Mannar Thirumalai Nayakkar Mahal | |
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General information | |
Architectural style | Vijayanagara architecture, Nayaka style |
Town or city | Madurai |
Country | India |
Coordinates | 9°54′53″N78°07′27″E / 9.9148°N 78.1243°E |
Construction started | c. 1620s |
Estimated completion | c. 1636 |
Client | King Thirumalai Nayak of Madurai |
Owner | Archaeological Survey of India, Government of Tamil Nadu |
Dimensions | |
Other dimensions | 900 ft × 660 ft (270 m × 200 m) (length x width) |
Technical details | |
Size | 554,000 sq ft (51,500 m2) |
Design and construction | |
Engineer | Unknown |
Thirumalai Nayak Palace is a 17th-century palace erected in 1636 by King Tirumala Nayaka, a king of Madurai's Nayaka dynasty who ruled Madurai from 1623 to 1659, in the city of Madurai, India. The building, which can be seen today, was the main palace, in which the king lived. The original palace complex was four times bigger than the present structure. In its heyday, the palace was considered to be one of the wonders of the South. The palace is located two kilometres (1.2 mi) south east of the Meenakshi Amman Temple.
The Nayaks of Madurai ruled this Kingdom from 1545 until the 1740s and Thirumalai Nayak (1623-1659) was one of their greatest kings notable for various buildings in and around Madurai. During the 17th centuries the Madurai Kingdom had Portuguese, Dutch and other Europeans as traders, missionaries and visiting travellers. Over a span of 400 years many parts of the buildings suffered the destructive effects of war; a few, however, are sufficiently in repair to be converted into use by the garrison, as granaries, store-houses, powder magazines during time of East India Company. According to British records, King Thirumalai Nayak's grandson had demolished much of the fine structure and removed most of the ornaments and woodcarvings in order to build his own palace in Tiruchirapalli. But some researchers consider that event as unlikely, and says that the palace was more probably scavenged for building materials by local communities. [1] However Lord Napier, the Governor of Madras, had partially restored the palace from 1866 to 1872, and the subsequent restoration works carried out several years ago, today, we get to see the Entrance Gate, The Main Hall and the Dance Hall. [2]
Built in 1636, as a focal point of his capital at Madurai, Thirumalai Nayak intended the palace to be one of the grandest in South India. The Interior of the palace surpasses many of its Indian contemporaries in scale. The interior is richly decorated whilst the exterior is treated in a more austere style.
Local legend goes that the king hired an Italian architect to design the complex, and hence some qualify it as of Dravidian – Italian architecture. During this period Madurai was a thriving kingdom with Portuguese, Dutch and other Europeans as traders, missionaries and visiting travelers. This might have influenced the design inspirations of the palace. [3] Many Tamil Nadu government agencies also qualify the architecture of Thirumalai Nayaka Palace as of Indo-Saracenic architecture or of Dravidian architecture. [4] [5]
Art historians however consider this palace to be an outstanding example of Vijayanagara architecture in its late Nayaka style. [1] [6] [7] Some of them evoke the origin of theories on the possible intervention of European architects and craftsmen, or of a major Western artistic influence, as motivated by a priori and colonial prejudices. [1]
During the 18th century, many structures that were part of this palace were pulled down or incorporated into buildings in the adjacent streets. What remains is the enclosed court known as the Svarga Vilasam and a few adjoining buildings. The audience chamber of the Svarga Vilasam is a vast hall with arcades about 12 m high. The court yard of Svarga Vilasam measures 75 m (246 ft) by 50 m (160 ft). [8] The architecture is a blend of indigenous and Islamic forms. Thirumalai nayakar mahal is famous for its giant pillars. Pillar's height is 82 feet (25 m) and width is 19 feet (5.8 m). Historically, the palace measured 554,000 sq ft (51,500 m2) and was 900 ft (270 m) long by 660 ft (200 m) wide.
Upon entering into the gates of the palace, there is a central courtyard measuring 3,700 m2 (40,000 sq ft). The courtyard is surrounded by massive circular pillars and has a circular garden.
The palace was divided into two major parts, namely Swarga Vilasam (Celestial Pavilion) and Ranga Vilasam. The royal residence, theatre, shrine, apartments armory, palanquin place, royal bandstand, quarters, pond and garden were situated in these two portions. The courtyard and the dancing hall are the major center of attractions of the palace. The Celestial Pavilion (Swarga Vilasam) was used as the throne-room and has an arcaded octagon covered by a dome 60 to 70 feet (18 to 21 m) high. The domed structure in the centre is supported by stone ribs and is held up by massive circular columns topped and linked by pointed scalloped arches with an arcaded gallery opening into the nave above the side aisles.
The structure was constructed using foliated brickwork and the surface details and finish in exquisite stucco called chunnam using chunnam (shell lime) and mixed with egg white to obtain a smooth and glossy texture. The steps leading up to the hall were formerly flanked by two equestrian statues of excellent workmanship.
The pillars supporting the arches are 13 metres (43 ft) tall and are again joined by foliated brickwork that carries a valance and an entablature rising up to a height of 20 metres (66 ft). The decoration is done, (shell lime). The pavilions topped with finials that were covered with gold are on either side of the courtyard.
After independence, the Thirumalai Palace was declared as a national monument and is now under the protection of the Tamil Nadu Archaeological Department. This palace is open for the visitors daily. Many films are shot in the Palace, primarily due to the large pillars present. Notable films are Maniratnam's "Bombay" ("Kannalane" song), "Guru" ("Tera Bina" Song) etc. Vikram starrer "Bheemaa" ("Ragasiya Kanavugal" song). The palace is well equipped to perform light and sound shows depicting the story of Silappathikaram both in Tamil and English languages. [9] The palace is a ticketed monument open from 10 am to 1 pm and 2pm to 5:30 pm. [8]
Tirumala Nayaka was the ruler of Madurai Nayak Dynasty in the 17th century. He ruled Madurai between A.D 1623 and 1659. His contributions are found in the many splendid buildings and temples of Madurai. He belongs to Balija caste. His kingdom was under constant threat from the armies of Bijapur Sultanate and the other neighbouring Muslim kingdoms, which he managed to repulse successfully. His territories comprised much of the old Pandya territories which included Coimbatore, Tirunelveli, Madurai districts, Aragalur in southern Tamil Nadu and some territories of the Travancore kingdom.
Madurai district is one of the 38 districts of the state of Tamil Nadu in southeastern India. The city of Madurai serves as the district headquarters. It houses the famous Sri Meenakshi Sundareshwarar temple and is situated on the banks of the river Vaigai. Thiruparankundram is one of the major tourist place in the district. As of 2011, the district had a population of 3,038,252 with a sex-ratio of 990 females for every 1,000 males. Aside from the city of Madurai, the larger towns are Melur, Vadipatti, Thirumangalam, Thirupparankundram, Peraiyur, and Usilampatti. It is an important hub for various film shootings. Alanganallur is a popular spot in the district for Jallikattu, as are Palamedu and Avaniyapuram.
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Nayaka dynasties emerged during the Kakatiya dynasty and the Vijayanagara Empire period. The Nayakas were originally military governors under the Vijayanagara Empire. After the battle of Talikota, several of them declared themselves independent.
The Dindigul Fort or Dindigul Malai Kottai and Abirami amman Kalaheswarar Temple was built in 16th-century by Madurai Nayakar Dynasty situated in the town of Dindigul in the state of Tamil Nadu in India. The fort was built by the Madurai Nayakar king Muthu Krishnappa Nayakar in 1605. In the 18th century the fort passed on to Kingdom of Mysore. Later it was occupied by Hyder Ali and Tipu Sultan the fort was of strategic importance. In 1799 it went to the control of the British East India Company during the Polygar Wars. There is an abandoned temple on its peak apart from few cannons sealed with balls inside. In modern times, the fort is maintained by the Archaeological Survey of India and is open to tourists.
Arulmigu Meenakshi Sundareswarar Temple a.k.a Arulmigu Meenakshi Amman Thirukkovil is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Shakti, and her consort, Sundareshwarar, a form of Shiva. The temple is at the centre of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century CE texts. This temple is one of the Paadal Petra Sthalams, which are 275 temples of Shiva that are revered in the verses of Tamil Saiva Nayanars of the 6th-9th century CE.
The Madurai Nayaks were a Telugu dynasty who ruled most of modern-day Tamil Nadu, India, with Madurai as their capital. The Madurai Nayaks had their origins in the Balija Chetti merchants clans of present-day Andhra Pradesh. The Nayak reign which lasted for over two centuries from around 1529 to 1736 was noted for its achievements in arts, cultural and administrative reforms, revitalization of temples previously ransacked by the Delhi Sultans, and the inauguration of a unique architectural style.
Palaiyakkarars, or Poligar, Palegara in Andhra, Karnataka and Tamil Nadu refers to the holder of a small kingdom as a feudatory to a greater sovereign. Under this system, palayam was given for valuable military services rendered by any individual. The word pālayam means domain, a military camp, or a small kingdom. This type of Palayakkarars system was in practice during the rule of Pratapa Rudhra of Warangal in the Kakatiya kingdom. The system was put in place in Tamil Nadu by Viswanatha Nayak, when he became the Nayak ruler of Madurai in 1529, with the support of his minister Ariyanathar. Traditionally there were supposed to be 72 Palayakkarars. The majority of those Palaiyakkarar, who during the late 17th- and 18th-centuries controlled much of the Telugu region as well as the Tamil area, had themselves come from the Kallar, Maravar and Vatuka communities.
Tirumalai may refer to:
Tiruchirappalli Rock Fort, locally known as Malaikottai, is a historic fortification and temple complex built on an ancient rock. It is located in the city of Tiruchirappalli, on the banks of river Kaveri, Tamil Nadu, India. It is constructed on an 83 metres (272 ft) high rock. There are two Hindu temples inside, the Ucchi Pillayar Temple, Rockfort and the Thayumanaswami Temple, Rockfort. Other local tourist attractions include the famous Pallava-era Ganesha temple and the Madurai Nayak-era fort. The fort complex has witnessed fierce battles between the Madurai Nayakas and Adil Shahi dynasty of Bijapur, Carnatic region and Maratha Imperial forces. The fort played an important part during the Carnatic Wars, helping lay the foundations of the British Empire in India. The Rockfort is the most prominent landmark of the city.
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The Nayaks of Gingee (Senji) were Telugu rulers of the Gingee principality of Tamil Nadu between 16th to 18th century CE. They were subordinates of the imperial Vijayanagara emperors, and were appointed as provincial governors by the Vijayanagar Emperor who divided the Tamil country into three Nayakships viz., Madurai, Tanjore and Gingee. Later, after the fall of the Vijayanagara's Tuluva dynasty, the Gingee rulers declared independence. While they ruled independently, they were sometimes at war with the Tanjore neighbors and the Vijayanagara overlords later based in Vellore and Chandragiri. The Gingee Nayaks had their origins in the Balija Merchant clans of present-day Andhra Pradesh.
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Nilakantha Diksita was a minister in the 17th century court of King Thirumalai Nayak of Madurai. He composed several poems and literary works, including Ananda Sagara Stavam.
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