Dream of Love

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Dream of Love
600full-dream-of-love-poster.jpg
Original Film Poster
Directed by Fred Niblo
Screenplay by Dorothy Farnum
Marian Ainslee
(titles)
Ruth Cummings
(titles)
Based on Adrienne Lecouvreur
by Ernest Legouvé and Eugène Scribe
Produced by Fred Niblo
Starring Joan Crawford
Nils Asther
Aileen Pringle
Warner Oland
Cinematography Oliver T. Marsh
William H. Daniels
Edited by James C. McKay
Distributed by Metro-Goldwyn-Mayer
Release date
  • December 1, 1928 (1928-12-01)
Running time
65 minutes
CountryUnited States
LanguagesSound (Synchronized)
English Intertitles
Budget$221,000 [1]
Box office$571,000 [1]

Dream of Love is a 1928 American synchronized sound biographical drama film directed by Fred Niblo, and starring Joan Crawford and Nils Asther. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The sound was recorded via the Western Electric sound system. The film is based on the 1849 French tragedy Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé. [2]

Contents

In the film, Asther plays Prince Maurice de Saxe and Crawford plays Adrienne Lecouvreur, a Gypsy performer, in a tale of lost love and revenge. Dream of Love is now considered lost. [3] [4] [5]

Plot

Adrienne Lecouvreur (Joan Crawford), a vibrant and passionate Gypsy girl in a traveling carnival, meets Prince Mauritz de Saxe (Nils Asther), the crown prince of a Balkan kingdom, who is journeying incognito. She falls deeply in love with him almost instantly, overwhelmed by his noble bearing and quiet melancholy. The prince, amused and briefly enchanted, accepts her affection, but his feelings are distant, and his thoughts are elsewhere—bound by duty and decorum.

After spending a night in Adrienne’s carnival wagon during a thunderstorm, he leaves without saying goodbye. He sends her a farewell letter through his aide, wishing her well. Unbeknownst to Mauritz, his aide, believing he’s offering a generous gesture, slips a banknote into the envelope. When Adrienne opens it, her heart breaks. She believes her love has been purchased, and that she has been dismissed not only coldly, but as a common thing.

Years pass. The World War comes and goes, reshaping Europe’s monarchies and empires. Mauritz returns to his homeland stripped of his throne, living in exile, while a dictator—the Duke (Warner Oland)—now holds power in Kuromme. The dictator’s wife, the Duchess (Aileen Pringle), is influential and politically connected, and secretly in love with Mauritz.

Royalist supporters conspire to restore the prince, and Mauritz, urged by advisors such as Michonet (Alphonse Martell) and Ivan (Fletcher Norton), allows himself to be seduced by the Duchess. He plays along with her affection as part of a calculated political maneuver to win back his position.

Meanwhile, Adrienne has become a famed stage actress, renowned across Europe. Her brilliance on stage mirrors the passion she once poured into her love for Mauritz. In Paris, the two meet again. Adrienne is stunned to see him in person after so many years. Mauritz, now older and finally understanding his own feelings, begs Adrienne to marry him. For a moment, it seems the past could be undone.

But Adrienne still bears the wound of that long-ago heartbreak. She returns to Mauritz the banknote he never knew had been enclosed in his letter—a quiet but devastating symbol of what their love could never be. Mauritz is horrified, realizing how deeply he had unknowingly wounded her.

Word of their renewed closeness reaches the Duchess. Enraged with jealousy and betrayal, she denounces Mauritz and orders him executed. Soldiers seize him and prepare to carry out the sentence. He is lined up before a firing squad. At the last moment, the soldiers revolt, refusing to carry out the order. The populace rises. The dictator is overthrown, and Mauritz, supported by the Royalists and the people, ascends to the throne.

Now crowned King, Mauritz longs to stand beside Adrienne not just in love, but in life. But the rules of royalty are unbending. He cannot marry a woman of common birth, not even one as extraordinary as she. In a final bittersweet parting, Adrienne returns to the world of the theater. She knows they will never be joined in name—but in heart, she remains his chosen, his beloved. And as she steps once more into the spotlight, she is content in the knowledge that she is more than a queen—she is the king’s true love before God.

Cast

Music

The sound version featured a theme song entitled “Love O’ Mine” which was composed by Ernst Luz and published as sheet music by Robbins.

Box office

According to MGM records the film earned $339,000 in the US and Canada and $232,000 elsewhere resulting in a profit of $138,000. [1]

See also

References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. White Munden, Kenneth (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1921-1930. University of California Press. p. 202. ISBN   0-520-20969-9.
  3. Dream of Love at silentera.com database
  4. Munich, Adrienne, ed. (2011). Fashion In Film. Indiana University Press. p. 156. ISBN   978-0-253-22299-2.
  5. The Library of Congress/FIAF American Silent Feature Film Survival Catalog:Dream of Love