Fra Angelico, O.P. was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects.
Fra Bartolomeo or Bartolommeo, also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church.
Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.
The Portinari Altarpiece or Portinari Triptych is an oil-on-wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 304 cm, and is now in the Galleria degli Uffizi in Florence, Italy. This altarpiece is filled with figures and religious symbols. Of all the late-fifteenth-century Flemish artworks, this painting is said to be the most studied.
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece. It originally comprised four elements, of which three survive, now all separated: a main panel of the Crucified Christ with the Virgin Mary, Saints and Angels which was bequeathed to the National Gallery, London, by Ludwig Mond, and a three-panel predella from which one panel is lost; the two surviving panels are Eusebius of Cremona raising Three Men from the Dead with Saint Jerome's Cloak in the Museu Nacional de Arte Antiga, in Lisbon, and Saint Jerome saving Silvanus and punishing the Heretic Sabinianus in the North Carolina Museum of Art.
The Pietà is an oil on canvas painting, one of the last paintings by Titian, from 1575-1576. In its final, extended state it was left incomplete at his death, in 1576, to be completed by Palma Giovane. Titian had intended it to hang over his grave, and the two stages of painting were to make it fit in two different churches. It is now in the Gallerie dell'Accademia, in Venice.
Lorenzo di Niccolò or Lorenzo di Niccolò di Martino was an Italian painter who was active in Florence from 1391 to 1412. This early Renaissance artist worked in the Trecento style, and his work maintains influences of the Gothic style, marking a transitional period between the Gothic sensibilities of the Middle Ages while simultaneously beginning to draw on the Classical. Lorenzo's works were usually religious scenes in tempera with gold backgrounds.
Agostino Ciampelli was an Italian painter of the Baroque period. He trained with Santi di Tito in Florence, and painted in Rome under Clement VIII, including a Crucifixion for Santa Prassede and a Saint Giovanni Gualberto in its sacristy; Angels on the walls above the choirstalls in the apse of Santa Maria in Trastevere; frescoes of the Stoning of Saint Vitale in San Vitale and further frescoes in the little church of Santa Bibiena; and The Visitation in Sant Stefano di Pescia. At the Basilica of San Giovanni in Laterano, Ciampelli frescoed the walls of the canons' sacristy, the "Sala Clementina".
The Basilica of Saint Nicholas of Tolentino is a Roman Catholic church and minor basilica that is part of the Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, central Italy. The church is a former cathedral of the Roman Catholic Diocese of Tolentino, suppressed in 1586.
The Sassetti Chapel is a chapel in the basilica of Santa Trinita in Florence, Italy. It is especially notable for its frescoes of the Stories of St. Francis, considered Domenico Ghirlandaio's masterwork.
San Gaetano, also known as Santi Michele e Gaetano, is a Baroque church in Florence, Italy, located on the Piazza Antinori, entrusted to the Institute of Christ the King Sovereign Priest.
The San Marco Altarpiece is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443.
The Barbadori Altarpiece is an altarpiece painting by Filippo Lippi, dated to 1438 and now in the Louvre Museum in Paris. It may be considered as a very early sacra conversazione.
The Church of San Marco in San Girolamo is a baroque parish church in Vicenza, northern Italy, built in the 18th century by the Discalced Carmelites. It houses various artworks by artists of the early 18th century from Veneto. The sacristy preserves its original furniture of the same period.
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
The Oratory of St. Thomas Aquinas is a late-Renaissance-style, Roman Catholic prayer hall located on Via della Pergola in Florence, region of Tuscany, Italy.
Sant'Elena, also sometimes called Santa Lena, is a Gothic-style, Roman Catholic church at the extreme east end of the sestiere of Castello in the City of Venice, Italy.
San Francesco is a Romanesque and Gothic-style, Roman Catholic church located at Piazza San Francesco in Pescia, region of Tuscany, Italy.
Santa Caterina d'Alessandria or Saint Catherine of Alexandria is a Roman Catholic church with a main facade on Piazza Bellini, and a lateral Western facade facing the elaborate Fontana Pretoria, in the historic quarter of Kalsa in the city of Palermo, region of Sicily, Italy. In front of the main facade, across the piazza Bellini, rise the older churches of San Cataldo and Santa Maria dell'Ammiraglio, while across Piazza Pretoria is the Theatine church of San Giuseppe and the entrance to the Quattro Canti. Refurbished over the centuries, the church retains elements and decorations from the Renaissance, Baroque, and late-Baroque (Rococo) eras. This church is distinct from the Oratorio di Santa Caterina found in the Olivella neighborhood.
