| The Whispering Wall | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 2004 | |||
| Recorded | Studio Lent and Studio Klaverland, January - March 2004 | |||
| Label | Reach Out | |||
| Producer | Raymond Steeg, The Legendary Pink Dots | |||
| The Legendary Pink Dots chronology | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |   [1] |
The Whispering Wall is a 2004 album by The Legendary Pink Dots.
Engineered by Raymond Steeg and The Legendary Pink Dots Cover by Poppy K. with thanks to Gladys Easystreet and Ramona Stork. [2]
Edward Sharp, better known by his stage name Edward Ka-Spel, is an English singer-songwriter and musician, born in London on 23 January 1954, to a family with East Anglia connections. He is best known for his work with the band The Legendary Pink Dots, which he co-founded.
The Legendary Pink Dots are an Anglo-Dutch rock band formed in London in August 1980. In 1984, the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight. In 2022, founding member and synthesist Philip Knight retired from touring, and Randall Frazier joined the band on synths, samples and electronics.
The Tear Garden is a psychedelic/experimental/electronic band, formed by Edward Ka-Spel of The Legendary Pink Dots and cEvin Key of Skinny Puppy in 1985 after Key served as a sound engineer on tour in Canada for Ka-Spel. An EP, The Tear Garden, was released that same year. The pair have since released a number of records with the assistance of various guest musicians. Their most recent release, The Brown Acid Caveat, was released in July 2017.
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records.
Basilisk is a 1982 album by The Legendary Pink Dots.
Asylum is a 1985 album by The Legendary Pink Dots.
The Golden Age is a 1988 album by The Legendary Pink Dots.
The Crushed Velvet Apocalypse is an album by the Anglo-Dutch band the Legendary Pink Dots, released in 1990. The album is a cult fan favorite. Niels van Hoorn contributed on flute, saxophones, and clarinet.
All The King's Horses is an album by The Legendary Pink Dots. It was released in 2002. It derives its title from a line in the Humpty Dumpty nursery rhyme.
Your Children Placate You From Premature Graves is a 2006 album by The Legendary Pink Dots. It is the group's 25th anniversary album.
All the King's Men is a 2002 album by The Legendary Pink Dots.
Hallway of the Gods is an album by the Legendary Pink Dots, released in 1997.
Nemesis Online is an album by the Legendary Pink Dots, released in 1998.
Alchemical Playschool is a 2006 album by The Legendary Pink Dots.
From Here You'll Watch the World Go By is an album by the Legendary Pink Dots, released in 1995.
Plutonium Blonde is a 2008 album by The Legendary Pink Dots.
Malachai is an album by The Legendary Pink Dots released in 1993 on Play It Again Sam Records.
A Perfect Mystery is an album by the Legendary Pink Dots, released in 2000.
Seconds Late for the Brighton Line is a 2010 album by The Legendary Pink Dots released on CD and black vinyl double LP. The LP has an additional live track from a 2009 performance in Germany, featured as the entirety of side D. In November 2013, the album was released on Bandcamp with an additional bonus track.
I Can Spin a Rainbow is a collaborative studio album by American singer-songwriter Amanda Palmer and English singer-songwriter Edward Ka-Spel of The Legendary Pink Dots. In a blog post on her official website, Palmer explained the backstory of how she was obsessed with the Pink Dots as a teenager, and even wrote and directed an experimental dialogue-free play inspired by their album Asylum when she was seventeen. When she was nineteen, the band needed a place to stay while on tour in Boston, Massachusetts and Palmer offered up her house. The Legendary Pink Dots also served as an opening act for Palmer's band the Dresden Dolls in the early 2000s. The two of them spent years trying to find a time to record an album together, but due to struggles in Palmer's personal life, plans always fell through. Most of the album was recorded in the house of English musician Imogen Heap.
