The Pine Hill Haints

Last updated
The Pine Hill Haints
PineHillHaints.jpg
The Pine Hill Haints performing at Fred's in Loachapoka, Alabama. (Pictured from left: Kat Barrier, Ben Rhyne, Jamie Barrier, Matt Bakula)
Background information
Origin Auburn, Alabama
Genres Folk
Years active1998present
Labels Arkam Records, Lelp, Sunburst, K
MembersJamie Barrier
Katie "Kat" Barrier
Stevie LaBlanc
Brian "Zero" Borden
Justin Ward
Past membersTravis Hightower
Matt Bakula
Ben Rhyne
Sarah Nelson
Roger Holcombe
Rymodee
Bradley Williams
Jeremy Dale Henderson
Matt Comer
Website http://www.thepinehillhaints.com/

The Pine Hill Haints are an American traditional bluegrass/folk/honky tonk/country band from Alabama, though the band members themselves describe their unique southern roots music as "Alabama Ghost Music." [1]

Contents

The Haints are composed of Jamie Barrier on guitar and vocals, Katie "Kat" Barrier on mandolin, singing saw, and washboard, Stevie LaBlanc on washtub bass, Justin Ward on accordion and trombone, and Brian "Zero" Borden on snare drum.

Current line-up

Former members

Musical style

The Pine Hill Haints perform music they consider to be "dead" in the modern world, hence their self-proclaimed "Ghost Music." Some examples of the genres they perform include (but are not limited to) gospel, rockabilly, rock and roll, celtic music, blues music, and bluegrass. While their catalog of songs comprises mainly original material, the band has also been known to cover traditional gospel (Where The Soul Of Man Never Dies, Where The Roses Never Fade), cowboy (I Ride An Old Paint, Back In The Saddle Again), and folk (Goodnight Irene, Oh! Suzanna/Camptown Races) songs.

In addition to their live instruments, the band also utilizes a number of traditional American folk music instruments (such as a fiddle, harmonica, tenor banjo, mandolin, saw, and accordion) on their recordings. Occasionally, members of the Haints will swap instruments or abandon his or her primary instrument altogether, instead performing on one of the aforementioned instruments for a song or two. The band has several former members, and depending on how many happen to be present at a performance, surprise guest performers may accompany the Haints onstage. Such impromptu reunion performances are not completely unexpected at their shows.

Discography

YearTitleLabelFormatOther information
2000 God, the Devil and the Two by the GateArkam Records 12-inch LP
2002 The Cold, Cold HandArkam Records CD Split album with The Natchez Shakers ("The Devil's Backbone").
2002 Tales From The Front PorchArkam Records12-inch LPSplit album with The Crypt Kickers and The Plain Clothes Creep String Trio.
2002 Alabama Ghost Country MusicNation of Kids 7-inch EP
2003 Trains Have No NamesArkam RecordsCD
2003 SplitArkam Records7-inch EPSplit with David Dondero, 500 copies pressed on black vinyl.
2004 Those Who WanderArkam RecordsCD
2004 You Bury Your Hate In A Shallow GraveLelp RecordingsCD
2005 The Pine Hill Haints Meet Clampitt, Gaddis & BuckLelp RecordingsCDSplit album with Clampitt Gaddis & Buck.
2005 Jack of DiamondsArkam Records7-inch EP500 copies pressed on black vinyl.
2007 Darktime Came to the HillsSunburst Records7-inch EP500 copies pressed on black vinyl with hand-screened covers
2007 Ghost Dance K Records 12-inch LP / CD
2009 To Win or To Lose K Records12-inch LP / CD
2009 Riding the Long Southern Train BluesArkam Records7-inch EPIncluded with Spidder #14 zine.
2010 Black Casket Razorcake / 45RPM Records7-inch EP110 copies pressed on translucent red vinyl, the rest on black vinyl.
2010 SplitLet's Pretend Records7-inch EPSplit EP with the Trainwreck Riders. 110 copies pressed on clear vinyl, 440 copies pressed on black vinyl.
2011 The Evening StarArkam Records / 45RPM Records/Burger Records12-inch LP / CD / CassetteCompilation album featuring songs from various Haints 7-inch EPs and previously unreleased tracks. LP and CD released on Arkam Records, cassette jointly released by 45RPM Records and Burger Records. Cassette edition limited to 250 hand-numbered copies.
2011 Welcome to the Midnight Opry K Records 12-inch LP / CD
2011 SplitYa Dig? Records10-inch EP / CD-R Split EP with Serious Sam Barrett. Packaged together with CD-R of the Split.
2011 Tales of CrimeK Records7-inch EPRelease #138 in K Records' International Pop Underground 7-inch series
2014 Rabbit in the Pea PatchArkam Records7-inch EPHand-screened cover art available in three colors: red, green, and blue.
2014 Moon PieArkam RecordsCDContains songs from the Rabbit in the Pea Patch 7-inch, and the Fadeaways split 7-inch.
2014 SplitSnuffy Smiles / Arkam Records7-inch EPSplit EP with The Fadeaways
2014 The Magik Sounds of the Pine Hill HaintsK Records12-inch LP / CD / Cassette
2016 The Cold, Cold Hand/The Devil's BackboneArkam Records
2017 SmokeArkam Records12-inch LP / CD
202013Arkam Records12-inch LP
2021The Song Companion of a Lonestar Cowboy Single Lock Records

See also

This Bike Is A Pipe Bomb, J.D. Wilkes

Related Research Articles

The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th century minstrel show fad, followed by mass-production and mail-order sales, including instruction method books. The inexpensive or home-made banjo remained part of rural folk culture, but 5-string and 4-string banjos also became popular for home parlour music entertainment, college music clubs, and early 20th century jazz bands. By the early 21st century, the banjo was most frequently associated with folk, bluegrass and country music, but was also used in some rock, pop and even hip-hop music. Among rock bands, the Eagles, Led Zeppelin, and the Grateful Dead have used the five-string banjo in some of their songs.

<span class="mw-page-title-main">Bluegrass music</span> Genre of American roots music and sub-genre of country music

Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as, "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."

<span class="mw-page-title-main">Old-time music</span> Genre of folk music

Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. The genre is considered a precursor to modern country music.

<span class="mw-page-title-main">La Bottine Souriante</span> Canadian folk band

La Bottine Souriante is a folk band from Canada. The band specializes in traditional French Canadian folk music, often with a modern twist.

The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.

<span class="mw-page-title-main">Folk instrument</span> Musical instrument

A folk instrument is a traditional musical instrument that has remained largely restricted to traditional folk music, and is not usually used in the classical music or other elite and formal musical genres of the culture concerned, though related intruments may be.

A string band is an old-time music or jazz ensemble made up mainly or solely of string instruments. String bands were popular in the 1920s and 1930s, and are among the forerunners of modern country music and bluegrass. While being active countrywide, in Philadelphia and its surrounding suburbs they are a huge part of its musical culture and traditions, appearing, among others, in the yearly Mummers Parade.

<i>Will the Circle be Unbroken</i> (Nitty Gritty Dirt Band album) 1972 studio album by Nitty Gritty Dirt Band

Will the Circle be Unbroken is the seventh studio album by American country music group The Nitty Gritty Dirt Band, with collaboration from many famous bluegrass and country-western players, including Roy Acuff, "Mother" Maybelle Carter, Doc Watson, Earl Scruggs, Randy Scruggs, Merle Travis, Pete "Oswald" Kirby, Norman Blake, Jimmy Martin, and others. It also introduced fiddler Vassar Clements to a wider audience. The album was released in November 1972, through United Artists Records.

<i>Uncle Charlie & His Dog Teddy</i> 1970 studio album by Nitty Gritty Dirt Band

Uncle Charlie & His Dog Teddy is the 1970 album from The Nitty Gritty Dirt Band including the hit song "Mr. Bojangles". The album reached No. 66 on US charts. Three singles charted: "Mr. Bojangles" reached No. 9, "House at Pooh Corner" reached No. 53, and "Some Of Shelly's Blues" reached No. 64. In Canada, the singles reached No. 2, No. 30, and No. 56.

Dennis Fetchet, a Southern California bluegrass musician who plays fiddle & mandolin and sings baritone, tenor, and lead. He's played with the Grateful Dudes Bluegrass Band, was formerly with Disneyland's Billy Hill and the Hillbillies, and formally with Krazy Kirk and the Hillbillies band at Knott's Berry Farm. He is also accomplished on the guitar, and blues harp.

<i>Dlectrified</i> Album by Clint Black

D'lectrified is the eighth studio album by American country music singer Clint Black, released on September 28, 1999. It is also the first album in Black's career that he produced by himself.

<i>Mother McCrees Uptown Jug Champions</i> (album) 1999 live album by Mother McCrees Uptown Jug Champions

Mother McCree's Uptown Jug Champions is an American folk music album. It was recorded live by the band of the same name at the Top of the Tangent coffee house in Palo Alto, California in July, 1964, and released in 1999.

<span class="mw-page-title-main">The Carolina Chocolate Drops</span> American string band

The Carolina Chocolate Drops were an old-time string band from Durham, North Carolina. Their 2010 album, Genuine Negro Jig, won the Grammy Award for Best Traditional Folk Album at the 53rd Annual Grammy Awards, and was number 9 in fRoots magazine's top 10 albums of 2010.

<i>Ghost Dance</i> (The Pine Hill Haints album) 2007 studio album by The Pine Hill Haints

Ghost Dance is the third studio album by The Pine Hill Haints. It was released in 2007 on K Records.

To Win or To Lose is the second studio album by The Pine Hill Haints.

<i>The Even Dozen Jug Band</i> (album) 1964 studio album by Even Dozen Jug Band

The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, released in 1964.

<i>Safe Upon the Shore</i> 2010 studio album by Great Big Sea

Safe Upon the Shore is the ninth and final studio album released by Canadian folk rock band Great Big Sea. The album was released on July 13, 2010.

<i>Will the Circle Be Unbroken, Volume III</i> 2002 studio album by Nitty Gritty Dirt Band

Will the Circle Be Unbroken, Volume III is the 2002 album from The Nitty Gritty Dirt Band. This album reached 18 on the US Country chart. Earlier albums in the series include Will the Circle Be Unbroken and Will the Circle Be Unbroken: Volume II.

<i>The Nitty Gritty Dirt Band</i> (album) 1967 studio album by Nitty Gritty Dirt Band

The Nitty Gritty Dirt Band is the first album by the Nitty Gritty Dirt Band, released in 1967. This album debuted on the U.S. Billboard Top Pop Albums chart on April 8, 1967, peaked at number 161, and was on the charts for eight weeks. The single "Buy for Me the Rain" b/w "Candy Man" debuted on the U.S. Billboard Hot 100 on April 8, 1967, peaked at number 45 on May 6, 1967, and was on the charts for seven weeks. In Canada, the single reached number 37 in May 1967.

<i>The Apocalypse Is Over</i> 2013 studio album by John Craigie

The Apocalypse Is Over is the third studio album by the folk-singer John Craigie. It was released in August 2013 on Zabriskie Point Records. The album was inspired by Craigie's regular trips to New Orleans, where he was captivated by the music and spirit he found there. Blending jazz, folk, blues and country, the songs transport listeners from life in the French Quarter to Van Gogh’s descent into madness in the south of France ("Rachel") and to the lonely life of a musician on the road.

References

  1. Whitelock, Ed. "The Pine Hill Haints: The Magik Sounds of the Pine Hill Haints". popmatters.com. PopMatters . Retrieved 11 November 2014.