The Legendary Pink Dots | |
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Background information | |
Genres | |
Years active | 1980–present |
The Legendary Pink Dots (aka LPD) are an Anglo-Dutch experimental rock band formed in London in August 1980. [1] In 1984, the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight. [2] In 2022, founding member and synthesist Philip Knight retired from touring, and Randall Frazier (Orbit Service, A Star Too Far) joined the band on synths, samples and electronics. While no official announcement has been made, Phil Knight is not included in post-2022 recording liner notes.
As of 2022, the group is composed of Edward Ka-Spel (vocals, keyboards, songwriter), Randall Frazier (keyboards, electronics), Erik Drost (guitars) and Joep Hendrikx (live sound engineer). [3]
Their music has incorporated elements from neo-psychedelia, ambient music, electronic music, tape music, psychedelic folk, synthpop, post-punk, progressive jazz, noise music, pop music, goth rock and alternative rock. Although outside the mainstream (in terms of their avant-garde music and non-mainstream career path), LPD have released more than forty albums, [4] have a devoted worldwide following, and tour frequently.
The band was originally called One Day... [5] but subsequently changed the name to The Legendary Pink Dots. In the 1980s, the band released albums on Mirrordot and InPhaze; in 1985 they signed with Play It Again Sam for the release of The Lovers. [6] The line-up became stable by 1988, with Niels van Hoornblower (horns) and Bob Pistoor (guitar) joining for the band's 1988 US tour. [7] Pistoor died of cancer and his place was filled by Martijn de Kleer; drummer Ryan Moore completed the line-up live and in the studio. Their appeal has always been relatively small—a 1995 show in Mexico in front of 2,500 fans was described as "massive (by Dots' standards)". [8] In 2004, Erik Drost replaced Martijn de Kleer on guitar, and the album The Whispering Wall was released.
Their music touches on elements of neo-psychedelia, ambient music, electronic music, tape music, psychedelic folk, synthpop, post-punk, progressive, jazz, noise, pop, and goth rock, with a distinctly experimental/avant-garde bent; their sound has evolved over time and remains distinctive, making it difficult to place the group into a concise style or genre. The group's overall sound combined with Ka-Spel's distinct lyrics and singing have earned comparisons to Pink Floyd and Syd Barrett; [9] the group also has links to the sounds of krautrock bands such as Can, [10] Faust, Brainticket and Neu! (whose "Super" they covered on the 1999 tribute album "A Homage to NEU!"), as well as the music of Magma.
The Pink Dots frequently collaborated with Skinny Puppy's cEvin Key, forming a side project named The Tear Garden. [8] Key played drums on several tracks of the 1994 LPD album 9 Lives to Wonder.
Ryan Moore, who drummed on studio and live performances for the Legendary Pink Dots, left to work on his own musical outlet, the Twilight Circus Dub Sound System. He wrote and produced albums for Michael Rose of Black Uhuru, and has worked with other reggae figures such as Sly Dunbar.
The Pink Dots have influenced a wide range of bands, such as The Dresden Dolls, [11] MGMT, Orbit Service, and Skinny Puppy.
In 2017, Edward Ka-Spel released "I Can Spin A Rainbow" with The Dresden Dolls front-woman Amanda Palmer, and former Legendary Pink Dot Patrick Q. Wright. The release was followed by US and European tours; on the US tour, Randall Frazier was sound engineer, and on the European tour, Joep Hendrikx was sound engineer, both members of The Legendary Pink Dots.
The Tear Garden is a psychedelic/experimental/electronic band, formed by Edward Ka-Spel of The Legendary Pink Dots and cEvin Key of Skinny Puppy in 1985 after Key served as a sound engineer on tour in Canada for Ka-Spel. An EP, The Tear Garden, was released that same year. The pair have since released a number of records with the assistance of various guest musicians. Their most recent release, The Brown Acid Caveat, was released in July 2017.
The Last Man to Fly is The Tear Garden's second full release, released five years after the first. A single titled "Romulus and Venus" was released and was well received by critics.
To Be an Angel Blind, the Crippled Soul Divide is the third album by The Tear Garden, released four years after The Last Man to Fly.
Crystal Mass is the fourth album by The Tear Garden, released four years after To Be an Angel Blind, the Crippled Soul Divide. It has the same line-up as the previous release.
Brighter Now is a 1982 album by The Legendary Pink Dots. The album was rereleased in 2008. Ned Raggett off Allmusic noted that "the sound is certainly among the roughest and sparest of any LPD release, and in many ways is a tentative effort that is more a product of its time than anything else." It was released as a cassette before its official LP release in 1982. In Phaze's initial cassette release was limited to 300 copies, with two different covers. The Art Nouveau edition is limited to 60 copies, and is a split release with the LPD's on one side and Portion Control's Gaining Momentum LP on the other. The In Phaze LP edition is limited to 1,000 copies, while their cassette version is a promo featuring an LPD textual discography, as well as a short story by Edward. All Terminal Kaleidoscope/PIAS editions have a slightly different cover from the original, while the Soleilmoon edition features new cover artwork and a lyric booklet.
The Crushed Velvet Apocalypse is an album by the Anglo-Dutch band the Legendary Pink Dots, released in 1990. The album is a cult fan favorite. Niels van Hoorn contributed on flute, saxophones, and clarinet.
The Maria Dimension is a 1991 album by The Legendary Pink Dots.
Shadow Weaver is an album by the Legendary Pink Dots, released in 1992.
All The King's Horses is an album by The Legendary Pink Dots. It was released in 2002. It derives its title from a line in the Humpty Dumpty nursery rhyme.
Your Children Placate You From Premature Graves is a 2006 album by The Legendary Pink Dots. It is the group's 25th anniversary album.
All the King's Men is a 2002 album by The Legendary Pink Dots.
Chemical Playschool 10 is an album of old and new unreleased material and a previous version of The Saucers Are Coming from Hallway of the Gods. It was released by The Legendary Pink Dots in 1997.
Alchemical Playschool is a 2006 album by The Legendary Pink Dots.
From Here You'll Watch the World Go By is an album by the Legendary Pink Dots, released in 1995.
Plutonium Blonde is a 2008 album by The Legendary Pink Dots.
The Whispering Wall is a 2004 album by The Legendary Pink Dots.
A Perfect Mystery is an album by the Legendary Pink Dots, released in 2000.
Ryan Moore is a Canadian musician known primarily for his dub project Twilight Circus, his long association with the influential experimental electronic rock band, The Legendary Pink Dots and the Tear Garden.
The Brown Acid Caveat is the seventh full-length album by the experimental rock group The Tear Garden released on July 7, 2017 after starting a successful PledgeMusic campaign in August 2016. The campaign, which achieved 117% of its financial goal, allowed for the inclusion of a number of guest musicians including Dre Robinson and former Legendary Pink Dots members Ryan Moore, Martijn De Kleer, and Patrick Q. Wright. The album title refers to an announcement given to spectators of the first Woodstock Festival in 1969 to avoid "brown acid" -- a type of LSD reportedly associated with bad trips.
I Can Spin a Rainbow is a collaborative studio album by American singer-songwriter Amanda Palmer and English singer-songwriter Edward Ka-Spel of The Legendary Pink Dots. In a blog post on her official website, Palmer explained the backstory of how she was obsessed with the Pink Dots as a teenager, and even wrote and directed an experimental dialogue-free play inspired by their album Asylum when she was seventeen. When she was nineteen, the band needed a place to stay while on tour in Boston, Massachusetts and Palmer offered up her house. The Legendary Pink Dots also served as an opening act for Palmer's band the Dresden Dolls in the early 2000s. The two of them spent years trying to find a time to record an album together, but due to struggles in Palmer's personal life, plans always fell through. Most of the album was recorded in the house of English musician Imogen Heap.