The "Theme from Star Trek" (originally scored under the title "Where No Man Has Gone Before") [1] is an instrumental musical piece composed by Alexander Courage for Star Trek, the science fiction television series created by Gene Roddenberry that originally aired between September 8, 1966, and June 3, 1969.
The theme plays over both the opening and closing credits of the original series; the opening credits begin with the now-famous, "where no man has gone before", monologue recited by series star William Shatner. Accompanied by an opening fanfare, the main theme begins, punctuated at several points by the Enterprise flying toward and past the camera with a "whoosh" sound for dramatic effect, created vocally by Courage. [2] A slightly longer version of the theme, minus the eight-note fanfare, plays over the closing credits, which were overlaid on a series of stills from various episodes.
Courage identified the Richard Whiting song "Beyond the Blue Horizon" as his inspiration for the main part of the theme, giving him the idea for a song which was a "long thing that ... keeps going out into space ... over a fast moving accompaniment." [3]
The unaired pilot, "The Cage", used a wordless rendition of the melody line, sung by soprano Loulie Jean Norman with flute and organ, over an orchestral arrangement. When originally composed (and as heard in "The Cage"), Courage had Norman's vocalizations and the various instruments mixed equally to produce what Courage described as a unique "'what is that that I'm hearing?' sound." [4] According to Courage, however, Gene Roddenberry had the mix changed to bring up the female vocal, after which Courage felt it sounded like a soprano solo. For the third season, the theme was again remixed, this time emphasizing the organ.
For the first several episodes, there was a concerto-like solo of an electric violin playing the melodic line, without any vocals. Norman's vocal was restored for the remainder of the season. Producer Herbert Solow recalled that Norman had been hired under a Screen Actors Guild agreement and that she would receive rerun fees for her part in the theme. For the second season onwards, her vocalization was dropped from the theme. Solow regretted the choice and composer Courage was not informed until twenty-seven years later. [5]
The head of programming at NBC, Mort Werner, enjoyed the first pilot, but because he believed the series' potential had not been fully realized by the story's plot, he convinced the network to finance a second effort, an action that Roddenberry said, "shattered all television precedent." [6] The unaired version of the second pilot episode used an entirely different main title theme, also composed by Courage. This version of the theme never aired; when the second pilot was re-edited for broadcast, it received the series standard titles and the original theme, minus the William Shatner opening narration (this was changed for home video).
In 2006, CBS began syndicating a "remastered" version of the series with numerous changes, including a re-recording of the theme music, which was used for all episodes of the series. Elin Carlson, a professional singer and lifetime Star Trek fan, recorded the replacement for Norman's vocalization. [7]
Over time, the show's theme music has become immediately recognizable, even by many people who have never seen the program. Portions of the original theme have been used in subsequent Star Trek series and motion pictures. For 1979's Star Trek: The Motion Picture , scored by Jerry Goldsmith, Alexander Courage provided additional cues featuring his theme, where it softly accompanies the "captain's log" scenes. Dennis McCarthy reused the original theme's fanfare when he reworked Goldsmith's main theme for use as Star Trek: The Next Generation 's theme music, where the fanfare precedes Goldsmith's theme. Most of the subsequent Star Trek motion pictures' main title themes started with the fanfare before segueing into music composed specially for the given film. The 2009 film Star Trek broke with this tradition; instead, composer Michael Giacchino used the opening notes sparingly in the movie, but featured an arrangement of the theme in the film's end credits. All the Star Trek feature films to date use the fanfare at some point.
A prequel, spin-off series, Star Trek: Discovery (2017–2024), set 10 years before the original, twice featured a new recording of the theme: first during the closing credits of the Season 1 finale episode, "Will You Take My Hand?" (following the reintroduction of the U.S.S. Enterprise), and again at the start of the Season 2 episode "If Memory Serves", during a recap of "The Cage", of which the Discovery episode is a direct sequel.
Without Courage's knowledge, Roddenberry wrote amateurish lyrics to the theme – not in the expectation that they would ever be sung, or indeed ever be made publicly available, but so that he could be officially registered as the lyricist of the theme and hence claim half the performance royalties. Although there was never any litigation, Courage stated that he considered the conduct unethical. Roddenberry responded, "Hey, I have to get some money somewhere. I'm sure not gonna get it out of the profits of Star Trek." [8] The lyrics were published in Roddenberry and Stephen Whitfield's book, The Making of Star Trek, and were featured in an issue of the DC Comics Star Trek comic book, as "performed" by the character Uhura.
Series associate producer Robert Justman noted that work on the film Doctor Dolittle kept Courage from working on more than two episodes of the first season. Justman claims he was unable to convince Courage to return for the second season and believed that Courage lost enthusiasm for the series due to the "royalty" issue. [9] This is in contradiction with Courage doing work on the show before its second season; conducting thirty minutes of library music (much of it newly composed) on June 16, 1967, including a new arrangement of the Star Trek theme; [10] and returning again for the third season to score the episodes, "The Enterprise Incident" and "Plato's Stepchildren".
Eugene Wesley Roddenberry Sr. was an American television screenwriter and producer who created the science fiction series and fictional universe Star Trek. Born in El Paso, Texas, Roddenberry grew up in Los Angeles, where his father was a police officer. Roddenberry flew 89 combat missions in the Army Air Forces during World War II and worked as a commercial pilot after the war. Later, he joined the Los Angeles Police Department and began to write for television.
Star Trek is an American science fiction television series created by Gene Roddenberry that follows the adventures of the starship USS Enterprise (NCC-1701) and its crew. It acquired the retronym of Star Trek: The Original Series to distinguish the show within the media franchise that it began.
Spock is a fictional character in the Star Trek media franchise. He first appeared in the original Star Trek series serving aboard the starship USS Enterprise as science officer and first officer and later as commanding officer of the vessel. Spock's mixed human–Vulcan heritage serves as an important plot element in many of the character's appearances. Along with Captain James T. Kirk and Dr. Leonard "Bones" McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from active duty in Starfleet, Spock served as a Federation ambassador, and later became involved in the ill-fated attempt to save Romulus from a supernova, leading him to live out the rest of his life in a parallel universe.
"Where no man has gone before" is a phrase made popular through its use in the title sequence of the original 1966–1969 Star Trek science fiction television series, describing the mission of the starship Enterprise. The complete introductory speech, spoken by William Shatner as Captain James T. Kirk at the beginning of each episode, is:
Space: the final frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before!
"The City on the Edge of Forever" is the twenty-eighth and penultimate episode of the first season of the American science fiction television series Star Trek. It was written by Harlan Ellison; contributors to and/or editors of the script included Steven W. Carabatsos, D. C. Fontana and Gene L. Coon. Gene Roddenberry made the final re-write. The episode was directed by Joseph Pevney and first aired on NBC on April 6, 1967.
"The Cage" is the first pilot episode of the American television series Star Trek. It was completed on January 22, 1965. The episode was written by Gene Roddenberry and directed by Robert Butler. It was rejected by NBC in February 1965, and the network ordered another pilot episode, which became "Where No Man Has Gone Before". Much of the original footage from "The Cage" was later incorporated into the season 1 two-part episode "The Menagerie" (1966); however, "The Cage" was first released to the public on VHS in 1986, with a special introduction by Gene Roddenberry, as a hybrid of the color footage that was used in "The Menagerie" and black and white footage which was not used in "The Menagerie". It was not broadcast on television in its complete all-color form until 1988. The black and white version and all-color version were also released in various standard-definition media including LaserDisc, VHS, and DVD formats.
"Where No Man Has Gone Before" is the third episode of the first season of the American science-fiction television series Star Trek. Written by Samuel A. Peeples and directed by James Goldstone, it first aired on September 22, 1966.
Christine Chapel is a fictional character who appears in all three seasons of the American science fiction television series Star Trek: The Original Series, as well as Star Trek: The Animated Series and the films Star Trek: The Motion Picture and Star Trek IV: The Voyage Home. Portrayed by Majel Barrett, she was the ship's nurse on board the Starfleet starship USS Enterprise. A younger version of Chapel appears in the 2022 series Star Trek: Strange New Worlds, portrayed by Jess Bush.
Janice Rand is a fictional character in the American science fiction television series Star Trek: The Original Series during its first season, as well as three of the Star Trek films. She is the Captain's yeoman on board the USS Enterprise (NCC-1701), and first appeared in the episode "The Man Trap". She had significant roles in the episodes "The Enemy Within", where she fights off an evil version of Captain James T. Kirk; "Charlie X" where a young man with god-like powers falls in love with her; and "Miri" where she is infected with a deadly disease while on an away mission and is kidnapped by jealous children.
Una Chin-Riley, commonly and originally only known as Number One, is a fictional character in the science-fiction franchise Star Trek. She is Christopher Pike's second-in-command during his captaincy of the starship Enterprise.
Alexander Mair Courage Jr. familiarly known as "Sandy" Courage, was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original Star Trek series.
"The Man Trap" is the first episode of season one of the American science fiction television series Star Trek. Written by George Clayton Johnson and directed by Marc Daniels, it featured design work by Wah Chang and first aired in the United States on September 8, 1966.
Dorothy Catherine Fontana was an American television script writer and story editor, best known for her work on the original Star Trek series.
The Orions are a fictional extraterrestrial humanoid species in the American science fiction franchise Star Trek, making their first appearance in the initial pilot for Star Trek: The Original Series, "The Cage". Susan Oliver portrayed the first Orion seen on screen, when her human character Vina was transformed into one, although it was Majel Barrett who underwent the original makeup test. The footage was subsequently used in the two-part episode "The Menagerie". Yvonne Craig, who was considered for the role of Vina, later played an Orion in "Whom Gods Destroy".
The science fiction multimedia franchise of Star Trek since its original debut in 1966 has been one of the most successful television series in science fiction television history and has had a large influence in popular culture as a result.
Norway Corporation also called Norway Productions, Inc., is a motion picture and television production company established by Gene Roddenberry in 1959. Norway Corporation is best known for having been the production company that brought Star Trek to television on the NBC network in association with Desilu Studios, which later became part of Paramount Television.
Eugene Wesley "Gene" Roddenberry was an American television screenwriter, producer and futurist best remembered for creating the original Star Trek television series. While at Los Angeles City College, he entered into a relationship with Eileen-Anita Rexroat, whom he went on to marry on June 20, 1942, before his deployment in the United States Army Air Corps during World War II. The couple had two daughters together, Darleen Anita and Dawn Allison. He joined the Los Angeles Police Department, and during this time he was known to have had affairs with secretarial staff, thus endangering his marriage.
Lincoln Enterprises, formerly Star Trek Enterprises, was a mail-order company set up by Bjo Trimble and Gene Roddenberry to sell merchandise related to the American science fiction television series Star Trek. It was known for selling official scripts and film cells directly from Desilu Productions during the run of the series. It later expanded into general Star Trek merchandise under Majel Barrett, and has since been subsumed into Roddenberry.com.
The development of Spock, a fictional character first introduced in the American science fiction television series Star Trek, began prior to the start of the series. The first known mention of Spock was in a discussion between Gene Roddenberry and Gary Lockwood, where the latter suggested Leonard Nimoy for the role. Roddenberry agreed with the suggestion, and Nimoy became the first choice actor for the part. However, Roddenberry was required to audition other actors for the role. It was offered to both DeForest Kelley and Martin Landau before Nimoy. Nimoy disliked the prosthetic ears he was required to wear, and there were concerns from the studio that they made him appear satanic. Roddenberry fought to keep the character in the second pilot, "Where No Man Has Gone Before" after the rest of the main cast was dropped from the initial pilot, "The Cage".
So I went out on the stage and watched the screen, and as it went by, there was the microphone. I just went 'whooosh,' and that's what they used.