The Pleasure Seekers | |
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Background information | |
Also known as | Cradle |
Origin | Detroit, Michigan, U.S. |
Genres | Garage rock |
Years active | 1964 | –1973
Labels |
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Past members |
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Website | quatrorock |
The Pleasure Seekers was a 1960s-era, all-female rock band from Detroit, Michigan. The band morphed into Cradle, changing direction musically. They are known in large part due to the later prominence of band member Suzi Quatro. [1]
According to Suzi Quatro in her memoir Unzipped, the Quatro sisters searched a dictionary for a name for their band. Upon encountering "hedonist", they used the definition "pleasure seeker" to create the band's name.
During May 1964, the Pleasure Seekers were formed by Patti Quatro in Detroit, Michigan. The original lineup included lead singers Suzi Quatro and Patti Quatro, with Nancy Ball on drums, Mary Lou Ball on guitar, and Diane Baker on piano. Leo Fenn, the husband of sister Arlene Quatro, was the band's manager. Patti asked Dave Leone to give them a spot at his teen night club, The Hideout. He put them on stage two weeks later, and they soon became well known at the venue. They gained momentum in the burgeoning Detroit rock community, playing concerts and teen clubs with Ted Nugent, Bob Seger and others. [2]
The band's first record was released on the Hideout Records label in 1965, when Suzi and Patti Quatro were 15 and 17 years old, respectively. Both sides of their first single, "Never Thought You'd Leave Me" b/w "What a Way to Die", have some prominence. The former is included on Highs in the Mid-Sixties, Volume 6 , while the latter was covered by the Mummies in the 1988 cult film Blood Orgy of the Leather Girls . Both songs, with lyrics by Dave Leone, are included on the compilation album Friday at the Hideout, a Hideout Records retrospective that charted regionally.
During early 1966, Sheryl 'Sherry' Hammerlee joined the band on rhythm guitar and Arlene Quatro replaced Diane Baker on piano. In October that year Darline Arnone joined the band. Pami Benford also joined in August 1967, replacing Hammerlee.
In 1968, they became one of the earliest all-female rock bands to sign with a major label, Mercury Records. They released a second single, "Light of Love" b/w "Good Kind of Hurt", with both songs charting. The group matured into a dynamic show band and toured the US. Their show featured a Sgt. Pepper / Magical Mystery Tour revue, as well as a Motown sound revue. The show incorporated one of the earliest light shows.[ citation needed ]
In 1969, the Pleasure Seekers morphed into Cradle, changing direction musically in writing heavier original material and touring the US. Arlene was now manager and sister Nancy Quatro (born 1953) had joined as vocalist and percussionist. The group toured vigorously, playing concerts and pop festivals throughout the US with popular bands of the day, ending with a tour of Vietnam. In 1971, Suzi was signed by producer Mickie Most to his RAK Records label, leaving for the UK and solo fame as Suzi Quatro. Jerry Nolan later of the New York Dolls drummed with the band in the months leading up to Suzi's departure. [3] Patti continued with sister Nancy in Cradle, then joined brother Mike's MQ Jam Band, co-producing and recording an album, Look Deeply into the Mirror. [4]
The Quatro sisters have reunited for special TV and concert projects through the years, reminiscent of the early Pleasure Seekers days.
Patti currently runs Cradle Rocks Publishing with sister Nancy, and is involved in restoring the original, never released catalogue of Pleasure Seekers and Cradle music.
The History, a newly remastered album of music from Cradle was released in 2010. [5]
What a Way to Die, a newly remastered album of music from the Pleasure Seekers was released in 2011. [6]
Arlene Quatro and Leo Fenn married and have a daughter, actress Sherilyn Fenn. Arlene left the music business, authoring a book on health and becoming involved in environmental issues.
Nancy Quatro turned to music management, forming N. Glass Management and managing the band Overscene.
In 1974, Patti (now Patti Ericson) joined Fanny, appearing on their Rock and Roll Survivors album and two singles, "I've Had It" and "Butter Boy", which reached No. 29 nationally. Patti left Fanny in 1975. She continued to pursue studio work on several albums, musical side projects and modeling.
Suzi Quatro became popular in Europe, enjoying a successful long-lasting music career. She sold over 55 million records and remains active as a touring and recording artist. She also branched out as a TV actress, stage actress, radio DJ and author. She appeared as Leather Tuscadero in the TV show Happy Days .
Susan Kay Quatro is an American singer, bass guitarist, songwriter and actor. In the 1970s, she scored a string of singles that found success in Europe and Australia, with both "Can the Can" (1973) and "Devil Gate Drive" (1974) reaching No. 1 in several countries.
Michael Peter Hayes, known as Mickie Most, was an English record producer behind scores of hit singles for acts such as the Animals, Herman's Hermits, the Nashville Teens, Donovan, Lulu, Suzi Quatro, Hot Chocolate, Arrows, Racey and the Jeff Beck Group, often issued on his own RAK Records label.
Cradle or Cradles may refer to:
Fanny was an American rock band, active in the early to mid 1970s. They were one of the first all-female rock groups to achieve critical and commercial success, including two Billboard Hot 100 Top 40 singles.
The Detroit Cobras are an American garage rock band from Detroit, Michigan, which was formed in 1994 by guitarist Steve Shaw, guitarist Mary Ramirez, bassist Jeff Meier, drummer Vic Hill, and singer Rachel Nagy. The group was later known for a constantly changing assortment of musicians. Rachel Nagy died on January 14, 2022.
Steven Bookvich known as Muruga Booker is an American drummer, composer, inventor, artist, recording artist, and an autonomous Eastern Orthodox priest.
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"Shakin' All Over" is a song originally performed by Johnny Kidd & the Pirates. It was written by leader Johnny Kidd, and his original recording reached No. 1 on the UK Singles Chart in August 1960. The song is sometimes credited to Frederick Albert Heath, which is Kidd's real name. Kidd's recording was not a hit outside Europe. In other parts of the world the song is better known by recordings from other artists.
"Can the Can" is the second solo single by American singer-songwriter Suzi Quatro and her first to reach number one in the UK, spending a single week at the top of the chart in June 1973. It also reached number one on the European and Australian charts; Quatro achieved her most consistent success throughout her career in these markets. The single belatedly became a hit in the US peaking at number 56 on the Billboard Hot 100 in 1976. It was re-released as a single in the UK, with "Devil Gate Drive" as the B-side, in 1984, but failed to chart. The single made the charts again in 1987 in the UK at number 87, it also appeared on her 1995 album What Goes Around.
Brian Davison, was a British musician. He is best known for playing drums with The Mark Leeman Five, The Nice, Brian Davison's Every Which Way, Refugee and Gong.
"48 Crash" is Suzi Quatro's third solo single and was released after "Can the Can". It was included on her debut album Suzi Quatro. It later appeared as a track on her 1995 album What Goes Around. The single peaked at number three in the UK in July 1973, and number one in Australia for one week. It also hit number two in Germany, and charted well in other European countries.
Back to the Drive is the eleventh studio album by Suzi Quatro. Released in March 2006, it was her comeback album, and her first since 1990's Oh Suzi Q.. Produced by Sweet guitarist Andy Scott and Steve Grant with input from Quatro's classic era producer Mike Chapman, this release features backing vocals by Shirlie Roden, ex-husband Len Tuckey on guitar, and includes her daughter, Laura Quatro, duetting with her on the download-only single "I'll Walk Through the Fire With You".
"Rolling Stone" is Suzi Quatro's debut solo single released in 1972. Quatro's name was misspelled Susie Quatro on the initial packaging. The single was not successful, except in Portugal, where it went to number one.
Suzi ... and Other Four Letter Words, released in 1979, is the sixth studio album by American singer-songwriter, bass guitar player, and actress Suzi Quatro. By August 2012 this was still Quatro's highest-charting album in Norway and her second-highest-charting album in the United States .
Laurie Beebe Lewis is an American singer-songwriter. At age 14 she was the female lead singer of the Saginaw, Michigan cult-underground band Pitche Blende, a featured band on The Michigan Mixture Volume 1 album. She is most associated with her affiliation as the keyboard player and vocalist with Chicago's reformed group The Buckinghams from 1982 to 1985; and as lead singer in the reformed group The Mamas & The Papas from 1986 to 1993 with original members John Phillips and Denny Doherty, along with Spanky McFarlane.
Pitche Blende was an American garage rock/psychedelic rock band formed in 1967, in Saginaw, Michigan. The group was composed of high school students, mostly from Arthur Hill High School, and became a regional success in the early Michigan Rock culture movement of the late 1960s and early 1970s. The band consisted of six members which included two sisters, vocalist Laurie Seaman and bassist Jinny Seaman, guitarist Dennis Malenfant, rhythm guitarist Dan Quinnan, drummer Mike Volker and singer Tom Morris. Clara Jeanne Seaman, mother of Laurie and Jinny, was the band's manager.
The Underdogs were an American garage rock band from Grosse Pointe, Michigan who were active in the 1960s. They became a regular attraction at the Hideout, a club that was an early venue for acts such as Bob Seger, Glenn Frey, and The Pleasure Seekers, featuring Suzi Quatro, and it also served as the home to the Hideout record label, which released several of the Underdogs' singles. The group enjoyed success in the region and came close to breaking nationally with two records released through a joint deal on Reprise Records and then their last on Motown. The Underdogs' work has been included on various garage rock compilations such as the 1998 Nuggets 4-CD box set released on Rhino Records.
Hang It Out to Dry! is a compilation of garage rock recordings from the 1960s first issued by Satan Records in 1994 which is available in two versions, both on LP and in extended form on CD. It features some of the more upbeat and rocking examples of the genre.
Women in rock describes the role of women singers, instrumentalists, record producers and other music professionals in rock music and popular music and the many subgenres and hybrid genres that have emerged from these genres. Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. "[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based... experience, shaped by existing sex-segregated friendship networks. As well, rock music "...is often defined as a form of male rebellion vis-à-vis female bedroom culture."