| This Brings Us to Volume 1 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 2009 | |||
| Recorded | November 2008 | |||
| Genre | Jazz | |||
| Label | Pi Recordings | |||
| Producer | Henry Threadgill | |||
| Henry Threadgill chronology | ||||
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This Brings Us to Volume 1 is an album by Henry Threadgill featuring six of Threadgill's compositions performed by Threadgill's Zooid. [1] The album, Threadgill's first in eight years besides the limited edition Pop Start the Tape, Stop (2005), was released on the Pi Recordings label in 2009. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [3] |
The album was selected as one of the best jazz recordings of the year by The New York Times , [4] The Wall Street Journal [5] and PopMatters . [6]
The AllMusic review by Michael G. Nastos stated: "A most unique combination of musicians that collectively sounds like no other modern jazz ensemble, Threadgill's Zooid must be heard to be appreciated, especially live, as the studio does not do the band justice." [3] The All About Jazz review by Troy Collins stated, "Threadgill unfurls fluid variations from his vocally expressive flute on the first half of the album, tortuous bluesy cadences from his acerbic alto on the second". [7]
All compositions by Henry Threadgill
Recorded at Brooklyn Recording, Brooklyn, New York, in November 2008
Henry Threadgill is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid.
Stomu Takeishi is a Japanese experimental and jazz bassist. He is known for playing fretless five-string electric bass guitar and a Klein five-string acoustic bass guitar, often using extended techniques and electronic manipulations such as looping.
Home is an album by David Murray, released in 1982 on the Italian Black Saint label and the second to feature his Octet. It features performances by Murray, Henry Threadgill, Olu Dara, Lawrence "Butch" Morris, George E. Lewis, Anthony Davis, Wilbur Morris and Steve McCall.
X-75 Volume 1 is the debut album by Henry Threadgill released on the Arista Novus label in 1979. The album and features four of Threadgill's compositions performed by Threadgill with Douglas Ewart, Joseph Jarman, Wallace McMillan, Leonard Jones, Brian Smith, Rufus Reid, Fred Hopkins and vocals by Amina Claudine Myers. The Allmusic review by Brian Olewnick states, "Henry Threadgill's first album as a leader immediately plunged into experimental waters. He utilized a nonet the likes of which had certainly never been heard before and probably not since... Threadgill's massive talent for mid-size band arrangements is immediately apparent... As of 2002, X-75, Vol. 1 was unreleased on disc and, even more disappointingly, there was never a "Vol. 2." But Threadgill fans looking for a link between Air and his Sextett owe it to themselves to search this one out".
When Was That? is an album by Henry Threadgill released on the About Time label in 1982. The album and features five of Threadgill's compositions performed by Threadgill with Craig Harris, Olu Dara, Fred Hopkins, Brian Smith, Pheeroan akLaff and John Betsch.
You Know the Number is an album by Henry Threadgill released on the RCA Novus label in 1986. The album and features six of Threadgill's compositions performed by Threadgill's Sextett with Frank Lacy, Rasul Siddik, Fred Hopkins, Diedre Murray, Pheeroan akLaff and Reggie Nicholson.
Spirit of Nuff...Nuff is an album by Henry Threadgill released on the Black Saint label in 1991 produced by Flavio and Giovanni Bonandrini. The album and features seven of Threadgill's compositions performed by Threadgill's Very Very Circus with Curtis Fowlkes, Brandon Ross, Masujaa, Marcus Rojas, Edwin Rodriguez, and Gene Lake.
Where's Your Cup? is an album by Henry Threadgill released on the Columbia label in 1997. The album features seven of Threadgill's compositions performed by Threadgill's Make a Move band: Brandon Ross, Tony Cedras, Stomu Takeishi, and J.T. Lewis.
Air Song is the debut album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing four of Threadgill's compositions. The album was originally released on the Japanese Why Not label in 1975 and later released in the U.S. on India Navigation in 1982.
Live Air is a live album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins recorded at Studio Rivbea, in New York and the University of Michigan in Ann Arbor, first released by Black Saint Records in 1980.
Air Time is an album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing three of Threadgill's compositions and one each by Hopkins and McCall.
Air Mail is an album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins, recorded for the Italian Black Saint label. The album consists of three compositions dedicated to the photographer Bobbie Kingsley, Ronnie Boykins, and Cecil Taylor & Jimmy Lyons.
Everybodys Mouth's a Book is an album by Henry Threadgill featuring eight of Threadgill's compositions performed by Threadgill & Make a Move. The album was the first album on the Pi Recordings label and was released simultaneously with Up Popped the Two Lips by Threadgill's Zooid in 2001.
Up Popped the Two Lips is an album by Henry Threadgill featuring seven of Threadgill's compositions performed by Threadgill's Zooid. The album was the second album on the Pi Records label and was released simultaneously with Everybodys Mouth's a Book by Threadgill & Make a Move in 2001.
For Trio is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1977 and released on the Arista label. The album features two recordings of the same composition by Braxton in two separate trios and was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
In for a Penny, In for a Pound is an album composed by Henry Threadgill for his jazz quintet Zooid, featuring Jose Davila, Liberty Ellman, Christopher Hoffman, and Elliot Humberto Kavee. It was released by Pi Recordings and was awarded the 2016 Pulitzer Prize for Music.
Old Locks and Irregular Verbs is an album by American jazz saxophonist Henry Threadgill, which was recorded in 2015 and released on Pi Recordings. It features an extended work that Threadgill composed as a tribute to cornetist and composer-conductor Lawrence D. Butch Morris, who died in 2013. Morris and Threadgill were old friends and colleagues on the New York City jazz scene; they both performed on Ming (1980) by David Murray. Threadgill formed a new band for the occasion named Ensemble Double Up, a septet where he doesn't play, but instead conducts.
Tomorrow Sunny / The Revelry, Spp is an album by American jazz saxophonist Henry Threadgill with his band Zooid, featuring Jose Davila on trombone and tuba, Liberty Ellman on guitar, Stomu Takeishi on bass guitar, Elliot Humberto Kavee on drums, and new member Christopher Hoffman on cello, who joined the group making it a sextet. It was recorded in 2011 and released on Pi Recordings.
This Brings Us to Volume 2 is an album by American jazz saxophonist Henry Threadgill with his band Zooid, featuring Jose Davila on trombone and tuba, Liberty Ellman on guitar, Stomu Takeishi on bass guitar, and Elliot Humberto Kavee on drums. It was recorded in 2008 and released on Pi Recordings.
Christopher Hoffman is an American cellist, composer, sound technician and filmmaker. He leads the Christopher Hoffman Quartet, MULTIFARIAM and experimental rock band Company Of Selves. Hoffman plays with saxophonists James Brandon Lewis and Michael Blake and is a longtime member of Henry Threadgill's Zooid. In his review of Hoffman's 2021 album Asp Nimbus, New York Times jazz critic Giovanni Russenello wrote, "The cellist Christopher Hoffman's unruly, unorthodox quartet moves around with its limbs loose, but its body held together".
