The Spanish Bullfight | |
---|---|
Artist | James Gillray |
Year | 11 July 1808 |
Type | Hand-coloured etching |
Dimensions | 23.3 cm× 35.5 cm(9.2 in× 14.0 in) |
Location | British Museum, London |
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. [1] It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain, rapidly became an ally. It is known with the subtitle The Corsican Matador in Danger.
The Corsican-born French emperor Napoleon is depicted as a matador being tossed by a bull representing the Kingdom of Spain. His brother Joseph I, who had replaced the deposed Charles IV, has already been gored by the bull. [2] On the right of the image three bulls, previously wounded by the matadors, are marked as Denmark, Dutch and Prussian animals. The Bullring in which the spectacle takes place is named the Theatre Royal, Europe. Watching with approval are various monarchs of Europe and beyond George III, Francis I of Austria, John, Regent of Portugal, Alexander I of Russia, Gustav IV of Sweden, Pope Pius VII, Mustafa IV of the Ottoman Empire and Frederick William III of Prussia. [3]
Its identification of the Spanish nation with a bull may have been an inspiration for La Tauromaquia Francisco Goya's later series of prints. [4] The print was published by Hannah Humphrey who distributed much of Gillray's output. Copies of the work exist at a variety of locations including the British Museum and the National Portrait Gallery. [5] [6]
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
A bullfighter is a performer in the activity of bullfighting. Torero or toureiro, both from Latin taurarius, are the Spanish and Portuguese words for bullfighter, and describe all the performers in the activity of bullfighting as practised in Spain, Portugal, Mexico, Peru, France, Colombia, Ecuador, Venezuela and other countries influenced by Portuguese and Spanish culture. The main performer and leader of the entourage in a bullfight, and who finally kills the bull, is addressed as maestro (master), or with the formal title matador de toros. The other bullfighters in the entourage are called subalternos and their suits are embroidered in silver as opposed to the matador's gold. They include the picadores, rejoneadores, and banderilleros.
James Gillray was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
George Cruikshank or Cruickshank was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience.
Sidney Franklin was the first American to become a successful matador, the most senior level of bullfighter.
Blood and Sand is a 1941 American Technicolor film drama starring Tyrone Power, Linda Darnell, Rita Hayworth and Nazimova. Directed by Rouben Mamoulian, it was produced by 20th Century Fox and was based on the 1908 Spanish novel Blood and Sand by Vicente Blasco Ibáñez. The supporting cast features Anthony Quinn, Lynn Bari, Laird Cregar, J. Carrol Naish, John Carradine and George Reeves. Rita Hayworth's singing voice was dubbed by Gracilla Pirraga.
El Fandi is statistically one of the most skilled matadors in the world.
Spanish-style bullfighting is a type of bullfighting that is practiced in several Spanish-speaking countries: Spain, Mexico, Ecuador, Venezuela, Peru, as well as in parts of southern France and Portugal. In Colombia it has been outlawed but is being phased out with a full ban coming in effect in 2027. This style of bullfighting involves a physical contest with humans attempting to publicly subdue, immobilize, or kill a bull. The most common bull used is the Spanish Fighting Bull, a type of cattle native to the Iberian Peninsula. This style of bullfighting is seen to be both a sport and performance art. The red colour of the cape is a matter of tradition – bulls are color blind. They attack moving objects; the brightly-colored cape is used to mask blood stains.
Bullfighting is a physical contest that involves a bullfighter attempting to subdue, immobilize, or kill a bull, usually according to a set of rules, guidelines, or cultural expectations.
The Inquisition Tribunal, also known as The Court of the Inquisition or The Inquisition Scene, is a 46-by-73-centimetre oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. The painting belongs to a series which also includes Bullfight, The Madhouse and A Procession of Flagellants, all reflecting customs which liberals objected to and wished were abandoned, but their reform was opposed by the absolutist (autocratic) policy of Ferdinand VII of Spain.
Jonathan Mayer Brown was an American art historian, known for his work on Spanish art, particularly Diego Velázquez. He was Carroll and Milton Petrie Professor of Fine Arts at New York University.
La Tauromaquia (Bullfighting) is a series of 33 prints created by the Spanish painter and printmaker Francisco Goya, which was published in 1816. The works of the series depict bullfighting scenes. There are also seven extra prints that were not published in the original edition.
Bullfight is an 1824 oil painting by Goya owned since 1992 by the J. Paul Getty Museum. When the museum bought the painting at auction in 1992, it shattered the artist's previous auction record. This piece shows Goya’s favorite form of entertainment: the controversial contest of bullfighting.
Mademoiselle V. in the Costume of an Espada is an 1862 oil-on-canvas painting by French artist Édouard Manet. The painting is in the collection of the Metropolitan Museum of Art, having been acquired in 1929. Manet exhibited the painting at the 1863 Salon des Refusés alongside Jeune Homme en costume de majo and Le Déjeuner sur l'herbe. It is often cited as an example of Manet's work being influenced by Spanish art.
The Bulls of Bordeaux is a series of four lithographs featuring scenes of bullfighting by the Spanish painter and printmaker Francisco Goya, produced in 1825 during his exile in France. Unlike the series La Tauromaquia which dealt with the performers in bullfighting, The Bulls of Bordeaux deals with bullfighting as a popular spectacle.
Christian Gaillard was a French painter born in Avignon, France. He lived in Paris and Arles, France.
British Tars Towing the Danish Fleet into Harbour is an 1807 cartoon by the British caricaturist James Gillray. Like much of his work the image portrays a contemporary event, the bombardment of Copenhagen and seizure of the Danish fleet by the Royal Navy to prevent it from falling into the hands of the French Empire with which Britain was at war.
A Village Bullfight or A Village Corrida is an oil painting by the Spanish painter Francisco Goya.
La novillada, is an oil painting by Francisco de Goya, painted in 1780, when he was trying his hand at bullfighting. It is part of the fourth series of tapestry cartoons for the Prince of Asturias' antechamber in the Pardo Palace.
The Allied Bakers or the Corsican Toad-in-the-hole is an 1814 political caricature by the British illustrator George Cruikshank. It makes reference to Napoleon's Corsican heritage and the traditional British dish toad in the hole.