"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681.
"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819.
"Thanatopsis" is an early poem by the American poet William Cullen Bryant. Meaning 'a consideration of death', the word is derived from the Greek 'thanatos' (death) and 'opsis'.
"The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789.
"Hymn to Intellectual Beauty" is a poem written by Percy Bysshe Shelley in 1816 and published in 1817.
Sonnet 36 is one of 154 Shakespeare's sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the speaker expresses his love towards a young man.
"A Death-Scene" is a poem by English writer Emily Brontë. It was written on 2 December 1844 and published in 1846 in a book collecting poetry by Brontë and her siblings.
Sonnet 136 is one of 154 sonnets written by the English playwright and poet William Shakespeare.
"The Canonization" is a poem by English metaphysical poet John Donne. First published in 1633, the poem is viewed as exemplifying Donne's wit and irony. It is addressed to one friend from another, but concerns itself with the complexities of romantic love: the speaker presents love as so all-consuming that lovers forgo other pursuits to spend time together. In this sense, love is asceticism, a major conceit in the poem. The poem's title serves a dual purpose: while the speaker argues that his love will canonise him into a kind of sainthood, the poem itself functions as a canonisation of the pair of lovers.
A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. "masculine ending" refers to a line ending in a stressed syllable. "feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death. Based on the theme of two lovers about to part for an extended time, the poem is notable for its use of conceits and ingenious analogies to describe the couple's relationship; critics have thematically linked it to several of his other works, including "A Valediction: of my Name, in the Window", Meditation III from the Holy Sonnets and "A Valediction: of Weeping".
In 1819, John Keats composed six odes, which are among his most famous and well-regarded poems. Keats wrote the first five poems, "Ode on a Grecian Urn", "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche" in quick succession during the spring, and he composed "To Autumn" in September. While the exact order in which Keats composed the poems is unknown, some critics contend that they form a thematic whole if arranged in sequence. As a whole, the odes represent Keats's attempt to create a new type of short lyrical poem, which influenced later generations.
"Elegy XIX: To His Mistress Going to Bed", originally spelled "To His Mistris Going to Bed", is a poem written by the metaphysical poet John Donne.
The Sidney or Sidneian Psalms are a 16th-century paraphrase of the Psalms in English verse, the work of Philip and Mary Sidney, aristocratic siblings who were influential Elizabethan poets. Mary Sidney completed them some time after the death of her brother in 1586 and presented a copy to Queen Elizabeth I of England in 1599. The translation was praised in the work of John Donne.
"The Good-Morrow" is a poem by John Donne, published in his 1633 collection Songs and Sonnets.
"The Flea" is an erotic metaphysical poem by John Donne (1572–1631). The exact date of its composition is unknown, but it is probable that Donne wrote this poem in the 1590s when he was a young law student at Lincoln's Inn, before he became a respected religious figure as Dean of St Paul's Cathedral. The poem uses the conceit of a flea, which has sucked blood from the male speaker and his female lover, to serve as an extended metaphor for the relationship between them. The speaker tries to convince a lady to sleep with him, arguing that if their blood mingling in the flea is innocent, then sexual mingling would also be innocent. His argument hinges on the belief that bodily fluids mix during sexual intercourse.
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
Edythe Mae Gordon was an African-American writer of short stories and poetry during the era of the Harlem Renaissance. Gordon primarily published her work in the Quill Club, a Boston-based publication founded by her husband Eugene Gordon and other figures of the Harlem Renaissance such as Helene Johnson and Dorothy West. The most well known example of her work was published after her death, Selected Works of Edythe Mae Gordon, as part of a project to support and reintroduce African-American women writers between 1910 and 1940, written by Henry Louis Gates Jr., Jennifer Burton, and Lorraine Elena Roses.
"Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death.
Holy Sonnet VIII – also known by its opening words as If Faithful Souls Be Alike Glorified – is a poem written by John Donne, an English metaphysical poet. It was first published in 1633, two years after the author's death.
