John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh, painted in June 1889. It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognizable paintings in Western art.
The Cornfield is an oil painting by the English artist John Constable, completed from January to March 1826 in the artist’s studio. The painting shows a lane leading from East Bergholt toward Dedham, Essex, and depicts a young shepherd boy drinking from a pool in the heat of summer. The location is along Fen Lane, which the artist knew well. Constable referred to the piece as The Drinking Boy.
Wheatfield with Crows is a July 1890 painting by Vincent van Gogh. It has been cited by several critics as one of his greatest works.
The Hireling Shepherd (1851) is a painting by the Pre-Raphaelite artist William Holman Hunt. It represents a shepherd neglecting his flock in favour of an attractive country girl to whom he shows a death's-head hawkmoth. The meaning of the image has been much debated.
John Rogers Cox was an American painter from Terre Haute, Indiana. His style and subject matter align him with the Regionalist and Magic Realist landscape tradition.
Arles: View from the Wheat Fields was painted by Vincent van Gogh in June 1888, among a number of paintings he made of wheat fields that summer. It is currently displayed at the Musee Rodin in Paris, France.
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, products of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from Arles, Saint-Rémy and Auvers-sur-Oise in rural France.
Enclosed Field with Peasant is an oil painting by Dutch artist Vincent van Gogh, painted around 12 October 1889. The Size 30 painting, measuring 73 cm × 92 cm, depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky. Van Gogh considered it a pendant painting to The Reaper executed earlier in 1889. It is currently part of the permanent collection at the Indianapolis Museum of Art.
Green Wheat Field with Cypress is an oil-on-canvas painting by Dutch Post-Impressionist Vincent van Gogh. It is held by the National Gallery Prague, displayed at the Trade Fair Palace in the district of Holešovice, where the painting is known as Zelené obilí.
Youth on the Prow, and Pleasure at the Helm is an oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had been planning the painting since 1818–19, and an early version was exhibited in 1822. The piece was inspired by a metaphor in Thomas Gray's poem The Bard in which the apparently bright start to the notorious misrule of Richard II of England was compared to a gilded ship whose occupants are unaware of an approaching storm. Etty chose to illustrate Gray's lines literally, depicting a golden boat filled with and surrounded by nude and near-nude figures.
Rain is an oil-on-canvas painting by Vincent van Gogh, created in 1889, while he was a voluntary patient at an asylum in Saint-Rémy-de-Provence. He repeatedly painted the view through the window of his room, depicting the colours and shades of the fields and hills around Saint-Rémy as they appeared at various times of day and in varying weather conditions. Rain measures 73.3 cm × 92.4 cm and is held by the Philadelphia Museum of Art in the United States.
Reaper, Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun. To the artist, the reaper represented death and "humanity would be the wheat being reaped". However, Van Gogh did not consider the work to be sad but "almost smiling" and taking "place in broad daylight with a sun that floods everything with a light of fine gold".
Stratford Mill is an 1820 oil on canvas painting by the British landscape artist John Constable. It is the second painting in the series of six-footers depicting working scenes on the River Stour, a series that includes The Hay Wain. The painting is now in the collection of the National Gallery in London.
Stour Valley and Dedham Church is a landscape painting by the British artist John Constable. Like many of his works it features a scene of the River Stour in his native Suffolk close to the border with Essex. In the distance is the church at Dedham. In the foreground farmworkers are loading a cart.
Flatford Mill is an 1817 landscape painting by the British artist John Constable. It depicts a view of Flatford Mill in East Bergholt on the River Stour. It is also known by the subtitle Scene on a Navigable River.
Waterloo Bridge is an 1820 riverscape painting by the British artist John Constable. It depicts a view of London looking eastwards towards Waterloo Bridge, which had opened three years earlier. Also visible are notable other London landmarks including Somerset House and Saint Paul's Cathedral. In the foreground are waterman and bathers. Constable's patron John Fisher described it as Canaletto-like. Constable spent many years working on a major project The Opening of Waterloo Bridge showing the events of 1817.
Boat-Building Near Flatford Mill is an 1815 landscape painting by the English artist John Constable. It depicts a scene on the River Stour near to Flatford Mill on the Essex-Suffolk border. Constable's father owned Flatford Mill and the area around it is now known as Constable Country. Portraying the process of boat building, it has been described as a forerunner of his best-known Six-Foot paintings depicting scenes from the area.
The Quarters behind Alresford Hall is an 1816 landscape painting by the English artist John Constable. It depicts a fishing lodge at Alresford Hall near the Essex village of Alresford. The Hall was owned by the Regency era General Francis Slater Rebow. Constable was also commissioned to produce a work of another of his properties Wivenhoe Park the same year. The lodge at Alresford, known as The Quarters, was designed for banqueting and was located at the side of the lake in the grounds.
