A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility. Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods.
A solar deity or sun deity is a deity who represents the Sun or an aspect thereof. Such deities are usually associated with power and strength. Solar deities and Sun worship can be found throughout most of recorded history in various forms. The Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun derives from Proto-Germanic *sunnǭ.
The Wheel of the Year is an annual cycle of seasonal festivals, observed by a range of modern pagans, marking the year's chief solar events and the midpoints between them. Modern pagan observances are based to varying degrees on folk traditions, regardless of the historical practices of world civilizations. British neopagans popularized the Wheel of the Year in the mid-20th century, combining the four solar events marked by many European peoples, with the four midpoint festivals celebrated by Insular Celtic peoples.
Captain Robert von Ranke Graves was an English poet, soldier, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology.
In Greco-Roman mythology, Leuce, also spelled Leuke, was a nymph, an Oceanid; a daughter of the Titan Oceanus and his wife, Tethys.
Brigid or Brigit, also Bríd, is a goddess of pre-Christian Ireland. She appears in Irish mythology as a member of the Tuatha Dé Danann, the daughter of the Dagda and wife of Bres, with whom she had a son named Ruadán. Her sacred tree appears to have been the birch, given some older Imbolc-related traditions.
Ceridwen or Cerridwen was an enchantress in Welsh medieval legend. She was the mother of a hideous son, Mordfran, and a beautiful daughter, Creirwy. Her husband was Tegid Foel and they lived near Bala Lake in north Wales. Medieval Welsh poetry refers to her as possessing the cauldron of poetic inspiration (Awen) and the Tale of Taliesin recounts her swallowing her servant Gwion Bach who is then reborn through her as the poet Taliesin. Ceridwen is regarded by many modern pagans as the Celtic goddess of rebirth, transformation, and inspiration.
In Latvian mythology, the term Māte stands for "mother", sometimes written in English as Mahte. It was an epithet applied to some sixty-seventy goddesses. They were clearly distinct goddesses in most or all cases, so the term definitely referred to the mother-goddess of specific phenomena. According to professor Lotte Motz, scholar Haralds Biezais mentioned there were at least 70 characters in Baltic religion identified with the title of Mate.
In Irish mythology, Neman or Nemain is the spirit-woman or goddess who personifies the frenzied havoc of war. In the ancient texts where The Morrígan appears as a trio of goddesses — the three sisters who make up the Morrígna — include Macha and Badb; Nemain is strongly associated with Badb with whom she shares a husband, Neit. Nemain may be an aspect of Badb.
In many historical societies, the position of kingship carried a sacral meaning and was identical with that of a high priest and judge. Divine kingship is related to the concept of theocracy, although a sacred king need not necessarily rule through his religious authority; rather, the temporal position itself has a religious significance behind it. The monarch may be divine, become divine, or represent divinity to a greater or lesser extent.
The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.
Lebor Gabála Érenn is a collection of poems and prose narratives in the Irish language intended to be a history of Ireland and the Irish from the creation of the world to the Middle Ages. There are a number of versions, the earliest of which was compiled by an anonymous writer in the 11th century. It synthesised narratives that had been developing over the foregoing centuries. The Lebor Gabála tells of Ireland being "taken" (settled) by six groups of people: the people of Cessair, the people of Partholón, the people of Nemed, the Fir Bolg, the Tuatha Dé Danann, and the Milesians. The first four groups are wiped out or forced to abandon the island; the fifth group represents Ireland's pagan gods, while the final group represents the Irish people.
Euhemerism is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages. Euhemerism supposes that historical accounts become myths as they are exaggerated in the retelling, accumulating elaborations and alterations that reflect cultural mores. It was named after the Greek mythographer Euhemerus, who lived in the late 4th century BC. In the more recent literature of myth, such as Bulfinch's Mythology, euhemerism is termed the "historical theory" of mythology.
The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged primarily in the United States in the late 1960s and predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods who are referred to using masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.
The Greek Myths (1955) is a mythography, a compendium of Greek mythology, with comments and analyses, by the poet and writer Robert Graves. Many editions of the book separate it into two volumes. Abridged editions of the work contain only the myths and leave out Graves's commentary.
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.
Patricia Monaghan was a poet, a writer, a spiritual activist, and an influential figure in the contemporary women's spirituality movement. Monaghan wrote over 20 books on a range of topics including Goddess spirituality, earth spirituality, Celtic mythology, the landscape of Ireland, and techniques of meditation. In 1979, she published the first encyclopedia of female divinities, a book which has remained steadily in print since then and was republished in 2009 in a two volume set as The Encyclopedia of Goddesses and Heroines. She was a mentor to many scholars and writers including biologist Cristina Eisenberg, poet Annie Finch, theologian Charlene Spretnak, and anthropologist Dawn Work-MaKinne, and was the founding member of the Association for the Study of Women and Mythology, which brought together artists, scholars, and researchers of women-centered mythology and Goddess spirituality for the first time in a national academic organization.
A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen, Jane Ellen Harrison, and Marija Gimbutas, and later popularized by second-wave feminism. These scholars speculated that early human societies may have been organized around female deities and matrilineal social structures. In the 20th century, a movement to revive these practices resulted in the Goddess movement.
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
Celtic mythology is the body of myths belonging to the Celtic peoples. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples. They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology.
