Sir John Vanbrugh was an English architect, dramatist and herald, perhaps best known as the designer of Blenheim Palace and Castle Howard. He wrote two argumentative and outspoken Restoration comedies, The Relapse (1696) and The Provoked Wife (1697), which have become enduring stage favourites but originally occasioned much controversy. He was knighted in 1714.
"Restoration comedy" is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for this. After public stage performances were banned for 18 years by the Puritan regime, reopening of the theatres in 1660 marked a renaissance of English drama. Sexually explicit language was encouraged by King Charles II (1660–1685) personally and by the rakish style of his court. Historian George Norman Clark argues:
The best-known fact about the Restoration drama is that it is immoral. The dramatists did not criticize the accepted morality about gambling, drink, love, and pleasure generally, or try, like the dramatists of our own time, to work out their own view of character and conduct. What they did was, according to their respective inclinations, to mock at all restraints. Some were gross, others delicately improper.... The dramatists did not merely say anything they liked: they also intended to glory in it and to shock those who did not like it.
Colley Cibber was an English actor-manager, playwright and Poet Laureate. His colourful memoir Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".
The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion.
Thomas Betterton, the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London.
Susanna Verbruggen, aka Susanna Mountfort, was an English actress working in London.
In March 1698, Jeremy Collier published his anti-theatre pamphlet, A Short View of the Immorality and Profaneness of the English Stage; in the pamphlet, Collier attacks a number of playwrights: William Wycherley, John Dryden, William Congreve, John Vanbrugh, and Thomas D'Urfey. Collier attacks rather recent, rather popular comedies from the London stage; he accuses the playwrights of profanity, blasphemy, indecency, and undermining public morality through the sympathetic depiction of vice.
Anne Bracegirdle was an English actress.
George Powell was a 17th-century London actor and playwright who was a member of the United Company. He was the son of the actor Martin Powell, a long-standing member of the King's Company.
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses.
The United Company was a London theatre company formed in 1682 with the merger of the King's Company and the Duke's Company.
Love for Love is a Restoration comedy written by English playwright William Congreve. It premiered on 30 April 1695 at the Lincoln's Inn Fields Theatre. Staged by Thomas Betterton's company the original cast included Betterton as Valentine, William Smith as Scandal, John Bowman as Tattle, Thomas Doggett as Ben, Samuel Sandford as Foresight, William Bowen as Jeremy, John Freeman as Buckram, Anne Bracegirdle as Angelica, Elizabeth Bowman as Mrs Foresight, Elizabeth Barry as Mrs Frail, Elinor Leigh as Nurse and Abigail Lawson as Jenny.
The Old Bachelor is the first play written by British playwright William Congreve, produced in 1693. Incidental music for the play was written by Henry Purcell. Originally staged by the United Company at the Theatre Royal, Drury Lane the cast included Thomas Betterton as Heartwell, George Powell as Bellmour, Joseph Williams as Vainlove, William Bowen as Sir Joseph, Joseph Haines as Bluff, Thomas Doggett as Fondlewife, Cave Underhill as Servant, Anne Bracegirdle as Araminta, Susanna Mountfort as Belinda, Elizabeth Barry as Laetitia, Elizabeth Bowman as Sylvia, Elinor Leigh as Lucy.
The Gamester is a 1705 comedy by the English writer Susanna Centlivre. This marked the first time Centlivre had a star cast in one of her productions, and it was a hit. The play was one of the most popular of the nineteen she wrote, and it was fairly often staged until 1745, before later being revived at Covent Garden in 1789 under an alternative title. It is inspired by the 1696 play Le Joueur by the French writer Jean-François Regnard, with numerous changes made to reflect its English setting most particularly in its moral about the "ill consequences of gaming".
The Provoked Husband is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title The Provok'd Husband: or, a Journey to London.
Elizabeth Willis (c.1669-1739) was a British stage actress.
The Innocent Mistress is a comedy written by Mary Pix, first performed in 1697.
George Bright was an English stage actor of the seventeenth and early eighteenth century. He specialised in playing "comic dullards, fops and bouncy servants". After beginning his career in Dublin he joined the Duke's Company at the Dorset Garden Theatre in 1679 and then became part of the merged United Company in 1682.
Elizabeth Bowman was an English stage actor of the seventeenth and early eighteenth century. The daughter of Sir Francis Watson, 1st Baronet she was adopted by the actor manager Thomas Betterton. In 1692 she married John Bowman and began acting at Drury Lane the following year as Mrs Bowman. She was a member of the United Company until 1695 then joined Betterton's breakaway at the Lincoln's Inn Fields Theatre.
The She-Gallants is a 1695 comedy play by the English writer George Granville. It was first staged by Thomas Betterton's Company at the Lincoln's Inn Fields Theatre in London.
