 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(March 2016) |
The Theatre Book Prize is a prize given by the Society for Theatre Research annually. [1]
| This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(March 2016) |
The Theatre Book Prize is a prize given by the Society for Theatre Research annually. [1]
It was established to celebrate the Jubilee of the Society for Theatre Research (founded in Britain in 1948), and to encourage writing and publication of books on theatre history and practice—both those that present the theatre of the past and those that record contemporary theatre for the future. It was first awarded in 1998 for the best new theatre title published in English during 1997. It is now presented annually for a book on British or British related theatre that an independent panel of judges considers the best published in the preceding year.
There are three judges, who are different each year. They are drawn from the ranks of people working in theatre: performers, directors, theatre critics, senior academics concerned with theatre, and theatre archivists.
All new works of original research first published in English are eligible, except for play texts and studies of drama as literature. The Prize embraces all aspects and genres of theatre from opera and ballet to circus and music hall, mime and puppetry as well as 'legitimate' forms and, as the list of previous winners shows, entries are drawn from right across the publishing spectrum.
By year of publication
Harold Pinter was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993) and Sleuth (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works.
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