Going Crooked | |
---|---|
Directed by | George Melford |
Written by | Albert S. Le Vino Keene Thompson William Counselman (intertitles) [1] |
Based on | Going Crooked: a Comedy in Three Acts, from a Tale of Hoffman's (Aaron's) (play) by Winchell Smith William Collier Aaron Hoffman [2] [3] [4] |
Produced by | William Fox [5] |
Starring | Bessie Love |
Cinematography | Charles G. Clarke [4] [6] |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 6 reels; 5,345 feet [4] |
Country | United States |
Language | Silent (English intertitles) |
Going Crooked is a 1926 American silent crime film [7] produced and distributed by the Fox Film Corporation. It was directed by George Melford and stars Bessie Love.
The film is preserved at the Museum of Modern Art, the George Eastman House, and the Bibliothèque nationale de France. [8] [9]
Mordaunt (von Seyffertitz) and his gang use Marie (Love) as an unwitting accomplice in the theft of the acclaimed Rajah diamond. During the heist, a man is killed, and innocent Rogers (Fenton) is later sentenced to death for the murder.
Marie works with District Attorney Banning (Shaw) to get Mordaunt to confess, just in time to save Rogers from the electric chair. Marie and Shaw are married. [4] [10] [11]
For authenticity, some scenes were filmed on Ferguson Alley in Chinatown, Los Angeles. [12]
The film received positive reviews, with Love and von Seyffertitz receiving high acclaim for their performances. [1] [11]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the first musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
George H. Melford was an American stage and film actor and director. Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to the company's assumption of the new FBO name. Two years later, the studio contracted with Western leading man Fred Thomson, who within a couple years was one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, and released by Metro-Goldwyn-Mayer.
Gustav von Seyffertitz was a German film actor and director. He settled in the United States. He was born in Haimhausen, Bavaria, and died in Los Angeles, California, aged 81.
The King on Main Street, also known as The King, is a 1925 American silent romantic comedy film directed by Monta Bell and starring Adolphe Menjou and Bessie Love. The film was adapted for the screen by Bell, and was based on the play The King, Leo Ditrichstein's adaptation of the 1908 French play Le Roi by Gaston Arman de Caillavet, Robert de Flers, and Emmanuel Arène. It was produced by Famous Players-Lasky and distributed by Paramount Pictures.
Soul-Fire is a 1925 American silent drama film starring Richard Barthelmess and Bessie Love. It was directed by John S. Robertson and was based on the Broadway production Great Music (1924) by Martin Brown.
Torment is a 1924 American silent crime drama film produced and directed by Maurice Tourneur and distributed by Associated First National. This film stars Bessie Love, Owen Moore, and Jean Hersholt. The film is based on a story by William Dudley Pelley with script by Fred Myton and titles by Marion Fairfax. It is a lost film.
Cheerful Givers is a 1917 American silent comedy-drama film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. The film stars Bessie Love and Kenneth Harlan.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
Forget Me Not, also known as Forget-Me-Not, is a 1922 American silent melodrama film directed by W. S. Van Dyke and distributed by Metro Pictures. The film starred Bessie Love and Gareth Hughes. It is considered a lost film.
Tongues of Flame is a 1924 American silent melodrama film produced by Famous Players-Lasky and distributed through Paramount Pictures. It is based on a novel by Peter Clark MacFarlane and was directed by Joseph Henabery. The film starred Thomas Meighan and Bessie Love. It was produced by Famous Players-Lasky and distributed by Paramount Pictures.
The Song and Dance Man is a 1926 American silent comedy drama film produced by Famous Players-Lasky and released through Paramount Pictures. It is based on a play by George M. Cohan and was directed by Herbert Brenon. A copy of the film is housed in the Library of Congress collection. Of its original seven reels, only the final five survive.
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film.
A Sister of Six is a 1916 American silent Western film produced by the Fine Arts Film Company and distributed by Triangle Film Corporation. The film was directed by brothers Chester M. and Sidney Franklin. This was Bessie Love's first starring role.
See America Thirst is a 1930 American pre-Code comedy film produced and distributed by Universal Pictures and directed by William James Craft. Silent comics Harry Langdon and Slim Summerville star along with Bessie Love. Though released late in 1930, it nevertheless had a silent version.
Seven Faces is a 1929 American pre-Code drama film with fantasy elements that was released by Fox Film Corporation in the Fox Movietone sound-on-film system on December 1, 1929. Based upon the piece of short fiction "A Friend of Napoleon" which was published in the June 30, 1923, issue of The Saturday Evening Post magazine by popular writer Richard Connell, it was directed by Berthold Viertel and stars Paul Muni in his second screen appearance. Seven Faces is a lost film, with no excerpts from its footage known to exist.
My Official Wife is a 1926 silent film by Austrian director Paul L. Stein, and his first American film. It stars Irene Rich and Conway Tearle. It is an adaptation of the 1891 novel My Official Wife by Richard Henry Savage, but the storyline was updated to include World War I.
The Danger Girl is a 1926 American silent drama film directed by Edward Dillon and starring Priscilla Dean, John Bowers, and Gustav von Seyffertitz.