 First edition | |
| Author | Elizabeth Marie Pope |
|---|---|
| Illustrator | Richard Cuffari |
| Country | United States |
| Language | English |
| Genre | Young adult novel |
| Publisher | Houghton Mifflin Harcourt |
Publication date | 1974 |
| Media type | Print (Paperback) |
| Pages | 288 pp |
| ISBN | 0618150730 |
| OCLC | 790324 |
The Perilous Gard is an American young adult novel by Elizabeth Marie Pope, published in 1974. It was awarded the Newbery Honor in 1975. [1]
The Perilous Gard takes place in England during the 1550s. The lead character, Kate Sutton, is a lady-in-waiting to Princess Elizabeth (the later Queen Elizabeth I of England). Her sister, Alicia, inadvertently gets her exiled to a castle named Elvenwood Hall, also known as the Perilous Gard, where she finds that the daughter of Sir Geoffrey Heron, the master of the hall, vanished under mysterious circumstances that implicate his brother, Christopher Heron. Kate soon discovers that, although the seeming death of little Cecily was an accident, Christopher is still so overwhelmed with grief that he has exiled himself from castle life. When Kate learns of the local villagers' fears that the "Fairy Folk" will kidnap their children, she guesses that Cecily might not be dead after all. She tells Christopher of her suspicions, and he, unbeknownst to Kate, comes up with a desperate plan to save Cecily. Meanwhile, Kate stumbles into the underground world of the Fairy Folk, who intend to use Christopher's desperation to their own advantage. The Fairy Folk are ruled by the Lady in Green, who believes that only a sacrifice can help her people hold their own against the advancing modern world.
Kate detests the Lady in Green at first, but the two of them have much in common. Both are strong-willed, highly independent, and capable of enormous self-discipline. Kate's refusal to be drugged or manipulated in other ways soon gains her a measure of respect among the Fairy Folk. Little by little she gains knowledge of their underground kingdom, while her view of the Lady in Green gradually changes. Kate begins to understand and even to respect the Lady in Green. In the end, however, Kate chooses to leave the Fairy Folk in order to save Christopher, destroying the fairy kingdom in the process. Christopher then takes Cecily to London to live with his sister Jennifer. When Christopher returns he proposes to Kate, and she accepts. Kate is granted freedom when Queen Elizabeth I ascends the throne.
The story is structured around the ballad of Tam Lin. The sacrifice of the "teind," or "tenth," which plays a major role in the novel as well as the ballad, is based on Scottish fairy lore. According to these legends, the fairies live beneath mounds or barrows under the earth. Since Hades was considered to be a place beneath the ground by many early Christians--Hippolytus, for instance, called it "a locality beneath the earth, in which the light of the world does not shine" [2] —many Scottish ballads considered the fairies to essentially be vassals of Satan. As such, they had to periodically pay the devil for their use of the land. Paying at the correct time of year was considered essential. Since half-yearly rents in Scotland were due on All Saints' Day, or "Hallowmas," local laws may have contributed to this tradition. [3] In the novel, however, the Fairy Folk believe they are offering the teind to their gods; or, more correctly, in order to absorb the power from the teind offered in sacrifice, in order to empower and enable them and their realm to continue for many centuries more.
The Perilous Gard also contains references to the Thomas the Rhymer ballad and to the Arthurian legends, as well. Kate initially dislikes British folklore because she believes that it is unrealistic. As the story unfolds, however, she finds that the folklore she once despised is based on fact, and that understanding it may allow her to save Christopher from the Fairy Queen.
Author J.B. Cheaney, in her review of the book in 2011, [4] writes that "The Perilous Gard combines a love story with issues central to Christianity and paganism" in which Christians "seem to be the good guys" which indeed, for the most part, they are. The "paganism" is, rather, the "Fairy Tale" realm of the Fae (Fay), or Fairies (Faeries). On an historical note: Edmund Spenser's epic poem The Faerie Queen was written in celebration of Queen Elizabeth I at the end of the 1500s; and Shakespeare includes fairies or references to fairies in several of his plays. Thus, it can be said that the realm of faerie was of common interest in the Tudor time period. And so, remarkably, The Perilous Gard is both fantasy and historical fiction.
For some readers, the name Elvenwood might call up vague echos of Elves, Tolkien-style, but no more than that. Cheaney declares that "the 'fairies', as Ms. Pope presents them, are scrupulously just in their dealings with humans and any bargain struck they will keep, no matter the cost to anyone. But, as Kate perceives, humans don’t need justice from fairies: 'We’re all of us under the mercy [i.e., of Christ].'" [4]
Cheaney, in keeping with her view of paganism rather than the fairy tale aspect of fantasy, says of the ages-long-ago historical pagans, theirs was a "nature-worship paired with blood sacrifice, mindless ecstasy marred by fear, a relentless eye-for-eye accounting system that left no room for compassion." [4] Except for the lack of compassion, this description doesn't apply the Fairies in The Perilous Gard.
Kate's freeing of Christopher from death as the teind sacrifice dooms the Fairy Realm of Elvenwood (the last bastion of the Fae) to destruction, and the Fae to a wandering life, with little power, shadows of their former selves. She regrets their loss, and in some ways misses their way of life.
The Perilous Gard was first released in 1974 by Houghton Mifflin Harcourt. It was reprinted in 2001, and RecordedBooks produced an audiobook version that same year. The audiobook is narrated by Jill Tanner.
A fairy is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures, a form of spirit, often with metaphysical, supernatural, or preternatural qualities.
Sir Thomas de Ercildoun, better remembered as Thomas the Rhymer, also known as Thomas Learmont or True Thomas, was a Scottish laird and reputed prophet from Earlston in the Borders. Thomas' gift of prophecy is linked to his poetic ability.
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TamLin is a character in a legendary ballad originating from the Scottish Borders. It is also associated with a reel of the same name, also known as the Glasgow Reel. The story revolves around the rescue of Tam Lin by his true love from the Queen of the Fairies. The motif of winning a person by holding him through all forms of transformation is found throughout Europe in folktales.
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Princess and dragon is an archetypical premise common to many legends, fairy tales, and chivalric romances. Northrop Frye identified it as a central form of the quest romance.
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Cecily of York, also known as Cecelia, was the third daughter of King Edward IV of England and his queen consort Elizabeth Woodville.
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