Author | Martha Ansara |
---|---|
Illustrator | 380 photographs of cinematographers at work between 1901 and 2011 |
Country | Australia |
Language | English |
Subject | Cinematography, Australia--History—Photographic works |
Genre | Australian cinematography, motion pictures |
Publisher | Austcine, Australian Cinematographers Society |
Publication date | May 2012 |
Media type | Print (Hardback – limited collectors edition and Paperback) |
Pages | 288 (first edition, hardback) |
ISBN | 9780987225214 |
The Shadowcatchers: A history of cinematography in Australia is a photographic history of Australian cinematography, written by Martha Ansara and published by the Australian Cinematographers Society, which launched the project for its 50th anniversary in 2008. [1]
The Shadowcatchers documents the history of Australia's national cinema and the industrial practices and role of the cinematographer from the 1890s to 2011. The book contains excerpts of oral histories of cinematographers recorded for the National Film and Sound Archive of Australia [2] discussing the nature of filmmaking under the impact of broader political, social and technological forces throughout Australian cinematic history, as well as photographs from Australian and international stills photographers.
The book was developed with input from veteran members of the Australian Cinematographers Society, creating a sense of an insiders’ view of what happens behind the camera. Themes include the changing culture and technology of Australian cinematography, the specific nature of the work, the importance of actuality and commercials production, international influences, relationships between cinematographers and directors, cast and crew, and the sorts of studios and locations where films have been made. Twenty-six biographies are also presented, covering early cinematographers such as the Burnes of Queensland, Academy Award Winners such as Dean Semler, Russell Boyd and John Seale, war correspondents Damien Parer [3] [4] and Neil Davis, [5] and Movietone News cameraman Bill Trerise. [6]
The Shadowcatchers has been published in two editions: a softcover edition and a hardback collectors edition, limited to 250 numbered copies and signed by the five living Australian winners of the Academy Award for cinematography, Dean Semler, [7] John Seale, [8] Andrew Lesnie, [9] Russell Boyd [10] and Dion Beebe. [11]
The Academy of Motion Picture Arts and Sciences is a professional honorary organization in Beverly Hills, California, United States of America, with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.
The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.
The Academy Honorary Award – instituted in 1950 for the 23rd Academy Awards – is given annually by the Board of Governors of the Academy of Motion Picture Arts and Sciences (AMPAS). Since 2009, it has been presented at the separate annual Governors Awards rather than at the regular Academy Awards ceremony. The Honorary Award celebrates motion picture achievements that are not covered by existing Academy Awards, although prior winners of competitive Academy Awards are not excluded from receiving the award.
Andrew Lesnie ACS ASC was an Australian cinematographer. He was best known as the cinematographer for The Lord of the Rings trilogy (2001–2003) and its prequel The Hobbit trilogy (2012–2014), both directed by New Zealand director Peter Jackson. He received the Academy Award for Best Cinematography for his work on The Lord of the Rings: The Fellowship of the Ring in 2002.
David Parer ACS is an Australian natural history film maker, working in partnership with his wife and sound recordist, Elizabeth Parer-Cook.
Kokoda Front Line! was a full-length edition of the Australian newsreel, Cinesound Review, produced by the Australian News & Information Bureau and Cinesound Productions Limited in 1942, about the Kokoda Track campaign. It was one of four winners of the 15th Academy Awards for best documentary, and the first Australian film to win an Oscar. It was filmed by the Australian war photographer Damien Parer and directed by Ken G. Hall.
The Australian Cinematographers Society (ACS) is a not-for-profit organisation founded in 1958 for the purpose of providing a forum for Australian cinematographers to further develop their skills through mutual co-operation.
Gary Thieltges is an American cinematographer, owner of Doggicam Systems and best known for inventing camera rigs used on big-budget Hollywood films and television shows. Upon being hired as the director of photography of a beer commercial featuring a dog in 1997, his first invention was the Doggicam, a camera on a stick with a monitor at the operator's eye level to view the picture feed. Thieltges' PowerSlide, a wirelessly controlled camera dolly that rides on super rigid track, was used by cinematographer Emmanuel Lubezki in the famous car ambush scene in Alfonso Cuaron's Children of Men. In 2004, the Society of Operating Cameramen awarded Thieltges their Technical Achievement Award for The Bodymount, a lightweight camera support system that can be worn by an actor and placed anywhere on their body. The Bodymount has been on such actors as Bruce Willis, Angelina Jolie, Eminem in 8 Mile and on Mick Jagger in a music video with Lenny Kravitz, among many others. In 2005, Thieltges was presented with a Technical Achievement Award from the Academy of Motion Pictures Arts & Sciences for the design and development of the Sparrow Head, a lightweight system for remotely controlling the pan and tilt of a camerama.
Richard Hymns is an English sound editor. He won three Academy Awards for his work on Indiana Jones and the Last Crusade, Jurassic Park and Saving Private Ryan. He was also nominated for nine more in the category Best Sound Editing, including one for the 1999 film Fight Club.
Martha Ansara is a documentary filmmaker whose films on social issues have won international prizes and been screened in Australia, the UK, Europe and North America. Ansara was one of the first women in Australia to work as a cinematographer, is a full member of the Australian Cinematographers Society (ACS) and was inducted into the ACS Hall of Fame in 2015. Martha is a Life Member of the Australian Directors Guild and a founding member of Ozdox, the Australian Documentary Forum. She has also worked as a film lecturer and film writer and has been active in the trade union, women's and peace movements.
Edward Cronjager was an American cinematographer whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films and included projects on the small screen towards the end of his career. He filmed in black and white and color mediums, and his work received nominations for seven Academy Awards over three decades, although he never won the statue.
The Road to Kokoda is a 1942 Australian documentary. Much of the footage shot by Australian war photographer Damien Parer (1912–1944) also appears in Kokoda Front Line!.
Richard John Gregson was a British talent agent, film producer and screenwriter.
Zak Mulligan is an American film and television cinematographer. He is best known for his work on Hustle, We the Animals, The Outsider, and Open Heart.