Wilbur Bernard Ware was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Open Sesame is the debut album by then 22 years old trumpeter Freddie Hubbard, recorded on June 19, 1960 by Rudy Van Gelder at his studio in Englewood Cliffs, NJ and released on the Blue Note label in 1960 in mono as BLP 4040 and in stereo as BST 84040. It features performances by Hubbard, Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. In 1988, Capitol Records issued it on compact disc with Michael Cuscuna as reissue producer and in 2001, they released a version remastered by Rudy Van Gelder.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
In Orbit is an album by jazz trumpeter Clark Terry, also featuring Thelonious Monk, which was recorded in New York on May 7 & 12, 1958.
Whistle Stop is a jazz studio album by Kenny Dorham, featuring performances by acclaimed musicians Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. It was recorded in January 1961 at Van Gelder Studio, in Englewood Cliffs, and was originally released on Blue Note Records as BST 84063 and BLP 4063. "In 1975", Blumenthal states in the CD liner notes, "five British critics picked Whistle Stop as one of 200 albums that belonged in a basic library of jazz recorded after World War II".
Back to the Tracks is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the session, "David the King", was rejected since it "never made it to releasable quality". The composition was later re-recorded for Brooks' final Blue Note session, eventually released as The Waiting Game. The tracks first appeared in a Mosaic 12" LP box-set (MR4-106) entitled The Complete Blue Note Recordings of The Tina Brooks Quintets. A Blue Note CD appeared in 1998, then reissued in 2006.
Jackie's Bag is an album by American saxophonist Jackie McLean recorded in 1959 and 1960 and released by Blue Note. It features three tracks with McLean in a quintet featuring trumpeter Donald Byrd, pianist Sonny Clark, bassist Paul Chambers and drummer Philly Joe Jones, and six tracks with a sextet featuring tenor saxophonist Tina Brooks, trumpeter Blue Mitchell, pianist Kenny Drew, bassist Paul Chambers and drummer Art Taylor.
Big 6 is the debut album by American trumpeter Blue Mitchell recorded in 1958 and released on the Riverside label. It contains the first recording of Benny Golson's jazz standard "Blues March".
Dexter Calling... is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label in 1962. "Soul Sister", "I Want More" and "Ernie's Tune" were written for the Los Angeles production of the play The Connection by Jack Gelber in 1960.
Landmarks is an album by the American jazz saxophonist Joe Lovano recorded in 1990 and released on the Blue Note label.
Pal Joey is an album by American pianist Kenny Drew recorded in 1957 and released on Riverside Records in 1958. The trio plays here pieces from the musical of the same name and other works composed by Rodgers and Hart. The album was first reissued on CD only in 1996 in the US, and in 2006 in Japan. Both editions are currently out of print.
Way Out! is an album by jazz saxophonist Johnny Griffin, released on the Riverside label in 1958.
Johnny Griffin Sextet is an album by jazz saxophonist Johnny Griffin and his all-star sextet, released on the Riverside label in 1958. It was Griffin's first album as leader on Riverside, and was recorded the day before the Way Out! session dates.
This Is New is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.
Seven Standards and a Blues is the second album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1957 for the Riverside label.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
The Chicago Sound is the sole album led by American jazz bassist Wilbur Ware. It features a quintet with the saxophonist Johnny Griffin and was recorded in 1957 for the Riverside label. It was subsequently re-released by the Jazzland label as: Johnny Griffin & Wilbur Ware with Junior Mance and renamed "The Chicago Cookers" in 1960.
Chet Baker in New York is an album by trumpeter Chet Baker recorded in 1958 and released on the Riverside label early the following year. The album includes a Benny Golson composition, "Fair Weather", that is not to be confused with a Kenny Dorham song of the same name that Baker recorded in 1986 for the Round Midnight sountrack album.
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