The Times They Are a-Changin' | ||||
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Studio album by | ||||
Released | 1968 | |||
Genre | Folk | |||
Length | 33.02 | |||
Label | Columbia | |||
Producer | Bob Johnston | |||
Burl Ives chronology | ||||
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The Times They Are a-Changin' is a 1968 album by Burl Ives, produced by Bob Johnston. It was probably recorded at Columbia Studios in Nashville, with local session musicians. It features songs by Bob Dylan, Paul Simon, and Johnny Cash (all of whom had previously worked with Johnston), songs by Johnston's friend Charlie Daniels, plus other pop or country standards.
Review scores | |
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Source | Rating |
Allmusic | [1] |
In his Allmusic review, critic Richie Unterberger heavily criticized the attempt at having Ives "go electric" as other folk musicians were at the time, calling the album the "most ludicrous" attempt. He wrote Ives' "voice was shaky, the arrangements bland MOR, and the whole enterprise a mesh of ill-fitting pieces. Nowhere is that more evident than in the title track, which devolves into a grandly intended spoken intonation of the lyrics that succeeds only in getting Ives to make a fool of himself." [1]
In contrast, Billboard's reception at the time (not years later) was quite favorable: "His first Columbia single 'I'll Be Your Baby Tonight' leads off this parade of Ives renditions, as he's in fine voice on that and other recent pop hits. 'Little Green Apples,' 'Homeward Bound' and 'If I Were a Carpenter' are perfect for Ives style and feel." [2]
Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It typically combines elements of folk and rock music together, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.
John Wesley Harding is the eighth studio album by the American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. John Wesley Harding was recorded around the same time as the home recording sessions with The Band known as The Basement Tapes.
The Times They Are a-Changin' is the third studio album by the American singer-songwriter Bob Dylan. It was released on February 10, 1964, through Columbia Records. Whereas his previous albums, Bob Dylan and The Freewheelin' Bob Dylan, combined original material and cover songs, this was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.
Thomas Blanchard Wilson Jr. was an American record producer. He is best known for his work in the 1960s with acclaimed artists such as Bob Dylan, Frank Zappa and the Mothers of Invention, Simon & Garfunkel, the Velvet Underground, Cecil Taylor, Sun Ra, Eddie Harris, Nico, Eric Burdon and the Animals, the Blues Project, the Clancy Brothers and Tommy Makem, and others.
James Timothy Hardin was an American folk and blues songwriter. As well as releasing his own material, several of his songs, including "If I Were a Carpenter" and "Reason to Believe", became hits for other artists.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
Donald William "Bob" Johnston was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon & Garfunkel.
"The Times They Are a-Changin'" is a song written by Bob Dylan and released as the title track of his 1964 album of the same name. Dylan wrote the song as a deliberate attempt to create an anthem of change for the time, influenced by Irish and Scottish ballads. Released as a 45-rpm single in Britain in 1965, it reached number 9 on the UK Singles Chart. The song was not released as a single in the US. In 2019 it was certified Silver by BPI.
Odetta Sings Dylan is an album by American folk singer Odetta, issued by RCA Victor in 1965. It consists of covers of Bob Dylan songs.
"One Too Many Mornings" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. The chords and vocal melody are in some places very similar to the song "The Times They Are A-Changin'". "One Too Many Mornings" is in the key of C Major and is fingerpicked.
Heyday: the BBC Radio Sessions 1968–69 is an album by the English folk rock band Fairport Convention first released in 1987. As its title suggests, it consists of live versions of songs recorded for John Peel's Top Gear radio programmes.
Richard P. Havens, 1983 is a 1968 double album set by folk rock musician Richie Havens featuring a combination of studio recordings and live material recorded in concert during July 1968. The album combined original material with several of the covers for which Havens was known. Notable songs include the singles "Stop Pushing and Pulling Me" and "Indian Rope Man", the latter of which has been multiply covered under its own name and in retooled identity as "African Herbsman." The genre-bending album was critically and commercially well-received, reaching #80 on the Billboard "Pop Albums" chart. Initially released on the Verve label, it has been reissued multiple times in various formats, including by Verve subsidiary Verver Forecast/PolyGram and Australian label Raven Records. It has also been compiled with albums Mixed Bag and Something Else Again in multi-cd set Flyin' Bird: The Verve Forecast Years on the Hip-O Select/Universal label.
Bull Durham Sacks & Railroad Tracks is an album by American folk musician Ramblin' Jack Elliott, released in 1970. It was his second, and last, release on the Reprise label. Elliott did not release another studio album for eleven years.
Young Brigham is an album by American folk musician Ramblin' Jack Elliott, released in 1968.
The Byrds' Greatest Hits Volume II is the second greatest hits album by the American rock band the Byrds. It was released in the United Kingdom and Europe on October 29, 1971, by CBS Records as a follow-up to the band's first compilation album, The Byrds' Greatest Hits. The album appeared following the band's successful appearance at the Lincoln Folk Festival in England on July 24, 1971, and according to band biographer Johnny Rogan may have been issued by CBS as a reaction to the band's previous studio album, Byrdmaniax, having failed to chart in the UK.
"Farewell", also known as "Fare Thee Well", is a song by American singer-songwriter Bob Dylan. Dylan wrote the song in January 1963. He considered it for his third album, The Times They Are a-Changin', but only attempted a few takes during the album's first studio session. Dylan's earlier recordings of "Farewell" found their way onto various bootlegs, and a collection of demos that included the song was released in October 2010 as The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964.
Nashville Airplane is the 27th album by Lester Flatt and Earl Scruggs released in 1968 on the Columbia Limited Edition label. It was recorded shortly before their breakup in 1969. Lester Flatt resisted the change in direction to a point that led to the breakup.
"I Knew I'd Want You" is a song by the folk rock band the Byrds, written by band member Gene Clark, and first released as the B-side to their 1965 debut single, "Mr. Tambourine Man". It was also later included on their debut album, Mr. Tambourine Man.