Perrey and Kingsley was an electronic music duo made up of French composer Jean-Jacques Perrey and German-American composer Gershon Kingsley. The duo lasted from 1965 to 1967 and both are considered pioneers of electronic music. They released under Vanguard Records two studio albums The In Sound From Way Out! and Kaleidoscopic Vibrations. They also were among the first artists to incorporate the Moog synthesizer, prior to the successful 1968 release, Switched-On Bach by Wendy Carlos.
Morton Sanford Garson was a Canadian composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s, such as Mother Earth's Plantasia (1976), He also co-wrote several hit songs, including "Our Day Will Come", a hit for Ruby & the Romantics. According to Allmusic, "Mort Garson boasts one of the most unique and outright bizarre resumés in popular music, spanning from easy listening to occult-influenced space-age electronic pop."
Paul Henry Beaver Jr. was an American musician who was a pioneer in popular electronic music, using the Moog synthesizer. From 1967, Beaver collaborated with Bernie Krause as the recording duo Beaver & Krause.
Electronic Sound is the second studio album by English rock musician George Harrison. Released in May 1969, it was the last of two LPs issued on the Beatles' short-lived Zapple record label, a subsidiary of Apple Records that specialised in the avant-garde. The album is an experimental work comprising two lengthy pieces performed on a Moog 3-series synthesizer. It was one of the first electronic music albums by a rock musician, made at a time when the Moog was usually played by dedicated exponents of the technology. Harrison subsequently introduced the Moog to the Beatles' sound, and the band featured synthesizer for the first time on their 1969 album Abbey Road.
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today.
Beaver & Krause were an American musical duo comprising Paul Beaver and Bernie Krause. Their 1967 album The Nonesuch Guide to Electronic Music was a pioneering work in the electronic music genre. The pair were Robert Moog's sales representatives on the U.S. West Coast and were instrumental in popularizing the Moog synthesizer during the late 1960s. As recording artists for Warner Bros. Records in the early 1970s, they released the critically admired albums In a Wild Sanctuary and Gandharva.
Look at the Fool is the ninth and final studio album by American singer-songwriter Tim Buckley, released on September 13, 1974, by DiscReet Records.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
Cyrus Faryar is an Iranian-American folk musician, songwriter and record producer. He was active in musical, theatrical and performance events in high school. After graduating from high school and attending college, he became involved in the entertainment industry, opening the first coffee house in Hawaii. He later moved to Southern California and became active with several groups. When Dave Guard left the Kingston Trio to pursue his interest in early folk music styles, Guard asked Faryar to join his new group, the Whiskeyhill Singers. After the Whiskeyhill Singers disbanded, Faryar moved to San Diego to perform with other folk musicians. After his San Diego period, Faryar returned to Hawaii, where he helped form the Modern Folk Quartet, and produced two records in his eclectic neo-folk style. Still living in Hawaii, he continues to perform occasionally with his recognizable and distinctive deep baritone voice.
Fred Neil is the second album from Fred Neil, a pioneer folk rock musician, recorded and released in 1966. The album has a more laid-back sound than his debut, and contains his best-known songs; "Everybody's Talkin' " and "The Dolphins". It was re-released in 1969 under the title Everybody's Talkin' in response to the international success of the soundtrack of the movie Midnight Cowboy, which made a hit of the new title track for Harry Nilsson. Music journalist Richie Unterberger characterizes the album as Neil's "best", and it was listed in the first (2005) edition of the book 1001 Albums You Must Hear Before You Die, edited by Robert Dimery.
The Wozard of Iz: An Electronic Odyssey is a 1968 album of electronic music composed and realized by Mort Garson and conceived and written by Jacques Wilson. It psychedelically parodies the 1939 film The Wizard of Oz, setting the characters in the 1960s with a hippie mindset. Throughout the story the main character, Dorothy, seeks out "where it's at".
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Roots is a 1968 studio album by American singing duo the Everly Brothers. Originally on the Warner Bros. label, the album was re-released on CD in 1995 by Warner Bros. and in 2005 by Collectors' Choice Music. The album is a classic example of early country rock.
John B. Sebastian is the debut album by American singer-songwriter John Sebastian, previously best known as the co-founder and primary singer-songwriter of the 1960s folk-rock band the Lovin' Spoonful. The album, released in January 1970, includes several songs that would become staples of Sebastian's live performances during the early and mid-1970s. Most notably, the album included "She's a Lady", Sebastian's first solo single, and an alternate version of "I Had a Dream" which was used to open the soundtrack album of the 1970 documentary film Woodstock. John B. Sebastian also featured support performances by David Crosby, Stephen Stills and Graham Nash several months before that trio agreed to work together as a performing unit.
Evergreen, Vol. 2 is the second album from the Stone Poneys, released five months after The Stone Poneys. It was the most commercially successful of the Stone Poneys' three studio albums.
The Great San Bernardino Birthday Party & Other Excursions is an album by American fingerstyle guitarist and composer John Fahey, released in 1966. The cover simply labels the album Guitar Vol. 4 while the liner notes label it The Great San Bernardino Birthday Party & Other Excursions. The title never appeared on the record labels themselves. It marked the beginning of Fahey's interest in his recording of experimental soundscapes and sound effects. Despite Fahey's distaste for the 1960s counterculture, it is his release most often referred to as psychedelic.
Changes is the second and final studio album by the American folk band the Modern Folk Quartet. It was released in 1964 on the Warner Bros. Records label. The album expands upon the trend set from the group's debut: including interpretations of both traditional and contemporary folk standards, with an increased emphasis on the latter. By the time the Modern Folk Quartet recorded Changes, they were seasoned members of the folk scene, which enabled the group to produce much richer vocal harmonies.
Ananda Shankar is the debut album by Indian musician Ananda Shankar, the son of dancer and choreographer Uday Shankar and the nephew of Indian classical musician Ravi Shankar. It was released in 1970 on the Reprise record label. The album fuses Indian music with Western rock and electronic music, and was among the first works in the rock genre by an Indian musician. Consisting mainly of instrumental recordings featuring sitar and Moog synthesizer, it includes a cover version of the Rolling Stones' 1968 hit song "Jumpin' Jack Flash" and a thirteen-minute Indian-style piece titled "Sagar ".
Mother Earth's Plantasia, commonly referred to as simply Plantasia, is an electronic album by Mort Garson first released in 1976.
Black Mass Lucifer is an electronic instrumental album by Mort Garson first released in 1971.
