Olivier Eugène Prosper Charles Messiaen was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex. Harmonically and melodically, he employed a system he called modes of limited transposition, which he abstracted from the systems of material his early compositions and improvisations generated. He wrote music for chamber ensembles and orchestra, voice, solo organ, and piano, and experimented with the use of novel electronic instruments developed in Europe during his lifetime.
Yvonne Louise Georgette Loriod-Messiaen was a French pianist, teacher, and composer, and the second wife of composer Olivier Messiaen. Her sister was the Ondes Martenot player Jeanne Loriod.
The glass harmonica, also known as the glass armonica, glass harmonium, bowl organ, hydrocrystalophone, or simply the armonica or harmonica, is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means of friction. It was invented in 1761 by Benjamin Franklin.
The Turangalîla-Symphonie is the only symphony by Olivier Messiaen (1908–1992). It was written for an orchestra of large forces from 1946 to 1948 on a commission by Serge Koussevitzky in his wife's memory for the Boston Symphony Orchestra. Along with the Quatuor pour la fin du temps, the symphony is one of the composer's most notable works.
Gilles Tremblay, was a Canadian composer from Quebec.
The Cristal Baschet is a contemporary musical instrument developed in 1952 by the brothers Bernard and François Baschet. Models of the crystal organs range from 3.5 to 6 octaves and are made of 56 chromatically tuned glass rods. To play it, musicians rub the rods with wet fingertips.
Maurice Louis Eugène Martenot was a French cellist, a radio telegrapher during the first World War, and an inventor.
Jeanne Blanche Armande Loriod was a French musician, regarded as the world's leading exponent of the ondes Martenot, an early electronic instrument.
Monkey: Journey to the West is a stage adaptation of the 16th century novel Journey to the West by Wu Cheng'en. It was conceived and created by the Chinese actor and director Chen Shi-Zheng along with British musician Damon Albarn and British artist Jamie Hewlett.
Philip Clemo is a British composer, musician, producer, sound artist, filmmaker and visual artist, described by Propermusic.com as one of contemporary music's most innovative artists.
Trois Petites Liturgies de la Présence Divine is a cantata by Olivier Messiaen for women's voices, piano solo, onde Martenot, percussion battery, and small string orchestra, in three movements. Its libretto was written by Messiaen himself, who composed the work from 1943 to 1944.
Ginette Martenot (1902–1996) was a French pianist, and an expert and leading performer on the twentieth-century electronic instrument the ondes Martenot, which was invented by her brother Maurice. At the age of sixteen, she entered the Paris Conservatory, where she studied counterpoint and fugue with the composer Arthur Honegger. She gave the first performance as solo ondist in Messiaen's Turangalîla-Symphonie, with Yvonne Loriod taking the solo piano part.
Georges Savaria was a Canadian pianist, composer, ondist, college administrator, and music educator. His compositional output consists of a 1951 piano concerto, several songs and works for solo piano, and music for theatre, television, and radio. Some of his music was published by the periodical Le Passe-Temps.
The ondes Martenot or ondes musicales is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist.
French electronic music is a panorama of French music that employs electronic musical instruments and electronic music technology in its production.
François Weigel is a French pianist, conductor and composer.
Lorraine Vaillancourt, is a Canadian pianist and conductor living in Quebec.
Guy Morançon is a French composer and organist.
Augustin Viard is a French musician who plays the ondes Martenot, an electronic instrument developed in the 1920s.
