Reception
In a profile for Alternative Press , Dale W. Eisinger called this release "a smart record" that "brings a sense of promise through its 13 tracks". [2] Writing at Clash Music , Jay Fullarton scored this album an 8 out of 10, ending "this record doesn't sound like a hellscape though, it somehow chases the ecstasy high his debut set and exceeds it in the process". [3] The Observer 's Damien Morris scored this release 3 out of 5 stars, placing this in the middle of Vegyn's catalogue in terms of quality and ended, "if you enjoy its combination of fractured storytelling and long instrumental passages, you'll appreciate the consistent quality of the simpler songs around it". [4] Writing for Pitchfork, Dash Lewis scored this release a 7.1 out of 10 and called this "[Joseph] Thornalley's most crowd-pleasing project to date, even if it isn't his most cohesive". [5] Ted Davis of Paste scored this album a 7.2 out of 10, praising the music's range as it "casually flips between the heady and accessible sides of the Vegyn coin". [6]
In Resident Advisor , Reid BG stated that this music "reads more like a slow-burning novel, with sustained, fleshed-out ideas" and characterized this as "an impressive, mainstream-baiting heel turn from the leftfield UK producer that occasionally pulls too many punches" [7] A feature on Vegyn for Rolling Stone included Sam Davies calling this album "45 minutes of lovely electronic music that will soothe your ears in much the way a good meme can soothe the eyes after a few minutes of reading the news". [8] In Spin , Margaret Farrell gave this album an A, writing that it is "both melancholic and euphoric" with music that spans "from jazzy and transcendental to glitchy and trip-hop symphonic" [9] Variety 's Jem Aswad considered The Road to Hell Is Paved with Good Intentions "heavenly electro-pop" and compared to Vegyn's previous work, older material has "never been quite as focused or finely honed as it is here". [10]
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