The White Sister | |
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Directed by | Fred E. Wright |
Based on | The White Sister 1909 play by F. Marion Crawford Walter Hackett |
Produced by | Essanay Film Manufacturing Company (Essanay Studios) |
Starring | Viola Allen |
Cinematography | Rudolph J. Bergquist |
Distributed by | V-L-S-E |
Release date |
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Running time | 6 reels |
Country | United States |
Language | Silent (English intertitles) |
The White Sister is a 1915 American silent film produced by Essanay Studios. It is based on the 1909 play The White Sister by F. Marion Crawford and Walter Hackett. [1] This film, directed by Fred E. Wright, stars Viola Allen, a prominent stage actress in her first movie. Allen had also created the role in the play and it was one of her biggest successes. [2] [3] It is not known whether the film survives. [2]
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Viola Emily Allen was an American stage actress who played leading roles in Shakespeare and other plays, including many original plays. She starred in over two dozen Broadway productions from 1885 to 1916. Beginning in 1915, she appeared in three silent films.
The White Sister is a 1933 American pre-Code romantic drama film directed by Victor Fleming and starring Helen Hayes and Clark Gable. It was based on the 1909 play of the same name by Francis Marion Crawford and Walter C. Hackett. It was a remake of the silent film The White Sister (1923).
The White Sister is a 1923 American silent drama film starring Lillian Gish and Ronald Colman, directed by Henry King, and belatedly released by Metro Pictures. It was based on the 1909 play of the same name by Francis Marion Crawford and Walter C. Hackett. It is the second of four adaptations of the play, preceded by a 1915 production and followed by a 1933 sound film, starring Helen Hayes and Clark Gable, and a 1960 Mexican production.
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The Divorcee is a 1919 American society drama starring Ethel Barrymore in her last silent feature film. The film is based on a 1907 play, Lady Frederick by young Somerset Maugham, which had starred Barrymore on Broadway. The play was already quite dated when this film was made, but the actress was always comfortable with this kind of soap-operish melodramatic material. Herbert Blaché directed, and June Mathis wrote the scenario based on Maugham's play. The film was produced and distributed by the Metro Pictures company.
Daring Youth is a 1924 American silent comedy-drama film directed by William Beaudine, starring Bebe Daniels, Norman Kerry, and Lee Moran. It is loosely based on William Shakespeare's The Taming of the Shrew.
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The Woman in Room 13 is a lost 1920 American silent mystery drama film directed by Frank Lloyd and starring Pauline Frederick. It was produced and distributed by Goldwyn Pictures and is based on a Broadway play of the same name, The Woman in Room 13. The film was remade at Fox in 1932 as a talkie.
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Children of Eve is a 1915 silent film directed by John H. Collins and starring Viola Dana. It was produced by the Edison Manufacturing Company, distributed by an arrangement between Edison and George Kleine.
Woman's Law is a 1927 American silent drama film directed by Dallas M. Fitzgerald and starring Pat O'Malley, Lillian Rich and Audrey Ferris.
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The Prince of Graustark is a 1916 American silent romantic drama film directed by Fred E. Wright and starring Bryant Washburn, Marguerite Clayton and Sidney Ainsworth. Produced by the Chicago-based Essanay Pictures, it is based on the 1914 novel of the same title by George Barr McCutcheon. Future star Colleen Moore made her screen debut in an uncredited role as a maid.
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The White Sister is a play in four acts by Francis Marion Crawford and Walter C. Hackett. The play was originally written by Crawford in 1907 and he later adapted the play into a serialized novel which was first published over a six month period in Munsey's Magazine beginning in January 1909. The play was given it's world premiere at the Stone Opera House in Binghamton, New York on February 8, 1909 with a cast led by Viola Allen as Sister Giovanna and Frank Gillmore as Captain Giovanni Severi. While the novel began it's serialized publication in Munsey's Magazine prior to the premiere of the play, the play was written first and the novel was adapted by Crawford from the earlier play.