The Road is a 1965 play by Wole Soyinka, a Nigerian playwright, poet, and director. [1] The play explores the activities at a roadside workshop, known as Aksident Store, where drivers discuss their experiences on the road.
The plot revolves around Samson, a driver's assistant, and Salubi, a young driver without a license, who discuss their work experiences inside the store. Salubi works independently and only accepts individual passengers, while Samson is employed by Kotonu, who operates an unofficial bus converted from a truck. Kotonu and the professor join the conversation. Kotonu, who stopped driving after a serious accident, now works with the professor, who appears more of a religious enthusiast than a businessman, believing he can comfort the spirits of the deceased. He leaves with Kotonu to visit a collision scene. [2] [3]
The professor, who is not a clergyman, had previously preached in a church near the shop. Samson explains to Salubi why the professor left following a dispute with the bishop that resulted in a church wall collapsing. Samson convinces Kotonu to admit to helping the professor steal parts from the damaged cars to sell in the shop when he returns from the accident scene. [4]
At Aksident Store, where the professor also sells palm wine, several unemployed drivers and assistants gather. These individuals have been united by Say-Tokyo-Kid to form a group that is hired to provide security or incite violence at political events. Particulars Joe, the local police officer, arrives to collect his bribes, and Chief-in-Town, the local politician, stops by to hire the group. Three men enter the shop looking for specific auto parts. When the professor arrives, Samson and Salubi ask him to copy a fake driver's license from Kotonu, who has since stopped driving. The professor initially refuses due to Salubi's disrespectful language but later changes his mind and agrees. [5]
Akinwande Oluwole Babatunde Soyinka Hon. FRSL, known as Wole Soyinka, is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature for his "wide cultural perspective and... poetic overtones fashioning the drama of existence", the first sub-Saharan African to be honoured in that category.
Amos Tutuola was a Nigerian writer who wrote books based in part on Yoruba folk-tales.
Nigerian literature may be roughly defined as the literary writing by citizens of the nation of Nigeria for Nigerian readers, addressing Nigerian issues. This encompasses writers in a number of languages, including not only English but Igbo, Urhobo, Yoruba, and in the northern part of the county Hausa and Nupe. More broadly, it includes British Nigerians, Nigerian Americans and other members of the African diaspora.
Chief Daniel Olorunfẹmi Fágúnwà MBE, popularly known as D. O. Fágúnwà, was a Nigerian author of Yorùbá heritage who pioneered the Yorùbá language novel.
Yoruba literature is the spoken and written literature of the Yoruba people, one of the largest ethno-linguistic groups in Nigeria and the rest of Africa. The Yoruba language is spoken in Nigeria, Benin, and Togo, as well as in dispersed Yoruba communities throughout the world.
The Strong Breed is one of the best-known plays by Wole Soyinka. It is a tragedy that ends with an individual sacrifice for the sake of a community's benefit. The play is centered on the tradition of egungun, a Yoruba festival tradition in which a scapegoat of the village carries out the evil of the community and is exiled from the civilization.
"Road to Rupert" is the ninth episode of the fifth season of Family Guy. It originally aired on Fox in the United States on January 28, 2007. It is the third episode in the Road to... series of episodes in Family Guy. The episode follows Stewie after Brian accidentally sells Stewie's beloved teddy bear, Rupert, during a yard sale. In an attempt to retrieve him, Stewie and Brian discover that the family Rupert was sold to are former neighbours who had since moved to Aspen, Colorado. As a result, Stewie and Brian travel across the United States to get Rupert back. Meanwhile, Peter has his driving license revoked for careless driving and is forced to be driven around by Meg, which annoys him.
Babafemi Adeyemi Osofisan, known as Femi Osofisan or F.O., is a Nigerian writer noted for his critique of societal problems and his use of African traditional performances and surrealism in some of his plays. A frequent theme that his drama explore is the conflict between good and evil. He is a didactic writer whose works seek to correct his decadent society. He has written poetry under the pseudonym Okinba Launko.
Femi Euba is a Nigerian actor, writer, and dramatist, who has published numerous works of drama, theory, and fiction. His work as a theatre practitioner encompasses acting, playwriting, and directing. Among the topics of his plays is Yoruba culture.
Illegal taxicabs, sometimes known as pirate taxis, gypsy cabs, or jitney cabs, are taxicabs and other for-hire vehicles that are not duly licensed or permitted by the jurisdiction in which they operate. Most major cities worldwide require taxicabs to be licensed, safety-inspected, insured as for-hire vehicles, and to use taximeters, and there may also be requirements that the taxi driver be registered or accredited. However, many unlicensed cabs are in operation. Illegal cabs may be marked taxi vehicles, and others are personal vehicles used by an individual to offer unauthorized taxi-like services. Illegal cabs are prevalent in cities with medallion systems, which restrict the number of legal cabs in operation. Since their introduction in 2009, vehicles affiliated with ridesharing companies have been classified as illegal taxicabs in some jurisdictions.
The Lion and the Jewel, a play by Nigerian writer Wole Soyinka that was first performed in 1959 in Ibadan. In 1966, it was staged in London at the Royal Court Theatre. The play chronicles how Baroka, the lion, fights with the modern Lakunle over the right to marry Sidi, the titular Jewel. Lakunle is portrayed as the civilized antithesis of Baroka and unilaterally attempts to modernize his community and change its social conventions for no reason other than the fact that he can. The transcript of the play was first published in 1962 by Oxford University Press. Soyinka emphasises the theme of the corrupted African culture through the play, as well as how the youth should embrace the original African culture. A review by Naijabanquet describes The Lion and the Jewel as "a masterpiece that successfully combines the concept of literature as a tool both for socio-cultural activism and shining spotlight on aesthetics."
Munkkivuori is a quarter of the Munkkiniemi neighbourhood in Helsinki. The buildings and the plan of site are typical of the late 1950s. Most of the residential buildings in Munkkivuori are within a loop formed by Ulvilantie ring road. The automotive traffic to the residential buildings is routed along Ulvilantie whereas Raumantie no through road terminating in the center of the Ulvilantie loop provides access to public services and limits the through-traffic in residential areas. A designed network of crushed stone walkways provides easy accessibility around Munkkivuori for cyclists, pedestrians and other non-automotive traffic.
In traffic laws, a hit and run or a hit-and-run is the criminal act of causing a traffic collision and not stopping afterwards. It is considered a supplemental crime in most jurisdictions.
Deadhead Miles is a 1972 American road comedy film directed by Vernon Zimmerman from a script by Terrence Malick, and starring Alan Arkin and Paul Benedict. Actors Bruce Bennett, George Raft and Ida Lupino make cameos.
The Port Harcourt Book Festival is an annual literary event in Port Harcourt, Rivers State, Nigeria, organised by the Rainbow Book Club and endorsed by the Rivers State Government since 2008. The Garden City Literary Festival, which is currently known as the Port Harcourt Book Festival was founded by Governor Amaechi of Rivers State, Hundreds of literary fans flock to the Garden City every year for this six-day event, which includes a book fair, writers' workshops, and a variety of other activities. In the past the Festival has been attended by recognized authors and has hosted a number of celebrities.
Victor Olaotan was a Nigerian actor best known for his leading role in the soap opera Tinsel.
Chief Wale Ogunyemi, OFR was a Nigerian veteran seasoned dramatist, film actor, prolific playwright, and Yoruba language scholar.
The Mbari Club was a centre for cultural activity by African writers, artists and musicians that was founded in Ibadan, Nigeria, in 1961 by Ulli Beier, with the involvement of a group of young writers including Wole Soyinka and Chinua Achebe. Mbari, an Igbo concept related to "creation", was suggested as the name by Achebe. Among other Mbari members were Christopher Okigbo, J. P. Clark and South African writer Ezekiel Mphahlele, Frances Ademola, Demas Nwoko, Mabel Segun, Uche Okeke, Arthur Nortje and Bruce Onobrakpeya.
Wanda Leopold was a Polish author, medical doctor, and social science activist known for her study of English writings beginning in West Africa, specifically Nigeria. A translator as well as a literary critic, she stressed the artistic qualities of creative writing. She was a scholar of Polish culture, literature, and language. Her book, "O literaturze Czarnej Afryki," was the first Polish introduction to African literature that was written in both English, and French. Some of her first critical essays were on Chinua Achebe, Cyprian Ekwensi, and Wole Soyinka.
Of Africa is a book written by Wole Soyinka, a Nigerian playwright, novelist, poet, and essayist who is also the author of The Bacchae of Euripides (1969), Season of Anomy amongst others. The book was centered on Africa's culture, religion, history, imagination, and identity, examining how its past intertwines with that of others. He emphasizes Africa's intrinsic values, including its humanity, self-worth, and methods of environmental stewardship, encompassing both physical and intangible aspects. Despite acknowledging Africa's daunting challenges, Soyinka rejects defeatism, eloquently analyzing issues from historical significance to the rise of theocracy. He confronts complex topics like racial biases, inter-ethnic conflicts, and the impact of colonial-imposed borders on nationhood. Soyinka's examination reimagines Africa's place in the reader's mind, charting a path toward a future defined by peace and self-empowerment.