The Real Quiet Storm | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 10, 1995 | |||
Recorded | October 6 & 7 and November 20, 1994 | |||
Studio | Power Station, New York City | |||
Genre | Jazz | |||
Length | 58:26 | |||
Label | Atlantic 7567-82742-2 | |||
Producer | Yves Beauvais | |||
James Carter chronology | ||||
|
The Real Quiet Storm is the third studio album by saxophonist James Carter, the first to be released on the Atlantic label. [1] It was recorded in October & November 1994 and released on March 10, 1995.
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Robert Christgau | A [3] |
The Penguin Guide to Jazz Recordings | [4] |
The AllMusic review by Scott Yanow stated: "Despite this CD's title and a slight emphasis on ballads, The Real Quiet Storm is not an easy listening record... The results are a bit restrained compared to his live performances, but this is an enjoyable and unpredictable outing, music that will not be played on the Quiet Storm". [2] Critic Robert Christgau rated the album an "A", saying, "This romantic set has some concept. Two unfazed Carter originals complement a surprising selection of make-out music by Monk, Ellington, Sun Ra, Bill Doggett, Carter's main man Don Byas. Not only is it more unified, it's more pop, which intensifies the aesthetic charge". [3]
Midnight at Minton's is an album by jazz musician Don Byas, first released in 1973. It is a live recording of a 1941 jam session at Minton's Playhouse, the New York City nightclub at which the emerging style of bebop was being pioneered.
Sunrise in Different Dimensions is a 1980 live jazz album by the Sun Ra Arkestra documenting a concert at the Gasthof Morhen in Willisau, Switzerland from February 24, 1980 which was released on the hat Hut label. The album intermingles a variety of Sun Ra originals with covers of jazz standards.
A Meeting of the Times is an album by jazz multi-instrumentalist Rahsaan Roland Kirk and vocalist Al Hibbler recorded in March 1972 in New York City, and released in December of that year. It features performances by Kirk and Hibbler with Hank Jones, Ron Carter and Grady Tate with an additional track recorded by Kirk with Leon Thomas, Lonnie Liston Smith, Major Holley and Charles Crosby from the sessions that produced Here Comes the Whistleman (1965).
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Togo Brava Suite is an album by the American pianist, composer, and bandleader Duke Ellington. It was recorded in England and released by United Artists Records in 1971. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1972. The album was later reissued on CD by Blue Note in 1994, and studio recordings of the complete "Togo Brava Suite" were released in 2001 by Storyville.
Up in Duke's Workshop is an album by the American pianist, composer and bandleader Duke Ellington that collects sessions recorded in 1969, 1970, 1971 and 1972, released on the Pablo label in 1979.
The Intimacy of the Blues is a studio album by the American pianist, composer and bandleader Duke Ellington, recorded in 1967 and 1970, and released on the Fantasy label in 1986.
The Intimate Ellington is a studio album by the American pianist, composer and bandleader Duke Ellington, compiled from sessions recorded in 1969, 1970 and 1971, and released on the Pablo label in 1977.
Studio Sessions, New York 1962 is the third volume of The Private Collection a series of recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Standard Time, Vol. 2: Intimacy Calling is an album by jazz trumpeter Wynton Marsalis that was released in 1990. The album reached peak positions of number 112 on the Billboard 200 and number 1 on the Billboard Top Jazz Albums chart.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
JC on the Set is the debut album by saxophonist James Carter recorded in 1993 and released on the Japanese DIW label.
Conversin' with the Elders is the fourth album by saxophonist James Carter recorded in late 1995 and early 1996 and released on the Atlantic label. The album features guest appearances by veteran musicians, including trumpeters Harry "Sweets" Edison and Lester Bowie, and saxophonists Hamiet Bluiett, Larry Smith and Buddy Tate.
In Carterian Fashion is the 6th album led by saxophonist James Carter recorded in 1998 and released on the Atlantic label.
Something to Live For: The Music of Billy Strayhorn is an album by Art Farmer recorded in New York in 1987 and originally released on the Contemporary label.
The Ballad Style of Stan Kenton is an album by bandleader and pianist Stan Kenton featuring performances recorded in 1958 and released on the Capitol label.
So Long Blues is an album by pianist Red Garland which was recorded in 1979 and released on the Galaxy label in 1984.
Reflections is an album by saxophonist Frank Morgan which was recorded in 1988 and released on the Contemporary label the following year.
Monk on Monk is an album by the drummer T. S. Monk, recorded in 1997 and released on the N2K label.
If I Could is an album by saxophonist Stanley Turrentine recorded in 1993 and released by the MusicMasters label.