Seven Days in New Crete

Last updated

Seven Days in New Crete
Seven Days in New Crete Cover.jpg
First edition
Author Robert Graves
LanguageEnglish
Publisher Cassell
Publication date
1949
Publication placeUnited Kingdom
Pages281

Seven Days in New Crete, also known as Watch the North Wind Rise, is a seminal future-utopian speculative fiction novel by Robert Graves, first published in 1949. It shares many themes and ideas with Graves' The White Goddess , published a year earlier. Martin Seymour-Smith, Graves's biographer, further suggested it was autobiographical, "telling the essential story of his life between 1929 and 1947". [1]

Contents

Summary

The novel takes place in a future society (first established on the island of Crete, but later spreading through much of the world) in which most post-medieval technology has been rejected, and a Triple Goddess religion is followed. The book is narrated by a mid-20th century poet, Edward Venn-Thomas, who is transported forward in time by the New Cretans. Society is organised into five "estates" or social groups: captains, recorders (scribes), commons (by far the most numerous), servants, and magicians or poets (the least numerous), which are analogised to the five fingers of a hand. [2] Different villages practice different marriage customs (strict monogamy, non-strict monogamy, or polyandry), worship different local "godlings", and specialise in various local handcrafts and foodstuffs, but share the common values of the New Cretan civilisation and devotion to the Goddess.

Some of the social customs are somewhat matriarchal. There is no poverty in New Crete (money has been abolished) and little dissatisfaction. War is only known in the form of controlled local one-day conflicts between neighbouring villages, similar to the old game of village football or Shrovetide football. The poets or magicians of New Crete are an integral part of a religion centred on a sometimes capricious Goddess worshipped in three aspects: the maiden archer Nimuë, the goddess of motherhood and sexuality Mari, and the hag-goddess of wisdom Ana. (The names of the last two are similar to those of the Virgin Mary and her mother Saint Anne in Christianity.)

The only masculine elements of New Cretan religion are the rival twin demi-gods (the star-god of the first half of the year and the serpent-god of the second half of the year) who compete for the Goddess's favour, and the local village godlings, who are all far below the Goddess as Queen of Heaven. However, the failings of past fallen civilisations are remembered and personified as an anti-trinity of evil gods (the "three Rogues"): Dobeis, god of money and greed; Pill, god of theft and violence; and Machna, god of science and soulless machinery.

The New Cretan language is derived from Catalan, modified by heavy English-language influence and apparent minor Slavic and Celtic influences. The writing down of words is considered to be too sacred an act to be profaned by ordinary every-day uses, and paper is banned in New Cretan society, [3] and only members of the scribal estate and the poet-magician estate are commonly literate. However, numerical tally-marks are allowed to be used for everyday purposes, and many people of other estates learn to read in later life, after they retire into elder status, and some of the ordinary taboos of New Cretan life are relaxed when in the presence of other elders.

Though Venn-Thomas has been moved in time, he is still in the same area of southern France where he lived before and after World War II, and he compares the conditions in his own time to those under the New Cretan civilisation (mostly to the disfavor of the 20th century, though some things seem "too good to be true").

In this apparently idyllic utopian setting, Venn-Thomas begins to realise that he has been chosen by the Goddess to inject disruption into a society that is becoming static and in danger of losing its vitality. A symptom of trouble is that over the course of the week described in the novel, the five poet-magicians of the "Magic House" of the village of Horned Lamb all die or lose their status as members of the poet-magician estate.

In the last section of the book, Venn-Thomas makes a trip to Dunrena, the town which is the capital of the local kingdom, to witness the twice-yearly ceremony of the changing of the king, carried out as a solemn religious-theatrical performance culminating in a ritual sacrifice similar to those described in The Golden Bough . At the end of the book, Venn-Thomas unleashes the whirlwind which will prepare the way for the transition to the next phase of history, and Sapphire (a young woman for whom he has had unsettled feelings) returns with him through time to be reborn as his daughter.

Similar works

Poul Anderson's 1965 novel The Corridors of Time shares many themes with Graves' book, also including a depiction of a future matriarchal world dominated by a Great Goddess religion seen through the eyes of a traveller from our time. However, Anderson's version of such a world is far more harsh and dystopian, leading the plot to a conclusion very different from Graves'.

See also

Related Research Articles

<span class="mw-page-title-main">Crete</span> Largest Greek island

Crete is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete is located about 100 km (62 mi) south of the Peloponnese, and about 300 km (190 mi) southwest of Anatolia. Crete has an area of 8,450 km2 (3,260 sq mi) and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete to the north and the Libyan Sea to the south. Crete covers 260 km from west to east but is narrow from north to south, spanning three longitudes but only half a latitude.

<span class="mw-page-title-main">Pasiphaë</span> Queen of Crete in Greek mythology

In Greek mythology, Pasiphaë was a queen of Crete, and was often referred to as goddess of witchcraft and sorcery. The daughter of Helios and the Oceanid nymph Perse, Pasiphaë is notable as the mother of the Minotaur. Her husband, Minos, failed to sacrifice the Cretan Bull to Poseidon as he had promised. Poseidon then cursed Pasiphaë to fall in love with the bull. Athenian inventor Daedalus built a hollow cow for her to hide in so she could mate with the bull, which resulted in her conceiving the Minotaur.

<span class="mw-page-title-main">Utopia</span> Imaginary community or society possessing highly desirable or perfect qualities

A utopia typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World.

<span class="mw-page-title-main">Arthur Evans</span> British archaeologist and scholar (1851–1941)

Sir Arthur John Evans was a British archaeologist and pioneer in the study of Aegean civilization in the Bronze Age.

<span class="mw-page-title-main">Minoan civilization</span> Bronze Age civilization on Crete and other Aegean Islands

The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and energetic art, it is often regarded as the first civilization in Europe. The ruins of the Minoan palaces at Knossos and Phaistos are popular tourist attractions.

<span class="mw-page-title-main">Britomartis</span> Cretan goddess of mountains and hunting

Britomartis was a Greek goddess of mountains and hunting, who was primarily worshipped on the island of Crete. She was sometimes believed to be an oread, a mountain nymph, but she was often conflated or syncretized with Artemis and Aphaea, the "invisible" patroness of Aegina. She is also known as Dictynna or as a daughter of Dictynna (Δίκτυννα).

<span class="mw-page-title-main">Eileithyia</span> Ancient Greek goddess of childbirth

Eileithyia or Ilithyia was the Greek goddess of childbirth and midwifery, and the daughter of Zeus and Hera. In the cave of Amnisos (Crete) she was related with the annual birth of the divine child, and her cult is connected with Enesidaon, who was the chthonic aspect of the god Poseidon. It is possible that her cult is related with the cult of Eleusis. In his Seventh Nemean Ode, Pindar refers to her as the maid to or seated beside the Moirai (Fates) and responsible for the creation of offspring. Her son was Sosipolis, who was worshiped at Elis.

<span class="mw-page-title-main">Epimenides</span> 7th/6th-century BCE Greek seer, philosopher, and poet

Epimenides of Knossos was a semi-mythical 7th- or 6th-century BC Greek seer and philosopher-poet, from Knossos or Phaistos.

<span class="mw-page-title-main">Matriarchy</span> Social system with female rule

Matriarchy is a social system in which positions of dominance and privilege are held by women. In a broader sense it can also extend to moral authority, social privilege, and control of property. While those definitions apply in general English, definitions specific to anthropology and feminism differ in some respects.

<i>The White Goddess</i> 1948 book by Robert Graves

The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, it is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961.

The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.

Euhemerism is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages. Euhemerism supposes that historical accounts become myths as they are exaggerated in the retelling, accumulating elaborations and alterations that reflect cultural mores. It was named after the Greek mythographer Euhemerus, who lived in the late 4th century BC. In the more recent literature of myth, such as Bulfinch's Mythology, euhemerism is termed the "historical theory" of mythology.

<span class="mw-page-title-main">Goddess movement</span> Modern revival of divine feminine or female-centered spirituality

The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged primarily in the United States in the late 1960s and predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods who are referred to using masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.

<i>The King Must Die</i> Novel by Mary Renault

The King Must Die is a 1958 bildungsroman and historical novel by Mary Renault that traces the early life and adventures of Theseus, a hero in Greek mythology. It is set in locations throughout Ancient Greece: Troizen, Corinth, Eleusis, Athens, Knossos in Crete, and Naxos. Renault wrote a sequel, The Bull from the Sea, in 1962.

<span class="mw-page-title-main">Cretan Muslims</span> Historical Muslim population of Crete

The Cretan Muslims or Cretan Turks were the Muslim inhabitants of the island of Crete. Their descendants settled principally in Turkey, the Dodecanese Islands under Italian administration, Syria, Lebanon, Palestine, Libya, and Egypt, as well as in the larger Turkish diaspora.

<span class="mw-page-title-main">Minoan religion</span> Prehistoric belief system

Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.

<span class="mw-page-title-main">Matriarchal religion</span> Religion that focuses on a goddess or goddesses

A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen, Jane Ellen Harrison, and Marija Gimbutas, and later popularized by second-wave feminism. These scholars speculated that early human societies may have been organized around female deities and matrilineal social structures. In the 20th century, a movement to revive these practices resulted in the Goddess movement.

<span class="mw-page-title-main">Great Goddess hypothesis</span>

The Great Goddess hypothesis theorizes that, in Palaeolithic, Mesolithic, and/or Neolithic Europe and Western Asia and North Africa, a singular, monotheistic female deity was worshipped.

<i>The Broken Kingdoms</i> Novel by N. K. Jemisin

The Broken Kingdoms is a fantasy novel by American writer N. K. Jemisin, the second book of her The Inheritance Trilogy. It takes place ten years after the events of The Hundred Thousand Kingdoms and centers around a young woman named Oree Shoth, who lives in the World Tree-shrouded, godling-inhabited city of Shadow.

The Inheritance Trilogy is a fantasy trilogy written by American author N. K. Jemisin and published by Orbit Books. The trilogy consists of The Hundred Thousand Kingdoms that won the Locus Award for Best First Novel and was nominated for the World Fantasy Award; followed by The Broken Kingdoms and The Kingdom of Gods.

References

  1. Page vii of the introduction to the 1983 Oxford University Press edition of Seven Days in New Crete
  2. Yesterday's Tomorrows: A Historical Survey of Future Societies by W.H.G. Armytage (1968), p. 128
  3. Yesterday's Tomorrows: A Historical Survey of Future Societies by W.H.G. Armytage (1968), p. 126