| The Temple of Dusk | |
|---|---|
 Poster for film | |
| Directed by | James Young |
| Screenplay by | Frances Marion |
| Story by | Frances Marion |
| Starring | |
| Cinematography | Dal Clawson |
Production company | |
| Distributed by | Mutual Film |
Release date |
|
Running time | 50 min. |
| Country | United States |
| Language | Silent (English intertitles) |
The Temple of Dusk is a lost [1] 1918 American silent drama film directed by James Young. It was produced by Sessue Hayakawa's Haworth Pictures Corporation. [2]
As described in a film magazine, [3] Akira (Hayakawa), a Japanese poet who lives in Tokyo, falls in love with an American, Ruth Vale (Novak), who has grown to womanhood under his father's care. He is much saddened, however, when she marries an American. Three years elapse and Ruth dies of an illness, leaving a baby in the poet's care. Akira agrees to accompany the child and father to America, and when the American is accused of the murder of a man who entered his home, Akira assumes the guilt. He escapes from prison to visit the child and is shot by a guard. An allegorical scene shows Akira and Ruth entering the Temple of Dusk together.
Like many American films of the time, The Temple of Dusk was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut, in Reel 3, of the scene with the wife at the mantle and her lover on the couch and the first kissing scene between wife and lover where Akira discovers them. [4]
Kintarō Hayakawa, known professionally as Sessue Hayakawa, was a Japanese actor and a matinée idol. He was a popular star in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.
The Guilty Man is a lost 1918 American silent drama film directed by Irvin Willat and starring William Garwood, Vivian Reed, and Gloria Hope. The film was based on a play by Charles Klein.
The Secret Man is a 1917 American silent Western film, directed by John Ford and featuring Harry Carey. Two of the five reels of the film survive at the Library of Congress film archive.
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The Hidden Hand is a 1917 American film serial directed by James Vincent. This is a lost serial.
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The Marriage Ring is a lost 1918 American silent drama film directed by Fred Niblo.
The Soul of Buddha is a 1918 American silent romance film directed by J. Gordon Edwards and starring Theda Bara, who also wrote the film's story. The film was produced by Fox Film Corporation and shot at the Fox Studio in Fort Lee, New Jersey.
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Mile-a-Minute Kendall is a 1918 American silent drama film directed by William Desmond Taylor and released by Paramount Pictures. Jack Pickford plays the title role, a wealthy, rakish young man who falls for a gold digger. The "beautiful but unscrupulous fortune hunter" who tempts Kendall is played by Lottie Pickford, Jack's sister; a contemporary review in Variety noted that "the idea of a sister 'vamping' her own brother is not exactly palatable." Louise Huff plays the "good girl" in the story.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Selfish Yates is a 1918 American silent Western film starring William S. Hart. It was directed by and co-produced by Hart along with Thomas H. Ince. Paramount Pictures handled distribution.
Lost in Transit is a lost 1917 American silent drama film directed by Donald Crisp and written by Gardner Hunting and Kathlyn Williams. The film stars George Beban, Helen Jerome Eddy, Pietro Sosso, Vera Lewis, Henry A. Barrows, and Frank Bennett. The film was released on September 3, 1917, by Paramount Pictures.
The Call of the East is a 1917 American silent drama film directed by George Melford and written by Beulah Marie Dix. The film stars Sessue Hayakawa, Tsuru Aoki, Jack Holt, Margaret Loomis, James Cruze, and Ernest Joy. The film was released on October 15, 1917, by Paramount Pictures.
The House of Silence is a lost 1918 American silent drama film directed by Donald Crisp and written by Elwyn Alfred Barron and Margaret Turnbull. The film stars Wallace Reid, Ann Little, Adele Farrington, Winter Hall, Ernest Joy, and Henry A. Barrows. The film was released on April 8, 1918, by Paramount Pictures.
The Bravest Way is a 1918 American silent drama film directed by George Melford and written by Edith M. Kennedy. The film stars Sessue Hayakawa, Florence Vidor, Tsuru Aoki, Yukio Aoyama, Jane Wolfe, and Winter Hall. The film was released on June 16, 1918, by Paramount Pictures.
The Claws of the Hun is a 1918 American silent drama film directed by Victor Schertzinger and written by Ella Stuart Carson and R. Cecil Smith. The film stars Charles Ray, Jane Novak, Robert McKim, Dorcas Matthews, Melbourne MacDowell, and Mollie McConnell. The film was released on June 30, 1918, by Paramount Pictures.
The Tiger Man is a 1918 American Western silent film directed by William S. Hart, written by J.G. Hawks, and starring William S. Hart, Jane Novak, Milton Ross, Robert Lawrence, Charles K. French, and J. P. Lockney. It was released on April 1, 1918, by Paramount Pictures. A print of the film is in the Museum of Modern Art.
His Debt is a 1919 American silent drama film directed by William Worthington and produced by Haworth Pictures Corporation.
Woman and Wife is a 1918 American silent drama film directed by Edward Jose and starring Alice Brady. It is based on the 1847 novel Jane Eyre by Charlotte Brontë. The Select Pictures Corporation produced and distributed the film. The film was also known as The Lifted Cross.
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