 | This article relies largely or entirely on a single source .(February 2018) |
| Plutonium Blonde | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 7 October 2008 | |||
| Recorded | Studio Lent and Studio Klaverland, 2007-2008 | |||
| Genre | Electronic rock | |||
| Length | 55:20 | |||
| Label | Reach Out International Records | |||
| Producer | Raymond Steeg, The Legendary Pink Dots | |||
| The Legendary Pink Dots chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Plutonium Blonde is a 2008 album by The Legendary Pink Dots.
All tracks are written by The Legendary Pink Dots.
| No. | Title | Length |
|---|---|---|
| 1. | "Torchsong" | 7:08 |
| 2. | "Rainbows Too?" | 9:32 |
| 3. | "A World With No Mirrors" | 5:18 |
| 4. | "My First Zonee" | 3:59 |
| 5. | "Faded Photograph" | 4:29 |
| 6. | "An Arm And A Leg" | 6:42 |
| 7. | "Mailman" | 2:23 |
| 8. | "Oceans Blue" | 7:48 |
| 9. | "Savannah Red" | 1:49 |
| 10. | "Cubic Caesar" | 6:32 |
| Total length: | 55:20 | |
The Legendary Pink Dots are an Anglo-Dutch rock band formed in London in August 1980. In 1984, the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight. In 2022, founding member and synthesist Philip Knight retired from touring, and Randall Frazier joined the band on synths, samples and electronics.
The Tear Garden is a psychedelic/experimental/electronic band, formed by Edward Ka-Spel of The Legendary Pink Dots and cEvin Key of Skinny Puppy in 1985 after Key served as a sound engineer on tour in Canada for Ka-Spel. An EP, The Tear Garden, was released that same year. The pair have since released a number of records with the assistance of various guest musicians. Their most recent release, The Brown Acid Caveat, was released in July 2017.
Curse is a 1983 album by The Legendary Pink Dots.
The Tower is a 1984 album by The Legendary Pink Dots. It was the last album which April White appeared on.
The Lovers is a 1984 live album by The Legendary Pink Dots.
Asylum is a 1985 album by The Legendary Pink Dots.
The Golden Age is a 1988 album by The Legendary Pink Dots.
The Crushed Velvet Apocalypse is an album by the Anglo-Dutch band the Legendary Pink Dots, released in 1990. The album is a cult fan favorite. Niels van Hoorn contributed on flute, saxophones, and clarinet.
The Maria Dimension is a 1991 album by The Legendary Pink Dots.
Your Children Placate You From Premature Graves is a 2006 album by The Legendary Pink Dots. It is the group's 25th anniversary album.
Hallway of the Gods is an album by the Legendary Pink Dots, released in 1997.
Chemical Playschool 10 is an album of old and new unreleased material and a previous version of The Saucers Are Coming from Hallway of the Gods. It was released by The Legendary Pink Dots in 1997.
Nemesis Online is an album by the Legendary Pink Dots, released in 1998.
Alchemical Playschool is a 2006 album by The Legendary Pink Dots.
From Here You'll Watch the World Go By is an album by the Legendary Pink Dots, released in 1995.
The Whispering Wall is a 2004 album by The Legendary Pink Dots.
Malachai is an experimental album by The Legendary Pink Dots released in 1993 on Play It Again Sam Records.
A Perfect Mystery is an album by the Legendary Pink Dots, released in 2000.
Seconds Late for the Brighton Line is a 2010 album by The Legendary Pink Dots released on CD and black vinyl double LP. The LP has an additional live track from a 2009 performance in Germany, featured as the entirety of side D. In November 2013, the album was released on Bandcamp with an additional bonus track.
The Brown Acid Caveat is the seventh full-length album by the experimental rock group The Tear Garden released on July 7, 2017 after starting a successful PledgeMusic campaign in August 2016. The campaign, which achieved 117% of its financial goal, allowed for the inclusion of a number of guest musicians including Dre Robinson and former Legendary Pink Dots members Ryan Moore, Martijn De Kleer, and Patrick Q. Wright. The album title refers to an announcement given to spectators of the first Woodstock Festival in 1969 to avoid "brown acid" -- a type of LSD reportedly associated with bad trips.
