Thomas Sidney Cooper

Last updated

Self-portrait (c. 1832) Thomas Sidney Cooper, by Thomas Sidney Cooper.jpg
Self-portrait (c. 1832)
The Battle of Waterloo, 1847. Williamson Art Gallery, Birkenhead Waterloo by T.S.Cooper.jpg
The Battle of Waterloo, 1847. Williamson Art Gallery, Birkenhead
Cattle in the pasture by Thomas Sidney Cooper, 1881. Thomas sidney cooper painting1.jpg
Cattle in the pasture by Thomas Sidney Cooper, 1881.

Thomas Sidney Cooper CVO RA (26 September 1803 7 February 1902) was an English landscape painter noted for his images of cattle and farm animals. [1]

Contents

Biography

Thomas Sidney Cooper was born in St Peter's Street in Canterbury, Kent, [2] and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter; and he alternated between these two occupations for about eight years. He still felt a desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. [3]

He then returned to Canterbury, where he was able to earn a living as a drawing-master and by the sale of sketches and drawings. In 1827 he settled in Brussels making a living through painting portraits and also becoming a drawing master. Here he met and married Charlotte Pearson. He also met Eugène Joseph Verboeckhoven who was to have a great influence on his painting. The Belgian Revolution of 1830 saw Cooper and Charlotte returning to London. He showed his first picture at the Royal Academy in 1833, beginning a long and prolific career as an exhibitor at the Royal Academy and British Institution among others. [4] His 'Intercepted Raid, Ettrick Shepherd', exhibited at the Royal Academy in 1842, an oil on canvas, sold at Sotheby’s for £37,500 making it, at that time, the most valuable work to be sold at auction. [5]

When the competition was announced for the decoration for the new Houses of Parliament, to be held at Westminster Hall in 1847, Cooper submitted The Defeat of Kellermann's Cuirassiers and Carabiniers by Somerset's Cavalry Brigade at Waterloo, June 18, 1815, without success. [6] In order to complete the picture, the artist used Siborne's model of the battlefield then on exhibition in London, while a friend in Brussels sent him breastplates worn by the various cavalry regiments, and a trooper of the Life Guards acted as a model.

One of the finest landscape painters of his day, he is mainly associated with pictures of cattle or sheep, [4] a fact that earned him the epithet "Cow Cooper". [7] Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene. [8] He was elected an Associate of the Royal Academy (ARA) in 1845 and Royal Academician (RA) on 22 June 1867. [9]

He was a great philanthropist in Canterbury, and used some of his wealth to distribute bread and coal to the poor at Christmas. (The Alms Houses in Chantry Lane Canterbury are sometimes wrongly attributed to him as they were donated by Thomas Sankey Cooper and his brother Henry.) [10]

Most notably in 1882 he developed his private art lessons into a full-fledged art school in Canterbury, located at his home and studio in St Peter's Street. In 1868, he paid to have the Sidney Cooper Gallery adapted specifically as an Art School. This was partly as a memorial to his mother Sarah (1776-1865) but also to meet the needs of poorer inhabitants who wished to study art, providing the teaching that was missing during Cooper’s early years. [11] Amongst Cooper's more well-known students was Mary Tourtel, creator and illustrator of the Rupert Bear books for children.

He left both the Gallery and house in Trust to the Canterbury City Council of the day with the condition that it be used for artistic and educational purposes. The Gallery has most recently been used by the University for the Creative Arts and Canterbury Christ Church University as a working studio and exhibition space. The Gallery has been empty since 2020 and is in some need of repair.

Cooper wrote his reminiscences, under the title of My Life, in 1890. Among many fascinating anecdotes, he recalls his meetings with JMW Turner and his commission by Queen Victoria to paint a prize bull. Thomas and Charlotte had four children; his son, Thomas George Cooper, also became an artist.

The oldest member of the Royal Academy of Arts at the time of the accession of King Edward VII in 1901, Cooper was received by the King in July 1901, [12] and appointed a Commander of the Royal Victorian Order (CVO). [13] He was so prolific a painter that the studio sale conducted by Christies in 1902 after his death lasted a full three days. Thomas Sidney Cooper is buried in the graveyard of St Martin's Church, Canterbury.

The largest public collection of Cooper paintings is owned by Canterbury City Council and housed at the Beaney House of Art & Knowledge in Canterbury. Examples are also held by the Tate Gallery, London, and the Victoria and Albert Museum, London, and other public collections, mainly in Britain.

Selected paintings

See also

Notes

  1. Martí, José (1982). On Art and Literature: Critical Writings by José Martí. NYU Press. p. 79. ISBN   978-0-85345-590-5 . Retrieved 29 May 2020.
  2. "cooper-ts - Canterbury History". www.canterbury-archaeology.org.uk. Archived from the original on 30 November 2020. Retrieved 13 March 2019.
  3. Chisholm 1911, pp. 81–82.
  4. 1 2 3 Chisholm 1911, p. 82.
  5. http://www.freemanart.ca/cooper.htm
  6. "The Battle of Waterloo, 16–19 June 1815, the Defeat of Kellerman's Cuirassiers". Art UK . Retrieved 3 March 2014.
  7. https://www.bada.org/object/landscape-animal-oil-painting-cattle-sheep-river-thomas-sidney-cooper
  8. Westwood (2011) Vol. 2 Catalogue pp1-20
  9. "Art and artists - Royal Academy of Arts". www.royalacademy.org.uk. Retrieved 13 March 2019.
  10. "cooperalms - Canterbury History". www.canterbury-archaeology.org.uk. Archived from the original on 19 July 2020. Retrieved 13 March 2019.
  11. https://www.canterbury-archaeology.org.uk/cooper-gallery
  12. "Court Circular". The Times. No. 36521. London. 31 July 1901. p. 9.
  13. "No. 27346". The London Gazette . 16 August 1901. p. 5409.
  14. "Milking Time - Study of a Farm-Yard near Canterbury". Tate. Retrieved 13 March 2019.
  15. "Milking Time in the Meadows, 1869". Royal Academy of Arts. Retrieved 30 June 2023.

Related Research Articles

<span class="mw-page-title-main">John Constable</span> English painter (1776–1837)

John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".

<span class="mw-page-title-main">Richard Wilson (painter)</span> British painter

Richard Wilson was an influential Welsh landscape painter, who worked in Britain and Italy. With George Lambert he is recognised as a pioneer in British art of landscape for its own sake and was described in the Welsh Academy Encyclopedia of Wales as the "most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country". In December 1768 Wilson became one of the founder-members of the Royal Academy. A catalogue raisonné of the artist's work compiled by Paul Spencer-Longhurst is published by the Paul Mellon Centre for Studies in British Art.

<span class="mw-page-title-main">Paul Sandby</span> English map-maker and painter

Paul Sandby was an English map-maker turned landscape painter in watercolours, who, along with his older brother Thomas, became one of the founding members of the Royal Academy in 1768.

<span class="mw-page-title-main">Sawrey Gilpin</span> English painter

Sawrey Gilpin was an English animal painter, illustrator, and etcher who specialised in paintings of horses and dogs. He was made a Royal Academician.

<span class="mw-page-title-main">James Clarke Hook</span> English painter

James Clarke Hook was an English painter and etcher of marine, genre and historical scenes, and landscapes.

<span class="mw-page-title-main">Hubert von Herkomer</span> British artist (1849–1914)

Sir Hubert von Herkomer was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Hard Times showing the distraught family of a travelling day-labourer at the side of a road, is one of his best-known works.

<span class="mw-page-title-main">Peter De Wint</span> English painter

Peter De Wint was an English landscape painter. A number of his pictures are in the National Gallery, the Victoria and Albert Museum and The Collection, Lincoln. He died in London.

<span class="mw-page-title-main">Richard Ansdell</span> British painter

Richard Ansdell was a British painter of animals and genre scenes.

<span class="mw-page-title-main">Joseph Farquharson</span> Scottish painter (1846–1935)

Joseph Farquharson was a Scottish painter, chiefly of landscapes in Scotland often including animals. He is most famous for his snowy winter landscapes, often featuring sheep and often depicting dawn or dusk. He was born in Edinburgh, Scotland and died at Finzean, Aberdeenshire, Scotland. Nicknames include "'Frozen Mutton' Farquharson" and "The Painting Laird".

Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.

<span class="mw-page-title-main">Sidney Richard Percy</span> English painter

Sidney Richard Percy was an English landscape painter during the Victorian era, and a member of the Williams family of painters.

<span class="mw-page-title-main">George Vicat Cole</span> English painter (1833–1893)

George Vicat Cole was an English painter.

<span class="mw-page-title-main">Humphrey Ocean</span> English artist, born 1951

Humphrey Ocean is a contemporary British painter.

<span class="mw-page-title-main">John Bagnold Burgess</span> English painter

John Bagnold Burgess was an English artist known for his paintings of historical and genre scenes, principally in Spain.

<span class="mw-page-title-main">Philip Connard</span> English painter

Philip Connard, was a British painter known particularly for his paintings of decorative landscapes. Connard rose from humble origins to become an eminent artist in oils and watercolours whose commissions brought him royal recognition.

<span class="mw-page-title-main">William Sidney Cooper</span> English painter

William Sidney Cooper (1854–1927) was a British landscape artist, best known for his paintings of the countryside around Herne Bay in Kent.

<span class="mw-page-title-main">Thomas Uwins</span> English painter

Thomas Uwins was a British portrait, subject, genre and landscape painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery.

<span class="mw-page-title-main">Charles Landseer</span> English painter

Charles Landseer was an English painter, mostly of historical subjects.

<span class="mw-page-title-main">Williams family of painters</span> Family of prominent 19th-century Victorian landscape artists

The Williams family of painters, also known as the Barnes School, is a family of prominent 19th-century Victorian landscape artists known for their paintings of the British countryside, coasts and mountains. They are represented by the artist Edward Williams (1781–1855), his six sons, and several grandchildren.

Jean Esme Oregon Cooke RA was an English painter of still lifes, landscapes, portraits and figures. She was a lecturer at the Royal Academy and regularly exhibited her works, including the summer Royal Academy exhibitions. She was commissioned to make portraits by Lincoln College and St Hilda's College, Oxford. Her works are in the National Gallery, Tate and the Royal Academy collections. In the early years of her marriage, she signed her works Jean Bratby.

References

Attribution: