José Ramón Gil Samaniego, known professionally as Ramon Novarro, was a Mexican-American actor. He began his career in silent films in 1917 and eventually became a leading man and one of the top box office attractions of the 1920s and early 1930s. Novarro was promoted by MGM as a "Latin lover" and became known as a sex symbol after the death of Rudolph Valentino.
María de los Dolores Asúnsolo y López Negrete, known professionally as Dolores del Río, was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era.
Barbara La Marr was an American film actress and screenwriter who appeared in twenty-seven films during her career between 1920 and 1926. La Marr was also noted by the media for her beauty, dubbed as the "Girl Who Is Too Beautiful," as well as her tumultuous personal life.
Alice Frances Taaffe, known professionally as Alice Terry, was an American film actress and director. She began her career during the silent film era, appearing in thirty-nine films between 1916 and 1933. While Terry's trademark look was her blonde hair, she was actually a brunette, and put on her first blonde wig in Hearts Are Trumps (1920) to look different from Francelia Billington, the other actress in the film. Terry played several different characters in the 1916 anti-war film Civilization, co-directed by Thomas H. Ince and Reginald Barker. Alice wore the blonde wig again in her most acclaimed role as "Marguerite" in film The Four Horsemen of the Apocalypse (1921), and kept the wig for any future roles. In 1925 her husband Rex Ingram co-directed Ben-Hur, filming parts of it in Italy. The two decided to move to the French Riviera, where they set up a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others. In 1933, Terry made her last film appearance in Baroud, which she also co-directed with her husband.
Ricardo Cortez was an American actor and film director. He was also credited as Jack Crane early in his acting career.
Call of the Flesh is a 1930 American Pre-Code musical film directed by Charles Brabin. The film stars Ramon Novarro, Dorothy Jordan, and Renée Adorée. It featured several songs performed by Novarro and originally included a sequence photographed in Technicolor.
The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille. A copy of the film is in the George Eastman House Motion Picture Collection.
The Gentleman from America is a 1923 American silent comedy film directed by Edward Sedgwick and featuring Hoot Gibson and Louise Lorraine. It also featured a young Boris Karloff in an uncredited bit part. The screenplay was written by George C. Hull, based on a story by Raymond L. Schrock. The film's tagline was "This might be called the story of a fighting American in sunny Spain - with flashing senoritas and romance in the background! It's something new for Hoot Gibson - but you'll like it, and so will your patrons!" It is considered a lost film.
Hoodman Blind is a 1923 American silent drama film directed by John Ford. It is a remake of a 1913 film of the same name directed by James Gordon and a 1916 William Farnum Fox feature titled A Man of Sorrow and based on the play Hoodman Blind.
Trifling Women is a 1922 American silent romantic drama film directed by Rex Ingram. It is credited with boosting the careers of its leads, Barbara La Marr and Ramon Novarro. It has been described as Ingram's most personal film.
Arabian Love is a 1922 American silent drama film directed by Jerome Storm and starring John Gilbert, Barbara Bedford and Barbara La Marr. It is not known whether the film currently survives. It was partly filmed on location in the Mojave Desert.
The Next Corner is a 1924 American silent romantic melodrama film directed by Sam Wood. The film starred Dorothy Mackaill and Lon Chaney. Based on the romance novel of the same name by Kate Jordan, the film was produced by Famous Players-Lasky and distributed by Paramount Pictures.
My Husband's Wives is a 1924 American silent drama film directed by Maurice Elvey, adapted by Dorothy Yost from a scenario by Barbara La Marr, and starring Shirley Mason, Bryant Washburn, and Evelyn Brent. With no prints of My Husband's Wives located in any no film archives, it is a lost film.
Argentine Love is a 1924 American silent romantic drama film directed by Allan Dwan and based on a short story by Vicente Blasco Ibanez that stars Bebe Daniels.
The Law of the North is a 1918 American silent drama film directed by Irvin Willat, and written by Ella Stuart Carson, John Lynch, and R. Cecil Smith. The film stars Charles Ray, Doris May, Robert McKim, Gloria Hope, Charles K. French, and Manuel R. Ojeda. The film was released on September 29, 1918, by Paramount Pictures. It is not known whether the film currently survives.
The Spaniard is a 1925 American silent drama film directed by Raoul Walsh, written by Juanita Savage and James T. O'Donohoe, and starring Ricardo Cortez, Jetta Goudal, Noah Beery, Sr., Mathilde Brundage, Renzo De Gardi, and Emily Fitzroy. It was released on May 4, 1925, by Paramount Pictures.
Mr. Barnes of New York is a 1922 American silent drama film directed by Victor Schertzinger and starring Tom Moore, Anna Lehr and Naomi Childers. It is an adaptation of the novel of the same name by Archibald Clavering Gunter, which had previously been turned into a 1914 film.
Leticia Noemí De León was an Argentine singer. She is remembered for her vocal interpretations at the Club del Clan, and for her performance in the 1964 film El Club del clan.
South Sea Love is a 1923 American silent drama film directed by David Selman, which stars Shirley Mason, J. Frank Glendon, and Francis McDonald. The screenplay was written by Harrison Josephs, based on a short story by Fanny Hatton and Frederick Hatton, which appeared in the March 1923 edition of Young's Magazine.
The Net is a 1923 American silent melodrama film directed by J. Gordon Edwards and starring Barbara Castleton, Raymond Bloomer, and Albert Roscoe. It is a film adaptation of the 1919 Broadway play of the same name, itself based on the novel The Woman's Law by Maravene Thompson. The film depicts the story of Allayne Norman (Castleton) and her husband Bruce (Bloomer). Bruce commits murder and convinces Allayne to help him blame the crime on a man suffering from amnesia (Roscoe). After Bruce dies and the man recovers, he marries Allayne.
