20 years.
Benny Golson's New York Scene is the debut album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Contemporary label.
The Modern Touch is the second album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Riverside label.
Benny Golson and the Philadelphians is an album by saxophonist Benny Golson which was recorded in November and December 1958. Originally released on the United Artists label, the album was re-issued in 1998 on the Blue Note label with four additional bonus tracks.
Gone with Golson is the fifth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Gettin' with It is the seventh album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Turning Point is an album by saxophonist Benny Golson, featuring performances recorded in late 1962 and originally released on the Mercury label.
Stockholm Sojourn is an album by the International Jazz Orchestra directed by Benny Golson which was recorded in Sweden in 1964 and originally released on the Prestige label.
Boss of the Soul-Stream Trombone is an album by American trombonist Curtis Fuller recorded in 1960 and released on the Warwick label. The album was re-released under Freddie Hubbard's name as Gettin' It Together.
1958 – Paris Olympia is a live album by drummer Art Blakey's Jazz Messengers recorded at L'Olympia in 1958 and originally released on the French Fontana label.
Back to the City is a live album by the Art Farmer/Benny Golson Jazztet featuring Curtis Fuller recorded at the Sweet Basil Jazz Club in New York in 1986 and originally released on the Contemporary label. The cover photograph was taken at Madison Square Park, Manhattan, New York City.
Real Time is a live album by the Art Farmer/Benny Golson Jazztet featuring Curtis Fuller recorded at the Sweet Basil Jazz Club in New York in 1986 and originally released on the Contemporary label in 1988.
The Art of Jazz: Live in Leverkusen is a live album by Art Blakey's Jazz Messengers at the Leverkusen Jazz Festival in Germany on October 9, 1989. To commemorate Blakey's 70th birthday, the concert featured many special guests—most of whom were former Messengers. Singer Michelle Hendricks sang a song -- "Mr. Blakey"—composed for the occasion by founding Messenger Horace Silver.
Dizzy Atmosphere is an album featuring members of Dizzy Gillespie's Orchestra including trombonist Al Grey, saxophonist Billy Mitchell and trumpeter Lee Morgan recorded in 1957 and released on the Specialty label.
Domingo is an album by saxophonist/composer Benny Golson that was recorded in Paris in 1991 and released on the French Dreyfus label.
I Remember Miles is an album by saxophonist/composer Benny Golson, featuring compositions associated with or inspired by Miles Davis, that was recorded in 1992 and originally released by the Japanese Alfa Jazz label before being reissued in the US on Evidence Music in 1996.