"There Is a Balm in Gilead" | |
---|---|
Song | |
Written | 19th century |
Genre | Spiritual |
"There Is a Balm in Gilead" is a traditional African American spiritual dating back to at least the 19th century. Its refrain appears in Washington Glass's 1854 hymn "The Sinner's Cure", although the hymn is substantially based on an earlier work by John Newton. The Clark Sisters recorded a version of "Balm in Gilead" in 1986.
The "balm in Gilead" references the Old Testament, particularly Jeremiah 8:22, but the spiritual's lyrics focus on the New Testament concept of salvation through Jesus Christ. In the Old Testament, the balm of Gilead is a healing compound, symbolizing spiritual medicine for Israel and sinners.
The 1973 edition of the Primitive Baptist songbook Harp of Ages features "Balm in Gilead" with verses from a Charles Wesley hymn. The second verse of the spiritual also appears in versions of another spiritual, "(Walk That) Lonesome Valley", illustrating the common practice of shared verses in camp meetings and revivals. Nina Simone recorded a rendition of the song on her album Baltimore .
The "balm in Gilead" is a reference from the Old Testament, but the lyrics of this spiritual refer to the New Testament concept of salvation through Jesus Christ. The Balm of Gilead is interpreted as a spiritual medicine that is able to heal Israel (and sinners in general). In the Old Testament, the balm of Gilead is taken most directly from Jeremiah chapter 8 v. 22: "Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?" (Another allusion can also be found in Jeremiah chapter 46, v. 2 and 11: "This is the message (of the Lord) against the army of Pharaoh Neco … Go up to Gilead and get balm, O Virgin Daughter of Egypt, but you multiply remedies in vain; here is no healing for you" – see also Jeremiah chapter 22, v. 6.)
The first appearance of the spiritual in something close to its current form is uncertain. A version of the refrain can be found in Washington Glass's 1854 hymn "The Sinner's Cure", (see link below) where it is in 7s.6s.7s.6s rather than the Common Meter of today's refrain. Glass attributed this hymn to himself, but like several of the hymns so attributed, it is substantially the work of another. He attached to one of John Newton's Olney hymns of 1779 this refrain:
There is no mention of the balm of Gilead in Newton's poem, but it begins:
The similarities in the refrain make it likely that it was written for Newton's verse.
The 1973 edition of the 1925 7-shape Primitive Baptist songbook Harp of Ages has an unattributed song "Balm in Gilead" with a similar chorus, but verses drawn from a Charles Wesley hymn, "Father I Stretch My Hands to Thee".
The second verse quoted below ("If you can't...") is also found in some versions of another well-known spiritual "(Walk That) Lonesome Valley". "Wandering verses", as they are often called, are quite common in the camp meeting and revival context, and were already found in by 1800 in the African-American community, as shown by Richard Allen's 1801 A Collection of Hymns and Spiritual Songs Selected from Various Authors.
A version of the song was recorded by the singer Nina Simone on her album Baltimore .
Chorus:
(Chorus)
(Chorus)
Chorus:
(Chorus)
(Chorus)
Recordings include:
"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is an immensely popular hymn, particularly in the United States, where it is used for both religious and secular purposes.
The "Battle Hymn of the Republic", also known as the "Mine Eyes Have Seen the Glory" or the "Glory, Glory Hallelujah" outside of the United States, is an American patriotic song that was written by abolitionist writer Julia Ward Howe during the American Civil War.
"Rock of Ages" is a popular Christian hymn written by the Reformed Anglican minister Augustus Toplady.
Matthew 4:23 is the twenty-third verse of the fourth chapter of the Gospel of Matthew in the New Testament. Jesus has just recruited the first four disciples, this verse begins a brief summary of and introduction to Jesus' ministry in Galilee that will be recounted in the next several chapters.
Matthew 9 is the ninth chapter of the Gospel of Matthew in the New Testament. It continues the narrative about Jesus' ministry in Galilee as he ministers to the public, working miracles, and going through all the cities and towns of the area, preaching the gospel, and healing every disease. This chapter opens with Jesus back in "his own town", i.e. Capernaum. This chapter reflects "the crucial role of faith" in relation to healing.
Matthew 8:2 is the second verse of the eighth chapter of the Gospel of Matthew in the New Testament. This verse begins the miracle story of Jesus cleansing a leper, the first of a series of miracles in Matthew.
Matthew 9:6 is the sixth verse in the ninth chapter of the Gospel of Matthew in the New Testament.
Matthew 9:7 is the seventh verse in the ninth chapter of the Gospel of Matthew in the New Testament.
Matthew 10:8 is the eighth verse in the tenth chapter of the Gospel of Matthew in the New Testament.
"Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate over whether he was actually the first to write it. It has been sung and recorded by many gospel and secular performers.
"Come Thou Fount of Every Blessing" is a Christian hymn written by the pastor and hymnodist Robert Robinson, who penned the words in the year 1758 at the age of 22.
Psalm 146 is the 146th psalm of the Book of Psalms, beginning in English in the King James Version, "Praise ye the LORD. Praise the LORD, O my soul". In Latin, it is known as "Lauda anima mea Dominum".
The healing of the mother of Peter's wife is one of the miracles of Jesus in the Gospels, reported in Matthew 8:14–15, Mark 1:29–31, and Luke 4:38–39.
Healing the paralytic at Capernaum is one of the miracles of Jesus in the synoptic Gospels. Jesus was living in Capernaum and teaching the people there, and on one occasion the people gathered in such large numbers that there was no room left inside the house where he was teaching, not even outside the door. Some men came carrying a paralyzed man but could not get inside, so they made an opening in the roof above Jesus and then lowered the man down. When Jesus saw how faithful they had been, he said to the paralyzed man, "Son, your sins are forgiven."
Psalm 31 is the 31st psalm of the Book of Psalms, beginning in English in the King James Version: "In thee, O LORD, do I put my trust". In Latin, it is known as "In te Domine speravi". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in its Latin translation, the Vulgate, this psalm is Psalm 30. The first verse in the Hebrew text indicates that it was composed by David.
"This joyful Eastertide" is an 1894 Easter carol. The words are by George Ratcliffe Woodward, the tune is from the Netherlands (1624), and the 1894 harmonisation is by Charles Wood.
Jeremiah 8 is the eighth chapter of the Book of Jeremiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains prophecies attributed to the prophet Jeremiah and is one of the Books of the Prophets. Chapters 7 to 10 constitute an address delivered by Jeremiah at the gate of the Temple in Jerusalem.
Jeremiah 46 is the forty-sixth chapter of the Book of Jeremiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains prophecies attributed to the prophet Jeremiah, and is one of the Books of the Prophets. This chapter is part of a series of "oracles against foreign nations", consisting of chapters 46 to 51. In particular, chapters 46-49 focus on Judah's neighbors. This chapter contains the poetic oracles against Egypt.
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. Of a metaphorical nature, it focuses on the power of the name of Jesus. It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. A modern alternative tune is Rachel by Chris Bowater.
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The final line of the first stanza has attracted some criticism, as it leads the singer to call themselves a "worm". Hymnals often change the line from "for such a worm as I" to "for such a one as I" or "for sinners such as I".