Cleo Ridgely-Horne was a star of silent and sound motion pictures. Her career began early in the silent film era, in 1911, and continued for forty years. She retired in the 1930s but later returned to make more movies. Her final film was Hollywood Story (1951), in which she had a bit part.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
Rent Free is a 1922 American silent comedy feature film produced by Famous Players-Lasky and distributed through Paramount Pictures. The film starred Wallace Reid and his current regular co-star Lila Lee. It was directed by Howard Higgin and adapted by Elmer Rice from a story written directly for the screen by Izola Forrester and Mann Page. Currently this film is lost.
Believe Me, Xantippe is a lost 1918 American silent romantic comedy film produced by Jesse Lasky for release through Paramount Pictures. The film was directed by actor/director Donald Crisp and stars Wallace Reid and Ann Little. The film is based on a 1913 William A. Brady-produced play Believe Me Xantippe by John Frederick Ballard, which on the Broadway stage had starred John Barrymore.
To Have and to Hold is a 1916 American silent adventure/drama film directed by George Melford. Based on the 1899 novel of the same name, the film starred Wallace Reid and Mae Murray in her film debut.
The Hell Diggers is a 1921 American silent drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. The film was directed by Frank Urson from a short story, The Hell Diggers, by Byron Morgan. Wallace Reid and Lois Wilson star. Like most silent films of that time, it is in the public domain and is lost.
The Fighting Hope is a 1915 silent film drama directed by George Melford and starring Thomas Meighan and Laura Hope Crews, both in their film debuts. Jesse Lasky produced and Paramount Pictures released. Based on a 1908 play by William J. Hurlbut that was produced by David Belasco.
The Lottery Man is a lost 1919 American silent comedy film directed by James Cruze and starring Wallace Reid and Wanda Hawley. It is based on a 1909 Broadway play, The Lottery Man, by Rida Johnson Young. In the play Cyril Scott and Janet Beecher played the roles that Reid and Hawley play in the film. Famous Players-Lasky produced and Paramount Pictures distributed.
The Puppet Crown is a 1915 American drama silent film directed by George Melford and written by Harold MacGrath and William C. deMille. The film stars Ina Claire, Carlyle Blackwell, Chris Lynton, Cleo Ridgely, Horace B. Carpenter and John Abraham. The film was released on July 29, 1915, by Paramount Pictures.
The Marriage of Kitty is a lost 1915 American silent comedy film directed by George Melford.
The Love Mask is a 1916 American drama silent film directed by Frank Reicher and written by Cecil B. DeMille and Jeanie MacPherson. The film stars Cleo Ridgely, Wallace Reid, Earle Foxe, Bob Fleming, Dorothy Abril and Lucien Littlefield. The film was released on April 13, 1916, by Paramount Pictures.
The Selfish Woman is a lost 1916 American drama silent film directed by E. Mason Hopper and written by Hector Turnbull and Margaret Turnbull. The film stars Wallace Reid, Cleo Ridgely, Edythe Chapman, Charles Arling, Joe King and Jane Wolfe. The film was released on July 9, 1916, by Paramount Pictures.
The House with the Golden Windows is a lost 1916 American drama silent film directed by George Melford and written by Charles Sarver. The film stars Wallace Reid, Cleo Ridgely, Billy Jacobs, James Neill, Mabel Van Buren, and Marjorie Daw. The film was released on August 10, 1916, by Paramount Pictures.
The Golden Fetter is a 1917 American romance silent film directed by Edward LeSaint and written by Charles Tenney Jackson and Charles Maigne. The film stars Wallace Reid, Anita King, Tully Marshall, Guy Oliver, Walter Long, and Mrs. Lewis McCord. The film was released on January 25, 1917, by Paramount Pictures.
Those Without Sin is a 1917 American silent drama film directed by Marshall Neilan, written by Thomas J. Geraghty, George DuBois Proctor and Harvey F. Thew, and starring Blanche Sweet, Tom Forman, Clarence Geldart, Guy Oliver, James Neill, and Charles Ogle. It was released on March 1, 1917, by Paramount Pictures.
The Prison Without Walls is a 1917 American drama silent film directed by E. Mason Hopper and written by Beulah Marie Dix and Robert E. MacAlarney. The film stars Wallace Reid, Myrtle Stedman, William Conklin, William Elmer, Marcia Manon and James Neill. The film was released on March 15, 1917, by Paramount Pictures.
The Hostage is a 1917 American silent drama film directed by Robert Thornby and written by Beulah Marie Dix. The film stars Wallace Reid, Dorothy Abril, Gertrude Short, Clarence Geldart, Guy Oliver, and Marcia Manon. The film was released on September 10, 1917, by Paramount Pictures.
The Firefly of France is a lost 1918 American silent drama film directed by Donald Crisp and written by Margaret Turnbull based upon a novelette by Marion Polk Angelotti. The film stars Wallace Reid, Ann Little, Charles Ogle, Raymond Hatton, Winter Hall, and Ernest Joy. The film was released on July 7, 1918, by Paramount Pictures.
The Dub is a lost 1919 American silent comedy film directed by James Cruze and written by Edgar Franklin and Will M. Ritchey. The film stars Wallace Reid, Charles Ogle, Ralph Lewis, Raymond Hatton, Winter Hall, and Nina Byron. The film was released on January 19, 1919, by Paramount Pictures.
Always Audacious is a 1920 American silent romance film directed by James Cruze and written by Thomas J. Geraghty. The film stars Wallace Reid in a dual role, Margaret Loomis, Clarence Geldart, J.M. Dumont, Rhea Haines, Carmen Phillips, and Guy Oliver. It is based on the short story "Toujours de l'Audace" by Ben Ames Williams. The film was released on November 14, 1920, by Paramount Pictures. It is not known whether the film currently survives, which suggests that it is a lost film.
