The Madwoman of Chaillot is a 1969 American satirical film made by Commonwealth United Entertainment and distributed by Warner Bros.-Seven Arts. It was directed by Bryan Forbes and produced by Ely A. Landau with Anthony B. Unger as associate producer. The screenplay was by Edward Anhalt, based on The Madwoman of Chaillot, Maurice Valency's adaption of La Folle de Chaillot by Jean Giraudoux. The music score was by Michael J. Lewis and the cinematography by Burnett Guffey and Claude Renoir. It was shot at the Victorine Studios in Nice and on location in Paris. The film's sets were designed by the art director Ray Simm.
Die Abenteuer eines Zehnmarkscheines, also known as Adventures of a Ten Mark Note and Uneasy Money, is a German silent film directed by Berthold Viertel. It was released in 1926. This film is considered lost.
Strauss Is Playing Today is a 1928 German silent drama film directed by Conrad Wiene and starring Alfred Abel, Hermine Sterler and Imre Ráday. The film was made at the Tempelhof Studios in Berlin. It portrays the relationship between the father and son Austrian composers Johann Strauss I and Johann Strauss II.
Imre Ráday was a Hungarian film actor.
Night Convoy is a 1932 German drama film directed by James Bauer and starring Vladimir Gajdarov, Olga Chekhova and Oskar Homolka. It was shot at the Babelsberg Studios in Berlin and on location in Hamburg. The film's sets were designed by the art directors Willi Herrmann and Herbert O. Phillips. It premiered on 21 January 1932.
At the Edge of the World is a 1927 German silent drama film directed by Karl Grune and starring Albert Steinrück, William Dieterle and Brigitte Helm. It was shot at the Babelsberg Studios in Berlin. Robert Neppach oversaw the film's art direction and designed the sets. The film was so heavily cut by the management of UFA that Grune tried to have his name removed from the credits and publicly criticized them in an open letter.
The Woman One Longs For is a 1929 German silent drama film directed by Curtis Bernhardt and starring Marlene Dietrich, Fritz Kortner and Frida Richard. It was based on the novel of the same title by Max Brod, published in Vienna by Paul Zsolnay Verlag in 1927. Made partly at the Babelsberg Studios and the Terra Studios, the film premiered on 29 April 1929 at the Mozartsaal in Berlin. The film's art direction was by Robert Neppach. It is also known by the alternative title The Three Lovers.
The Prince of Rogues is a 1928 German silent drama film directed by Curtis Bernhardt and starring Hans Stüwe, Lissy Arna and Albert Steinrück. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter. The story depicts the life of the 18th century outlaw Schinderhannes. It is based on a 1927 play Schinderhannes by Carl Zuckmayer.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
The Green Alley is a 1928 German silent film directed by Richard Oswald and starring Grete Mosheim, Gustav Fröhlich and Marija Leiko. The film was made by the German branch of Universal Pictures and was based on the novel Der heilige Skarabäus by Else Jerusalem. It was shot at the Staaken Studios in Berlin. The art direction was overseen by Gustav A. Knauer and Willy Schiller.
Karin Evans (1907–2004) was a South African-born German stage and film actress. Evans was born in Johannesburg to one British and one German parent. In 1923 she moved to Berlin to study theatre, and began performing in the stage productions of Max Reinhardt. She made her film debut in the 1927 silent crime film The Trial of Donald Westhof (1927) and then appeared intermittently in a mixture of leading and supporting roles. In 1964 she appeared in the comedy Fanny Hill which proved to be her final screen appearance. She was married to the painter Wolf Hoffmann.
Target in the Clouds is a 1939 German drama film directed by Wolfgang Liebeneiner and starring Albert Matterstock, Leny Marenbach and Brigitte Horney. It was based on a novel by Hans Rabl. The film portrays the struggles of the fictional German aviation pioneer Walter von Suhr, an officer in the pre-First World War German army who saw the potential for military aircraft.
Woman in the River is a 1939 drama film directed by Gerhard Lamprecht and starring Hertha Feiler, Attila Hörbiger and Oskar Sima. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss.
The Charm of La Bohème is a 1937 Austrian musical film directed by Géza von Bolváry and starring Jan Kiepura, Mártha Eggerth, and Paul Kemp. It follows the plot of Giacomo Puccini's 1896 opera La bohème. The film's sets were designed by Hans Ledersteger. The Berlin premiere took place at the Ufa-Palast am Zoo.
The Concert is a 1931 German comedy film based upon the play by Hermann Bahr, directed by Leo Mittler and starring Olga Chekhova, Oskar Karlweis, and Ursula Grabley. It was made by the German subsidiary of Paramount Pictures and released by UFA as part of the Parufamet distribution deal. It was shot at the Joinville Studios in Paris and premiered at the Gloria-Palast in Berlin.
A Small Down Payment on Bliss is a 1929 German silent comedy film directed by Jaap Speyer and starring Dina Gralla, Paul Hörbiger, and Imre Ráday.
The Csardas Princess is a 1927 German-Hungarian silent romance film directed by Hanns Schwarz and starring Liane Haid, Imre Ráday and Ferenc Vendrey. It is based on the 1915 operetta The Csardas Princess, the title referring to the popular Hungarian Csárdás dance.
Love Must Be Understood is a 1933 German musical comedy film directed by Hans Steinhoff and starring Rosy Barsony, Georg Alexander, and Wolf Albach-Retty. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Benno von Arent.
Fresh Wind from Canada is a 1935 German comedy film directed by Erich Holder and starring Max Gülstorff, Dorit Kreysler and Paul Hörbiger. It was shot at the Babelsberg Studios in Potsdam outside Berlin. The film's sets were designed by the art directors Erich Kettelhut and Max Mellin.
Counterfeiters is a 1940 German crime film directed by Hermann Pfeiffer and starring Kirsten Heiberg, Rudolf Fernau and Karin Himboldt.
