Publication history
The beginning
The series made its debut on 21 April 1938 in the first issue of Spirou magazine as Aventures de Tif, written and drawn by Fernand Dineur. [1] Within a few issues Tif had made the acquaintance of Tondu, a shipwrecked sea captain, and the two joined forces, traveling the world in search of adventure. [2]
In 1949, Dineur passed the drawing over to Will, but continued to provide the scenarios for the next three years before retiring from the strip. At this time, their adventures were also published in Héroic Albums , drawn by Dineur. [2]
Another artist, Marcel Denis, also contributed a handful of stories in the early 1960s. [3]
Will himself worked on the strip for almost 40 years in collaboration with various writers. This period, kept together by his distinctive drawing and handling of the characters, is seen as the strip's golden age.
The golden age and Monsieur Choc
Will's first strips post-Dineur were short-lived collaborations with writers Henri Gillain (aka Luc Bermar) and Albert Desprechins (aka Ben), but then Maurice Rosy came along and worked on the strip till 1968. It was Rosy who created one of the series' most memorable characters: the villain Monsieur Choc.
Monsieur Choc (in English it would be "Mister Shock") was the leader of a major criminal organisation called "La Main blanche" ("the White Hand"). His habitual outfit was a tuxedo and a knight's helmet which covered his head. His true identity was never revealed. When he did not wear his helmet he used face-masks, make-up or bandages. In one adventure it was only in the very last panel that Tif and Tondu discovered that it was Choc that they had been fighting all along. On one occasion, in a short story published in 1976, Tif and Tondu did get to see a photo of Choc's face, but it was not of much use since it was one of him as a sweet little baby !
Choc came up with increasingly fanciful ways of taking over the world. These included a giant robot (Le Réveil de Toar, 1966), the manipulation of dreams (Le Grand combat, 1967) or becoming invisible (Traitement de Choc, 1984).
Other characters from this period included the young Countess Amélie d'Yeu (known as Kiki), Inspector Ficshusset of Scotland Yard and Inspector Allumette of the French Sûreté, who ably led the official struggle against Choc. In accordance with the attitude of French censors of the time, who disapproved of bungling police officers, Allumette (whose name means "matchstick") was treated respectfully; in fact he was often shown as a step ahead of even Tif and Tondu.
Rosy was succeeded by Maurice Tillieux (from L'ombre sans corps on) who brought to the series the mixture of humour and mystery that he had employed in others such as Gil Jourdan . Tillieux died in a car crash in 1978 and his assistant Stephen Desberg took over (from Le gouffre interdit on).
Desberg used the strip to highlight more political and social issues: the use of cheating in sport for monetary gain (Échecs et match!, 1981); the world-wide reach of organised crime (Dans les griffes de la main blanche, 1986); and the influence of the extreme right-wing in the south of France (Les Phalanges de Jeanne d'Arc, 1987, and La Tentation du bien, 1989). Desberg also reintroduced the character of Choc who had been noticeably absent during the Tillieux period.
The decline
In 1990, Will and Desberg turned to other projects. Starting with Prise d'otages, writer Denis Lapière and artist Alain Sikorski took over, turning the strip into a more mundane detective series. After saving the world on several occasions, Tif and Tondu were now simple, everyday private detectives with an office in Paris. Tondu also married a girl called Mona. Their investigations focused mainly on such cases as fraud, forgery, murder and kidnapping. At their best, the stories looked at aspects of police procedure and that of other emergency services, but there was still little of the high-profile confrontations of the Will era.
The strip ended in 1997 and there appears to be little hurry to relaunch it. So far Spirou has been content to republish stories from the Will period, including Tif and Tondu's first encounter with Mister Choc, which coincided with the Dupuis publication of an omnibus edition of their early adventures with their sworn enemy.
André Franquin was an influential Belgian comics artist, whose best-known creations are Gaston and Marsupilami. He also produced the Spirou et Fantasio comic strip from 1946 to 1968, a period seen by many as the series' golden age.
Marsupilami is a comic book character and fictional animal species created by André Franquin. Its first appearance was in the 31 January 1952 issue of the Franco-Belgian comics magazine Spirou. Since then it appeared regularly in the popular Belgian comics series Spirou & Fantasio, as a pet of the main characters, until Franquin stopped working on the series; the character's final appearance in the series during Franquin's lifetime was in 1970.
Spirou is a weekly Franco-Belgian comics magazine published by the Dupuis company since April 21, 1938. It's an anthology magazine with new features appearing regularly, containing a mix of short humor strips and serialized features, of which the most popular series would be collected as albums by Dupuis afterwards.
Spirou & Fantasio is one of the most popular classic Franco-Belgian comics. The series, which has been running since 1938, shares many characteristics with other European humorous adventure comics like The Adventures of Tintin, Lucky Luke, and Asterix. It has been written and drawn by a succession of artists.
Notable events of 1955 in comics.
Éditions Dupuis S.A. is a Belgian publisher of comic albums and magazines.
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Boule et Bill is a popular comic, created in 1959 by Belgian writer-artist Jean Roba in collaboration with Maurice Rosy. In 2003, the artistic responsibility of the series was passed on to Roba's former assistant Laurent Verron. The stories center on a typical family: a man and his wife, their young son Boule and Bill the cocker spaniel.
Gil Jourdan is a Belgian detective comic strip created by Maurice Tillieux. It is a combination of mystery, adventure and humour.
Maurice Rosy, was a Belgian comics writer who also worked as artistic director of Spirou magazine during its golden period.
Henri Gillain was a Belgian teacher and comics enthusiast who on several occasions wrote scripts for Franco-Belgian comics publications in the segment known as Bande Dessinée. He was also the brother of Joseph Gillain, famous by the pseudonym Jijé.
Willy Maltaite, better known by the pseudonym Will, was a Belgian comics creator and comics artist in the Franco-Belgian tradition. In the genre known in Francophone countries as bande dessinée, Will is one of the young cartoonists trained by Jijé, who made them live and work with him in his studio in Waterloo. He is considered one of la Bande des Quatre, and a founding member of the Marcinelle school.
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Maurice Tillieux was a Belgian writer and comic artist. He is regarded by many as a major figure of post-war Belgian comics.
François Walthéry is a Belgian comics artist, best known for his series featuring an adventurous flight attendant, Natacha.
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Marcel Denis was a French-speaking Belgian comics creator. He was the creator of the series Hultrasson and Les Frères Clips in Spirou magazine. He also made two episodes of Tif et Tondu. He was a part of the so-called Marcinelle School, influenced by Jijé and André Franquin.
Stephen Desberg is a Belgian writer of comics. In 2010, he was the 10th bestselling author of comics in France, with 412,000 copies of all his comics together sold that year.
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