The Strange Thing About the Johnsons | |
---|---|
Directed by | Ari Aster |
Written by | Ari Aster |
Produced by | Alejandro De Leon |
Starring |
|
Cinematography | Pawel Pogorzelski |
Edited by | Brady Hallongren |
Music by | Brendan Eder |
Release date |
|
Running time | 29 minutes |
Country | United States |
Language | English |
The Strange Thing About the Johnsons is a 2011 American short psychological thriller film written and directed by Ari Aster. The film stars Billy Mayo, Brandon Greenhouse, and Angela Bullock as members of a suburban family in which the father is trapped in an incestuous relationship with his abusive son.
The short was Aster's thesis film while studying at the AFI Conservatory, and later screened at film festivals in 2011, premiering at the Slamdance Film Festival in Utah on January 22, before it leaked online in November and went viral. Aster conceived the story while discussing taboos with his friends, including Greenhouse, before his first year at AFI. He worked on the production with fellow students from the school.
The Strange Thing About the Johnsons received polarized reviews from critics and audiences. Many were divided on the film's controversial themes, although Mayo and Bullock received widespread acclaim for their performances.
In 1995, acclaimed poet Sidney Johnson accidentally interrupts his 12-year-old son Isaiah masturbating. He apologizes and reassures Isaiah that the act is natural, unaware that Isaiah was masturbating to a photograph of Sidney as a young man.
In 2009, during Isaiah's wedding to Marianne, Sidney's wife and Isaiah's mother Joan discovers Isaiah secretly performing oral sex on a distressed Sidney. Despite being disturbed, Joan tries to regain her composure. That night, while Joan is in the shower, Sidney leaves a typed memoir underneath Joan's pillow called Cocoon Man: Confessions by Sidney Johnson. The memoir chronicles Sidney's experience of being incestuously abused by his son. Isaiah discovers it and tells him not to print any more copies. After a New Year's Eve party in 2010, Isaiah's erratic behavior begins to show as he lashes out at Marianne.
That night, while Sidney is listening to a self-help tape in the bath, Isaiah breaks down the door and rapes him. Joan hears Sidney's screams but turns up the television. The next day, Sidney attempts to leave the house with a secret copy of Cocoon Man but is led into another confrontation with Isaiah, who gaslights him. Sidney runs into the street in an attempt to escape, but is hit and killed by an oncoming van.
After Sidney's funeral, Joan decides to confront Isaiah, speculating that the abuse began 10 years ago during his prom night as she remembers Sidney crying for hours after it. Isaiah tells Joan that she is delusional and she calls him Sidney's killer, causing him to lash out and tell Joan that he loved Sidney better than she ever did. Isaiah attempts to strangle Joan, only for her to stab him with a knife. He then tries forcing her head into the fireplace but she stabs him to death with a fire iron, throws the copy of Cocoon Man into the fire, and sobs as she watches it burn.
Work on the project began during Aster's time at the AFI Conservatory film school, where he made it his thesis film. [1] [2] The idea behind the film had arisen from a discussion with some friends about taboo topics during the summer preceding his first year at AFI. Greenhouse, who plays Isaiah, had previously worked on projects with Aster and was there since the idea's conception. He said, "We were talking about topics that are too taboo to be explored, and so we arrived at taboos that weren't even taboos because they were so unfathomable, and the most popular was that of a son molesting his father." [3]
The film was shot on 35 mm. [4] Aster called the screenplay "a bit of an uphill battle to make it there politically". [5] He said, "I was at AFI, which is a kind of industry school. They're very Hollywood-oriented and they want to train you to become a Hollywood filmmaker, and the films they show the incoming fellows are very politically correct ... Oscar movies. And I just thought, what's the worst thing I can make at AFI? ... To ask, what can't I do? And why can't I do it? Oh, a son raping his dad, we should make that a movie. And then to figure out what makes that palatable and how to make that work." [6]
After the short film was released online, it went viral, garnering a polarized reaction due to its controversial themes. [3] [7] Ivan Kander of the website Short of the Week wrote that the comments on YouTube had "everything from effusive acclaim to disgusted vitriol" which "in terms of the internet, means it's a hit". [4]
The film also garnered controversy for its portrayal of an African-American family by a white filmmaker. [7] Aster responded, "The color of the family isn't important. We certainly assumed that casting black actors in a film that tackles such transgressive themes would create something of a stir, and it would be a lie to say that we weren't hesitant, especially as many people were advising us against the decision." [3]
Malcolm Harris, an African-American survivor of incest and child sexual abuse, wrote in The Huffington Post that Mayo's performance was "brilliant". He wrote, "We should be applauding the fact that someone has finally shown true courage in proposing the question, 'What if? What if these strange events were happening behind the closed doors of the Smiths, the Rosenbergs, the Mortimers, the Herreras? What if these strange things were happening to me?'" [7]
To Be or Not to Be is a 1942 American black comedy film, directed by Ernst Lubitsch, starring Carole Lombard and Jack Benny, and featuring Robert Stack, Felix Bressart, Lionel Atwill, Stanley Ridges and Sig Ruman. The plot concerns a troupe of actors in Nazi-occupied Warsaw who use their abilities at disguise and acting to fool the occupying troops. It was adapted by Lubitsch (uncredited) and Edwin Justus Mayer from the story by Melchior Lengyel. The film was released one month after actress Carole Lombard was killed in an airplane crash. In 1996, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
What's Love Got to Do with It is a 1993 American biographical film based on the life of American singer-songwriter Tina Turner. Directed by Brian Gibson and written by Kate Lanier from a uncredited story draft by the late Howard Ashman, based on Tina's 1986 autobiography I, Tina, it stars Angela Bassett as Tina and Laurence Fishburne as her abusive husband Ike Turner.
Scream 3 is a 2000 American slasher film directed by Wes Craven and written by Ehren Kruger. It stars David Arquette, Neve Campbell, Courteney Cox Arquette, Parker Posey, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Deon Richmond, and Patrick Warburton. It is a sequel to Scream 2 (1997) and the third installment in the Scream film series. The film's story takes place one year after the previous film's events and follows Sidney Prescott (Campbell), who has gone into self-imposed isolation following the events of the previous two films but is drawn to Hollywood after a new Ghostface begins killing the cast of the film within a film Stab 3. Scream 3 combines the violence of the slasher genre with comedy and "whodunit" mystery, while satirizing the cliché of film trilogies. Unlike the previous Scream films, there was an increased emphasis on comedic elements in this installment; the violence and horror were reduced in response to increased public scrutiny about violence in media, following the Columbine High School massacre.
The Unsuspected is a 1947 American mystery film noir directed by Michael Curtiz and starring Claude Rains, Audrey Totter, Ted North, Constance Bennett, Joan Caulfield, and Hurd Hatfield. The film was based on the 1946 novel of the same title by Charlotte Armstrong. The screenplay was co-written by Bess Meredyth, who was married to director Curtiz.
Way for a Sailor is a 1930 American pre-Code film starring John Gilbert. The supporting cast includes Wallace Beery, Jim Tully, Leila Hyams, and Polly Moran. The film was directed by Sam Wood, who insisted on no screen credit.
Bad Sister is a 1931 American pre-Code drama film directed by Hobart Henley. The screenplay by Edwin H. Knopf, Tom Reed, and Raymond L. Schrock is based on the 1913 novel The Flirt by Booth Tarkington, which had been filmed in 1916 and 1922.
Strange Cargo is a 1940 American romantic drama film directed by Frank Borzage and starring Clark Gable and Joan Crawford in a story about a group of fugitive prisoners from a French penal colony. The adapted screenplay by Lawrence Hazard was based upon the 1936 novel, Not Too Narrow, Not Too Deep, by Richard Sale. The film was produced by Joseph L. Mankiewicz for Metro-Goldwyn-Mayer; it was the eighth and last film pairing of Crawford and Gable, and the first Gable picture released in the wake of Gone with the Wind. The supporting cast includes Ian Hunter, Paul Lukas, Eduardo Ciannelli, and Peter Lorre.
The Strange Woman is a 1946 American historical melodrama film directed by Edgar G. Ulmer and starring Hedy Lamarr, George Sanders and Louis Hayward. It is based on the 1941 novel of the same title by Ben Ames Williams. The screenplay was written by Ulmer and Hunt Stromberg. Originally released by United Artists, the film is now in the public domain.
The Living Ghost is a 1942 American mystery-drama film directed by William Beaudine and produced by Monogram Pictures. Starring James Dunn and Joan Woodbury, the film incorporates elements of the horror genre as it follows an ex-private detective who is called in to investigate why a banker has turned into a zombie. As the detective shares wisecracks with the banker's cheeky secretary, the two fall in love. The film was distributed in the United Kingdom under the title Lend Me Your Ear, and later released on home video as A Walking Nightmare.
Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant, billed ninth in the cast but with a larger part than this would suggest. The picture's title is an example of the sensationalistic titles that were common in the pre-Code era. Many newspapers refused to publicize the film because of its racy title. The title is a line March's character says while making a toast.
Strange Magic is a 2015 American animated jukebox musical fantasy film directed by Gary Rydstrom and produced by Lucasfilm, with feature animation by Lucasfilm Animation and Industrial Light & Magic. The film's screenplay, by Rydstrom, David Berenbaum, and Irene Mecchi, is based on a story by George Lucas inspired by William Shakespeare's A Midsummer Night's Dream. The film stars the voices of Alan Cumming, Evan Rachel Wood, Elijah Kelley, Meredith Anne Bull, Kristin Chenoweth, Maya Rudolph, Sam Palladio and Alfred Molina. It follows the leader of the Dark Forest known as the Bog King (Cumming), who hates the notion of love and orders the destruction of all primroses - a flower used to create love potions. However, he begins to change his mind upon meeting the feisty fairy princess Marianne (Wood) whose heart was broken by her philandering fiancé Roland (Palladio). Meanwhile, the elf Sunny (Kelley) seeks to have a love potion made so he may make Marianne's sister Dawn (Bull) fall in love with him.
An Amateur Devil is a 1920 American silent comedy film directed by Maurice Campbell and written by Douglas Bronston based upon the short story "Wanted: A Blemish" by Henry J. Buxton and Jessie Henderson. The film stars Bryant Washburn, Charles Wingate, Ann May, Sidney Bracey, Graham Pettie, and Anna Dodge. The film was released on December 19, 1920, by Paramount Pictures. It is not known whether the film currently survives.
Hereditary is a 2018 American psychological horror film written and directed by Ari Aster in his feature directorial debut. Starring Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne, the film follows a grieving family tormented by sinister occurrences after the death of their secretive grandmother.
Burnt Wings is a 1920 American drama film directed by Christy Cabanne and starring Josephine Hill, Frank Mayo, and Rudolph Christians. It was released on March 29, 1920.
Daring Daughters is a 1933 American pre-Code melodrama film, directed by Christy Cabanne. It stars Marian Marsh, Kenneth Thomson, and Joan Marsh, and was released on March 25, 1933.
Ari Aster is an American filmmaker. After garnering initial recognition for the short film The Strange Thing About the Johnsons (2011), he became best known for writing and directing Hereditary (2018), Midsommar (2019), and Beau Is Afraid (2023), all of which were released by A24. His films have been noted for their unsettling combination of horror, dark comedy, and depictions of graphic violence. He co-founded the production company Square Peg with Danish producer Lars Knudsen in 2018.
Munchausen is a 2014 American silent short horror film written and directed by Ari Aster. The film stars Liam Aiken as a boy about to go off to college, and Bonnie Bedelia as his overprotective mother who goes to great lengths to keep him from leaving her.
Midsommar is a 2019 folk horror film written and directed by Ari Aster. It stars Florence Pugh and Jack Reynor as an American couple who are drawn into a violent cult in rural Sweden. Supporting actors include William Jackson Harper, Vilhelm Blomgren, Ellora Torchia, Archie Madekwe, and Will Poulter.
Beau Is Afraid is a 2023 American surrealist tragicomedy horror film written, directed, and co-produced by Ari Aster. The film stars Joaquin Phoenix as the title character, and also includes a supporting ensemble cast consisting of Patti LuPone, Nathan Lane, Amy Ryan, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, Armen Nahapetian, and Richard Kind. Its plot follows the mild-mannered but paranoia-ridden Beau as he embarks on a surreal odyssey to get home to his mother's funeral, realizing his greatest fears along the way.
Like in literature, incest is an important yet controversial thematic element and plot device in films, anime and manga, television, and video games.