Plot
In 1965, rebellious teenager Heather Fasulo is sent to the boarding school Falburn Academy, run by headmistress Ms. Traverse and located in the middle of the woods. Heather becomes close friends with Marcy Turner, while they are maltreated by their abusive classmate Samantha Wise. During the night, Heather has a nightmare about a blood-soaked student named Ann and hears voices coming from the woods; she learns the next day that Ann was institutionalized after a suicide attempt.
Heather eventually learns to adjust to the school. Ms. Traverse subjects Heather to tests to see if she is "gifted". The girls tell Heather a spooky story about the history of Falburn, which includes three young redheaded sisters who arrived at the school and turned out to be witches, killing the headmistress before leaving to the woods. Heather begins to fight back against Samantha's continued torment. Ann returns from the institution; after Heather finds her rocking in her bed one night, Ann reveals that she is afraid she will be taken by the witches. Heather climbs on a trunk to try and close an open window; a low fog rushes into the room and knocks Heather down, twisting her ankle. The next day, Heather finds Ann's bed empty, her place filled with dead leaves.
Heather witnesses the headmistress lying to the police about Ann's disappearance. She tries to talk to Marcy about her suspicions, but Marcy acts strangely; soon after, Heather finds Marcy's bed empty and covered in leaves. Later, she is confronted in the woods by Samantha, who tells her that the school is led by a coven of witches, and that her bullying was intended to drive Heather away to protect her. She also reveals that she has called Heather's father to help her escape and that the school's milk is poisoned. The girls are caught by a school mistress, who takes Samantha away; her body is later found hanging in the cafeteria. Heather tells a police officer about the missing students, but the headmistress claims they simply ran away. Another mistress leads the officer into the woods to find the girls, where he is killed by the living vines of a tree.
Heather's parents show up to take her home. On the way home, their car is mysteriously flipped and Heather is knocked unconscious, while her mother is dragged out of the car by a vine. Heather and her father Joe wake up in a hospital. Ms. Traverse has Heather dragged away, then slits her own hand and forces her black blood down Joe's throat, rendering him catatonic. Heather returns to the school, where she drinks the milk, but later vomits it back up, finding tree bark in it. At the hospital, Joe wakes up and vomits up the blood, which also has tree bark in it. He escapes and looks for Heather. That night, Heather begins to hear voices again, and when she attempts to leave, a vine captures her.
She awakens wrapped in vines in a large room next to Ann and Marcy, who are also captive. All of the teachers appear and reveal themselves to be witches. Ms. Traverse is their leader, and she explains that their spirits have been trapped in the woods all these years, and they need to inhabit the bodies of young women to escape their imprisonment, with Heather as the centerpiece of her plan since she has the strongest powers. Heather is coerced into carrying out the ritual, and the vines begin to mummify all of the girls in the school. Before the ritual is complete, Joe breaks into the room with an ax and begins to kill the witches. Heather breaks free from the vines and chops all of the witches into pieces. Heather and Joe then leave with all of the girls as the school burns in the distance behind them.
Reception
Critical response
On the review aggregator website Rotten Tomatoes , 67% of 15 critics' reviews are positive, with an average rating of 6.1/10. [14]
Michael Gingold of Fangoria praised the film's use of color and Bruckner's lead performance, and compared it to Dario Argento's Suspiria (1977) as well as the works of other Italian horror filmmakers such as Lucio Fulci. [6] Dread Central 's review of the film summarized: "The Woods is solid and satisfying. Chillingly punctuated by vivid nightmare sequences and harrowing confrontations between students, teachers, and the woods themselves, the flow of fear heads in only one direction… off the proverbial beaten path where it’s happy to reveal the sinister fairytale that lies at the heart of every darkened forest." [15]
Brian Holcomb of the independent film review website Beyond Hollywood wrote: "The Woods plays like a classic Lewton film of the 1940s, where the emphasis was on telling a good yarn without much ado and wrapping it up in a tightly wound 70 minutes." [16] Film journalist Nick Schager noted that the film "proves to be one of the most polished and inventive horror flicks of the still-ongoing year, a synthesis of classical supernatural and sexualized imagery that expands upon, rather than simply regurgitates, its celebrated predecessors," and compared it to Suspiria (1977) and Carrie (1976). [17] DVD Talk 's Scott Weinberg praised the film's performances as "uniformly excellent" and also praised the cinematography and musical score. [12]
In his book Horror Films of 2000-2009 (2023), John Kenneth Muir praised the film's cinematography and classified it as a "prestigious, "A"-type horror film with a quality cast," but felt that the film ultimately lacked suspense.
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