The Voice (Russian: Голос, romanized: Golos) | |
---|---|
Directed by | Ilya Averbakh |
Written by | Natalya Ryazantseva |
Produced by | Sergey Selyanov Natalya Drozd-Makan Konstantin Ernst |
Starring | Natalya Sayko Leonid Filatov Grigori Kalatosishvili Vsevolod Shilovsky Petr Shelokhonov Yelena Safonova |
Cinematography | Dmitry Dolinin |
Edited by | Olga Amosova Aleksandra Borovskaya |
Music by | Nikolai Karetnikov |
Distributed by | Lenfilm Goskino Sovexportfilm |
Release date |
|
Running time | 87 minutes |
Country | Soviet Union |
Language | Russian |
Budget | $6,500,000 (estimated) |
The Voice (Russian : Голос, romanized: Golos), is a 1982 Soviet psychological drama film. It is based on the screenplay of the same name by Natalya Ryazantseva and directed by Ilya Averbakh. This is the last film by director Ilya Averbakh. [1]
Actress Yulia Martynova (Natalya Sayko) is starring in a new film, but in the middle of the film production she is suddenly hospitalized with a serious illness. The film director (Leonid Filatov) is emotionally involved; he becomes nervous and frustrated because the film cannot be completed without the leading actress. All crew members are nervous witnessing the unfolding disaster, but the actress comes back from her hospital bed to the studio to continue her work in post-production. Yulia is so devoted to being original in creative process that she cannot allow her character speaking with the voice of another actress, so she deals with her health condition by taking drugs to overcome the pain, in order to contribute her original voice to the film. The cast and crew members are helping the leading star to continue working while she is still suffering with terminal condition, so she delivers her role elegantly thus contributing to successful result. Her original voice slightly altered by her illness brings a new depth and meaning to the film after her death.
The film was produced by Lenfilm studios in Leningrad (St. Petersburg), Russia, former USSR. Filming locations were in the city of Leningrad (St. Petersburg) and its suburbs, as well as in Moscow. Post-production was done at Lenfilm studios. Production dates were from October 1980 to October 1982. [3]
The film was released on 18 December 1982, in Leningrad (St. Petersburg), with the premiere at the Dom Kino (House of Film) in Leningrad. Attendance was 2.3 million viewers internationally in the first year after release. The film was released in East Germany on 28 October 1983, with narration and subtitles in German.
Vladimir Semyonovich Vysotsky was a Soviet singer-songwriter, poet, and actor who had an immense and enduring effect on Soviet culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often-humorous street jargon. He was also a prominent stage- and screen-actor. Though the official Soviet cultural establishment largely ignored his work, he was remarkably popular during his lifetime and has exerted significant influence on many of Russia's musicians and actors.
Lenfilm is a Russian production and distribution company with its own film studio located in Saint Petersburg. It is a corporation with its stakes shared between private owners and several private film studios which operate on the premises. Since October 2012, the Chairman of the board of directors is Fyodor Bondarchuk.
Moscow Does Not Believe in Tears is a 1980 Soviet romantic drama film made by Mosfilm. It was written by Valentin Chernykh and directed by Vladimir Menshov. The leading roles were played by Vera Alentova and Aleksey Batalov. The film won the Academy Award for Best Foreign Language Film in 1981.
Klara Mikhailovna Rumyanova was a Soviet and Russian actress, voice actress and singer. She was active from 1951 to 1999.
Leonid Alekseyevich Filatov was a Soviet and Russian actor, director, poet, pamphleteer, who shot to fame while a member of the troupe of the Taganka Theatre under director Yury Lyubimov. Despite severe illness that haunted him in the 1990s, he received many awards, including the Russian Federation State Prize and People's Artist of Russia in 1996.
The Meeting Place Cannot Be Changed is a 1979 Soviet five-part television film directed by Stanislav Govorukhin and starring singer-songwriter Vladimir Vysotsky in one of his final screen appearances alongside actor Vladimir Konkin. The script, written by Arkady and Georgy Vayner, is based on the plot of their novel The Era of Mercy.
Stanislav Andreyevich Lyubshin is a Soviet and Russian actor, film director, and People's Artist of the RSFSR (1981).
Ilya Aleksandrovich Averbakh was a Soviet film director. His 1972 film, Monologue, was entered into the 1973 Cannes Film Festival.
Petr Illarionovich Shelokhonov, was a Russian actor, director, filmmaker and socialite, designated Honorable Actor of Russia (1979). A strong proponent of making High culture accessible to all people, he organized social events for all people in artistic communities of St. Petersburg and Moscow using his position as member of the Union of Actors.
Natalya Varley is a Soviet and Russian film and theater actress, who became famous in 1966 for her part in the comedy Kidnapping, Caucasian Style. In 1989 she was designated as a Meritorious Artist of RSFSR.
Little Tragedies is a 1979 Soviet television miniseries directed by Mikhail Schweitzer, based on works by Alexander Pushkin. Dedicated to Pushkin's 180th birthday and 150th anniversary of Boldino Autumn, it was Vladimir Vysotsky's last movie role.
The Star of Captivating Happiness is a 1975 Soviet historical romance. The title is an allusion to a line from the poem To Chaadayev by Alexander Pushkin. It is a drama with the dedication "to the women of Russia".
Anna Pavlova, also known as A Woman for All Time, is a 1983 biographical drama film depicting the life of the Russian ballet dancer Anna Pavlova, written and directed by Emil Loteanu and starring Galina Belyayeva, James Fox and Sergey Shakurov. It depicts Pavlova's passion for art and her collaboration with the reformers of ballet including Michel Fokine, Vaslav Nijinsky and Sergei Diaghilev.
Natalya Utevlevna Arinbasarova is a Russian actress who appeared in more than thirty films since 1965. In 1979 Arinbasarova was named Honored Artist of the RSFSR and in the same year she received the USSR State Prize for her role in The Taste of Bread (1978).
Natalya Petrovna Saiko is a Soviet and Russian actress. She appeared in more than thirty films since 1969.
Could One Imagine?, also released as Love and Lies, is a 1981 Soviet teen drama film directed by Ilya Frez based on the novella by Galina Shcherbakova.
Heavenly Swallows is a 1976 Soviet two-part musical comedy-drama television film directed by Leonid Kvinikhidze, based on the vaudeville-opérette Mam'zelle Nitouche.
Other People's Letters is a 1975 Soviet drama film directed by Ilya Averbakh.
My Favorite Clown is a 1986 Soviet romantic drama film directed by Yuri Kushneryov. The film tells about a young clown who adopts an orphanage in spite of all circumstances.
Varvara Sergeyevna Myasnikova was a Soviet actress.