The Witch-Cult in Western Europe is a 1921 anthropological book by Margaret Murray, published at the height of the success of Frazer's Golden Bough. [1] Certain university circles subsequently celebrated Margaret Murray as the expert on western witchcraft, though her theories were widely discredited. Over the period 1929-1968, she wrote the "Witchcraft" article in successive editions of the Encyclopædia Britannica .
In 1962, The Witch-Cult in Western Europe was reprinted by Oxford University Press. Murray's theory, also known as the witch-cult hypothesis, suggests that the accusations made towards "witches" in Europe were in fact based on a real, though clandestine, pagan religion that worshiped a horned god.
In this book and the subsequent The God of the Witches (1931), Murray explained her theory as follows.
Murray's Witch-cult hypothesis was preceded by a similar idea proposed by the German Professor Karl Ernst Jarcke in 1828. Jarcke's hypothesis claimed that the victims of the early modern witch trials were not innocents caught up in a moral panic, but members of a previously unknown pan-European pagan religion which had pre-dated Christianity, been persecuted by the Christian Church as a rival religion, and finally driven underground, where it had survived in secret until being revealed in the confessions of those accused in the witch trials. The idea was later endorsed by German historian Franz Josef Mone and French historian Jules Michelet. [2] In the late 19th century, variations on the witch cult hypothesis were adopted by two Americans, Matilda Joslyn Gage and Charles Leland, the latter of whom promoted it in his 1899 book Aradia, or the Gospel of the Witches . [3]
Murray was interested in ascribing naturalistic or religious/ceremonial explanations to some of the more fantastical descriptions found in early modern witch trial records. [4] Murray suggested, based in part on the work of James Frazer in The Golden Bough , that the witches accused in the trials worshiped a pre-Christian god associated with forests and the natural world. Murray identified this god as Janus (or Dianus, following Frazer's suggested etymology), who she described as a "Horned God" of the wilds in order to explain descriptions of a horned Satan provided by witch trial confessions. Because those accused of witchcraft often described witches meetings as involving sexual orgies with Satan, she suggested that a male priest representing Dianus would have been present at each coven meeting, dressed in horns and animals skins, who engaged in sexual acts with the gathered women. Murray further interpreted descriptions of sexual intercourse with Satan as being cold and painful to mean that the priest would often use artificial implements on the witches when he became too exhausted to continue. Unlike most modern forms of religious witchcraft, Murray's conception of the witch-cult was therefore strictly patriarchal. In her hypothesis, witches worshiped a single god, and though a female figure in a role known as "the Maiden" would be present at coven gatherings, Murray did not consider her to represent a goddess. [4] In this way, Murray's hypothesis, which had been based primarily of her interpretations of witch trial records, differed strongly from Leland's belief in a goddess-centered witch-cult focused on Diana and Aradia, derived from supposed rural Italian folk practices. [4]
One key aspect of Murray's witch-cult hypothesis, later adopted by Wicca, was the idea that not only were historical accounts of witches based in truth, but witches had originally been involved in benevolent fertility -related functions rather than malevolent hexing and cursing as traditionally portrayed. In examining testimony from the early modern witch trials, Murray encountered numerous examples of the kinds of curses and nefarious activities the accused people confessed to. Seeking to fit these into a framework in which descriptions of witchcraft had both a natural and pagan-religious explanation, Murray posited that these malevolent actions were actually twisted interpretations of benevolent actions, altered either under duress during the trials, or by practitioners themselves who had, over the years, forgotten or changed the "original" intent of their practices. For example, Murray interpreted Isobel Gowdie's confession to cursing a farm field by setting loose a toad pulling a miniature plough as originally having been not a curse on the field as Gowdie stated, but a means of ensuring fertility of the crops. Murray stated that these acts were "misunderstood by the recorders and probably by the witches themselves." [5]
With these kinds of interpretations, Murray created for the first time the idea of the witch as a practitioner of good magic and religious rites to ensure fertility of people and the land. [4] This ran counter to all previous ideas about what witchcraft was in history and folklore - even Leland's variant of the witch-cult hypothesis in Aradia depicted witches as not fully benevolent, but rather as revolutionary figures who would use cursing and black magic to exact revenge on their enemies, the upper classes, and the Catholic Church. [6]
Murray combined testimony from several witch trials to arrive at the idea that witches met four times per year at coven meetings or "Sabbaths". She also used one piece of testimony to arrive at the conclusion that covens were usually composed of 13 witches, led by a male priest who would dress in animal skins, horns, and fork-toed shoes to denote his authority (the dress was assumed to be a naturalistic explanation for accused witch's descriptions of Satan). According to Murray, the traditional name for coven gatherings, "Sabbath", was derived from s'esbattre, meaning "to frolic". Most historians disagree, arguing instead that the organizers of the witch trials adopted terms predominantly associated with Judaism, including "Sabbath", in order to denigrate witches as the equivalent to Jews, who were also highly denigrated in mainstream European culture during this period. In fact, many witch trial accounts used not only "Sabbath" but also "synagogue" in reference to gatherings of witches. [4]
The idea of a witch cult that until early modern times managed to survive was quickly dismissed by historians. From the 1920s on, Murray's theory was assailed by real historians such as George Lincoln Burr, Hugh Trevor-Roper and more recently by Keith Thomas. Most mainstream folklorists, including most of Murray's contemporaries, did not take her hypothesis seriously. Rather than accept Murray's naturalistic explanation for the magical feats and rituals ascribed to witches during the early modern trials, other scholars argued that the entire scenario was always fictitious and did not require a naturalistic explanation. The supposed details of the rituals and witchcraft practices described in trial records were simply invented by victims under torture or threat of torture, based on the kinds of diabolic rites that clergy of the time would have expected to hear about. [4] Almost all of Murray's peers regarded the witch-cult theory as incorrect and based on poor scholarship. Modern scholars have noted that Murray was highly selective in the evidence she pulled from trial accounts, favoring details that supported her theory and ignoring details that clearly had no naturalistic analogue. Murray often contradicted herself within her own books, citing accounts in one chapter as evidence for naturalistic explanations while using exactly the same passages to argue opposite points in the next. [4]
Modern scholars of the history of witchcraft agree that it is very unlikely that such a witch-cult really existed, or that this cult or religion came to an end because the Christian church wanted to eradicate the followers of a pagan tradition. One of these modern critics, social anthropologist Alan Macfarlane criticized Murray's work in his book Witchcraft Prosecutions in Essex, 1500-1600: A Sociological Analysis . He says that his main criticism on Murray's work is that she erroneously jumbled together all sorts of European folklore out of context. He argued that she had taken the things that people believed as factual evidence. From his own research on witchcraft in Essex, Macfarlane found no traces of a Sabbath, Coven or the demonic pact, except perhaps in the witch trials of 1645, nor of any pagan underground cult or any group calling themselves witches. Likewise Keith Thomas criticises Murray for her selective use of evidence and 'the deficiencies of her historical method'.
A few scholars, however, argued that despite the exaggerated claims Murray made, there could be some truth in her hypothesis. Arno Rune Berg noted in his 1947 book Witches, Demons and Fertility a number of "ordinary" elements that were cited in descriptions of the witches' Sabbath. This could be an indication there had actually been meetings, which would have transformed into phantasmagoria later, under the influence of the imagination. [7]
Though most late 20th and early 21st century historians have been critical of Murray's ideas and methods, a few credit her hypothesis with least a bit of underlying truth. Emmanuel Le Roy Ladurie, for example, argued that while most of Murray's arguments were "near nonsense", he also pointed to Carlo Ginzburg's discovery in the 1960s of the Italian benandanti , folk magicians who practiced anti-witchcraft magic and were themselves put on trial for witchcraft, as evidence that in at least some cases, the accusations of the witch trial organizers were not based entirely on panicked fantasy. [4] Ginzburg himself distanced himself from Murray's hypothesis, though he also argued that the benandanti were a continuation of a pre-Christian shamanic tradition, an assertion which has itself been criticized by other scholars as lacking solid evidence. [4]
Despite criticisms of her work, Murray was invited to write the entry on "witchcraft" for the 1929 edition of the Encyclopædia Britannica , which was reprinted for decades, last appearing in the 1969 edition. Rather than write an article that reflected the historical consensus on the witch trials, Murray used the opportunity to promote her own hypothesis in the Encyclopædia, presenting it as fact. According to folklorist Jacqueline Simpson, Murray's ideas became "so entrenched in popular culture that they will probably never be uprooted." [4]
Charles Leland's idea of an 'old religion' and Murray's surviving pagan cult would inspire subsequent 20th century modern witchcraft movements like Wicca, [8] and they heavily influenced writers such as Robert Graves, whose book The White Goddess also influenced Wicca. [4]
Feminist scholars have also taken up a variant on Murray's thesis about persecuted witches in Medieval Europe as members of a religion; not one centering on a Horned God, but rather a cult of the Mother Goddess which supposedly originated in the Paleolithic era. [9] [10]
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside and nature, hunters, wildlife, childbirth, crossroads, the night, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo, though she had an independent origin in Italy.
Dianic Wicca, also known as Dianic Witchcraft, is a modern pagan goddess tradition focused on female experience and empowerment. Leadership is by women, who may be ordained as priestesses, or in less formal groups that function as collectives. While some adherents identify as Wiccan, it differs from most traditions of Wicca in that only goddesses are honored.
Gardnerian Wicca, or Gardnerian witchcraft, is a tradition in the neopagan religion of Wicca, whose members can trace initiatory descent from Gerald Gardner. The tradition is itself named after Gardner (1884–1964), a British civil servant and amateur scholar of magic. The term "Gardnerian" was probably coined by the founder of Cochranian Witchcraft, Robert Cochrane in the 1950s or 60s, who himself left that tradition to found his own.
The Horned God is one of the two primary deities found in Wicca and some related forms of Neopaganism. The term Horned God itself predates Wicca, and is an early 20th-century syncretic term for a horned or antlered anthropomorphic god partly based on historical horned deities.
Margaret Alice Murray was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.
Wicca, also known as "The Craft", is a modern pagan, syncretic, earth-centered religion. Considered a new religious movement by scholars of religion, the path evolved from Western esotericism, developed in England during the first half of the 20th century, and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon ancient pagan and 20th-century hermetic motifs for theological and ritual purposes. Doreen Valiente joined Gardner in the 1950s, further building Wicca's liturgical tradition of beliefs, principles, and practices, disseminated through published books as well as secret written and oral teachings passed along to initiates.
Aradia is one of the principal figures in the American folklorist Charles Godfrey Leland's 1899 work Aradia, or the Gospel of the Witches, which he believed to be a genuine religious text used by a group of pagan witches in Tuscany, a claim that has subsequently been disputed by other folklorists and historians. In Leland's Gospel, Aradia is portrayed as a messiah who was sent to Earth in order to teach the oppressed peasants how to perform witchcraft to use against the Roman Catholic Church and the upper classes.
Stregheria is a neo-pagan tradition similar to Wicca, with Italian and Italian American origins. While most practitioners consider Stregheria to be a distinct tradition from Wicca, some academics consider it to be a form of Wicca or an offshoot. Both have similar beliefs and practices. For example, Stregheria honors a pantheon centered on a Moon Goddess and a Horned God, similar to Wiccan views of divinity.
Witchcraft Today is a non-fiction book written by Gerald Gardner. Published in 1954, Witchcraft Today recounts Gardner's thoughts on the history and practices of the theoretical witch-cult, and his claim to have met practising witches in 1930s England. It is based on the rejected theory that persecuted witches had actually been followers of a surviving pagan religion. It also deals with his theory that the Knights Templar had practised the religion, and that the belief in faeries in ancient, mediaeval and early modern Europe is due to a secretive pygmy race that lived alongside humans. Witchcraft Today is one of the foundational texts for the religion of Wicca, along with Gardner's second book on the subject, 1959's The Meaning of Witchcraft.
The New Forest coven were an alleged group of pagan witches who met around the area of the New Forest in southern England during the early 20th century. According to his own claims, in September 1939, a British occultist named Gerald Gardner was initiated into the coven and subsequently used its beliefs and practices as a basis from which he formed the tradition of Gardnerian Wicca. Gardner described some of his experiences with the coven in his published books Witchcraft Today (1954) and The Meaning of Witchcraft (1959) although on the whole revealed little about it, saying he was respecting the privacy of its members. Meanwhile, another occultist, Louis Wilkinson, corroborated Gardner's claims by revealing in an interview with the writer Francis X. King that he too had encountered the coven and expanded on some of the information that Gardner had provided about them. According to Gardner, the faith they followed was the Witch-Cult, a supposed pagan religion that had survived in secret after the Christianization of Europe. This was in keeping with the now-discredited theories of Margaret Murray and her supporters.
Aradia, or the Gospel of the Witches is a book composed by the American folklorist Charles Godfrey Leland that was published in 1899. It contains what he believed was the religious text of a group of pagan witches in Tuscany, Italy that documented their beliefs and rituals. Historians and folklorists have disputed the existence of such a group. During the 20th century, the book was influential in the development of the contemporary Pagan religion of Wicca.
The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
In the neopagan religion of Wicca a range of magical tools are used in ritual practice. Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.
Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the practice of magic. These traditions began in the mid-20th century, and many were influenced by the witch-cult hypothesis; a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. The largest and most influential of these movements was Wicca. Some other groups and movements describe themselves as "Traditional Witchcraft" to distinguish themselves from Wicca.
The witch-cult hypothesis is a discredited theory that the witch trials of the Early Modern period were an attempt to suppress a pagan religion that had survived the Christianization of Europe. According to its proponents, accused witches were actually followers of this alleged religion. They argue that the supposed 'witch cult' revolved around worshiping a Horned God of fertility and the underworld, whom Christian persecutors identified with the Devil, and whose followers held nocturnal rites at the witches' Sabbath.
The Meaning of Witchcraft is a non-fiction book written by Gerald Gardner. Gardner, known to many in the modern sense as the "Father of Wicca", based the book around his experiences with the religion of Wicca and the New Forest Coven. It was first published in 1959, only after the British Parliament repealed the Witchcraft Act of 1735, and proved to be Gardner's final book. The Wicca religion as expounded by Gardner was focused on a goddess, identified with the night sky and with wild nature, and a horned god who represented the fertilizing powers of the natural world. It was organized into covens, through which members were initiated through three ascending degrees of competence and authority and which were governed by a high priestess, supported by a high priest.
In Modern English, the term Wicca refers to Wicca, the religion of contemporary Pagan witchcraft. It is used within the Pagan community under competing definitions. One refers to the entirety of the Pagan Witchcraft movement, while the other refers explicitly to traditions included in what is now called British Traditional Wicca.
Enchanted Feminism: The Reclaiming Witches of San Francisco is an anthropological study of the Reclaiming Wiccan community of San Francisco. It was written by the Scandinavian theologian Jone Salomonsen of the California State University, Northridge and first published in 2002 by the Routledge.
The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries is a historical study of the benandanti folk custom of 16th and 17th century Friuli, Northeastern Italy. It was written by the Italian historian Carlo Ginzburg, then of the University of Bologna, and first published by the company Giulio Einaudi in 1966 under the Italian title of I Benandanti: Stregoneria e culti agrari tra Cinquecento e Seicento. It was later translated into English by John and Anne Tedeschi and published by Routledge and Kegan Paul in 1983 with a new foreword written by the historian Eric Hobsbawm.