The Zero Hour | |
---|---|
Directed by | Sidney Salkow |
Written by | Garrett Fort |
Produced by | Sol C. Siegel |
Starring | Frieda Inescort Otto Kruger Adrienne Ames |
Cinematography | Ernest Miller |
Edited by | William Morgan |
Music by | Cy Feuer William Lava Paul Sawtell (all uncredited) |
Production company | |
Distributed by | Republic Pictures Corporation |
Release date |
|
Running time | 53 minutes (American edited version) 65 minutes |
Country | United States |
Language | English |
The Zero Hour is a 1939 American drama film directed by Sidney Salkow. [1]
A kindly theatrical producer mentors a beautiful young girl and helps her to become a big Broadway star. In time the two fall in love and decide to wed. En route to a justice of the peace, tragedy strikes the happy couple and the would-be groom ends up permanently paralyzed. Still, his girl remains devoted to him and the marriage proceeds. Nine years pass and the woman decides she wants to adopt a child. All things seem to be in place for the adoption, but a widower shows up to claim the child. The wife and the widower begin an affair soon after meeting. When the husband finds out, he selflessly executes his final option to ensure his wife's future happiness.
Nancy Kelly was an American actress in film, theater, and television. A child actress and model, she was a repertory cast member of CBS Radio's The March of Time, and appeared in several films in the late 1920s. She became a leading lady upon returning to the screen in the late 1930s, while still in her teens, and made two dozen movies between 1938 and 1946, including portraying Tyrone Power's love interest in the classic Jesse James (1939), which also featured Henry Fonda, and playing opposite Spencer Tracy in Stanley and Livingstone, later that same year. After turning to the stage in the late 1940s, she had her greatest success in a character role, the distraught mother in The Bad Seed, receiving a Tony Award for Best Actress in a Play for the 1955 stage production and an Academy Award nomination as Best Actress for the 1956 film adaptation, her last film role. Kelly then worked regularly in television until 1963, then took over the role of Martha in the original Broadway production of Who's Afraid of Virginia Woolf? for several months. She returned to television for a handful of appearances in the mid-1970s.
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