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Calico is a heavy plain-woven textile made from unbleached, and often not fully processed, cotton. It may also contain unseparated husk parts. The fabric is far coarser than muslin, but less coarse and thick than canvas or denim. However, it is still very cheap owing to its unfinished and undyed appearance.
Crêpe, also spelled crepe or crape, is a silk, wool, or synthetic fiber fabric with a distinctively crisp and crimped appearance. The term "crape" typically refers to a form of the fabric associated specifically with mourning. Crêpe was also historically called "crespe" or "crisp".
Chiffon (French:[ʃi.fɔ̃];, shif-ON, from the French word chiffe which means "cloth or rag"; is a lightweight, balanced plain-woven sheer fabric, or gauze, like gossamer, woven of alternate S- and Z-twist crepe yarns. Crepe yarn tends to have a tighter twist than standard yarns. The twist in the crepe yarns puckers the fabric slightly in both directions after weaving, giving it some stretch and a slightly rough feel.
A scrim is a woven material, either finely woven lightweight fabric widely used in theatre, or a heavy, coarse woven material used for reinforcement in both building and canvas making.
Longcloth refers to a plain cotton cloth originally made in comparatively long pieces.
Gauze is a thin, translucent fabric with a loose open weave. In technical terms, "gauze" is a weave structure in which the weft yarns are arranged in pairs and are crossed before and after each warp yarn, keeping the weft firmly in place. This weave structure is used to add stability to the fabric, which is important when using fine yarns loosely spaced. However, this weave structure can be used with any weight of yarn, and can be seen in some rustic textiles made from coarse hand-spun plant fiber yarns. Gauze is widely used for medical dressings.
Bands are a form of formal neckwear, worn by some clergy and lawyers, and with some forms of academic dress. They take the form of two oblong pieces of cloth, usually though not invariably white, which are tied to the neck. When worn by clergy, they typically are attached to a clerical collar. The word bands is usually plural because they require two similar parts and did not come as one piece of cloth. Those worn by clergy are often called preaching bands or Geneva bands; those worn by lawyers are called barrister's bands or, more usually in Ireland and Canada, tabs.
See-through clothing is any garment of clothing made with lace, mesh or sheer fabric that allows the wearer's body or undergarments to be seen through its fabric. See-through fabrics were fashionable in Europe in the eighteenth century. There was a "sheer fashion trend" starting with designer clothing from 2008. See-through or sheer fabric, particularly in skintone colours, is sometimes called illusion, as in 'illusion bodice' due to giving the impression of exposed flesh, or a revealing ensemble.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
A gomesi, also known as a Busuuti or Bodingi, is a colorful floor-length dress. It is the most commonly used costume for women in Buganda and Busoga. Traditional male attire is the kanzu. The gomesi has had many changes in its uses and design since its origination.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
Traditional Thai clothing refers to the traditional styles of dress worn by the Thai people. It can be worn by men, women, and children. Traditional clothing for Thai women usually consists of a pha nung or a chong kraben, a blouse, and a sabai. Northern and northeastern women may wear a sin instead of a pha nung and a chong kraben with either a blouse or a suea pat. Chut thai for men includes a chong kraben or pants, a Raj pattern shirt, with optional knee-length white socks and a sabai. Chut thai for northern Thai men is composed of a sado, a white Manchu-styled jacket, and sometimes a khian hua. In formal occasions, people may choose to wear a so-called formal Thai national costume.
Mughal clothing refers to clothing worn by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire. Much of them were already being used in the past centuries before their arrival in Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper, and sulfate of antimony were used.
Piece goods were the textile materials sold in cut pieces as per the buyer's specification. The piece goods were either cut from a fabric roll or produced with a certain length, also called yard goods. Various textiles such as cotton, wool, silk, etc., were traded in terms of piece goods. The prices were determined as per the fabric quality.
Agra gauze was a thin, translucent fabric with a loose open weave. The material was made of silk with a plain weave. Agra gauze was also known as Agre. The fabric is named after the Agra city. The cloth was used in trimmings.
Gossamer fabric is a thin, sheer woven fabric. The structure of the fabric is similar to a gauze. It is usually made of silk, cotton, or wool. The fabric may be coated with rubber to make it waterproof.
Katan was a thin silk cloth. It was made of double twisted yarns of pure silk yarns in warp and weft both.
Balzarine (Balzorine) was a cotton and worsted fabric of the 19th century. It was a lightweight union cloth made of cotton and wool.
Barege (Barège) was a lightweight, sheer fabric matching a gauze. It was a union fabric made of silk and wool. Barege was a 19th-century fabric and originated from southwestern France. It takes its name from the town of Barèges but was mostly made in the town of Bagnères-de-Bigorre.
Volhynian folk costume is a type of Ukrainian national clothing worn in Volhynia. The costume includes Polesia influences such as colourful ochipoks, fitted corset-like waistcoats and striped skirts, as well as Dnieper Ukraine: namitka headscarfs, kersetka vests and dark skirts.
References
- ↑ ''For tiffany silk was the original " see - through ” fabric — when a woman wore it you could see the woman , provided that ... open mesh cotton fabric , such as cheese - cloth ” , or a " strong , fine - meshed gauze out of which sieves are made ” .'' Hogmanay and Tiffany: The Names of Feasts and Fasts - Page 76 Gillian Mary Edwards · 1970 https://www.google.co.in/books/edition/Hogmanay_and_Tiffany/-LwIAQAAIAAJ?hl=en&gbpv=1&bsq=Tiffany+silk+made+at&dq=Tiffany+silk+made+at&printsec=frontcover
- ↑ Dow, George Francis (1935). Every Day Life in the Massachusetts Bay Colony, by George Francis Dow. Society for the Preservation of New England antiquities. p. 82.
- ↑ ''tiffany A thin , transparent gauze of silk or cotton muslin . Tiffany glass Stained or iridescent glass of a kind popular in the early 1900 ' s for decorative objects or lamps .'' Canadian patent reporter - Page 530
- ↑ The Book of Commerce by Sea and Land: Exhibiting Its Connection with Agriculture, the Arts, and Manufactures : to which are Added a History of Commerce, and a Chronological Table. Uriah Hunt & Son. 1862. p. 46.
- 1 2 Montgomery, Florence M. (1984). Textiles in America 1650-1870 : a dictionary based on original documents, prints and paintings, commercial records, American merchants' papers, shopkeepers' advertisements, and pattern books with original swatches of cloth. Internet Archive. New York ; London : Norton. p. 366. ISBN 978-0-393-01703-8.
- ↑ Mansfield, Alan D. (1980). Ceremonial Costume: Court, Civil, and Civic Costume from 1660 to the Present Day. Barnes & Noble Books. pp. 302, 111, 110. ISBN 978-0-389-20124-3.
- ↑ Business Week. Bloomberg L.P. 1988. p. 145.
- ↑ ''For dresses ... A thin , light , silk of rich texture — black tiffany was used to make mourning garments Brocade'' Cavalcade of Dolls: Basic Source Book for Collectors - Page 302 books.google.co.in › books Ruth Sunderlin Freeman · 1978 https://www.google.co.in/books/edition/Cavalcade frontcover
- ↑ M. Channing Linthicum, Costume in the Drama of Shakespeare and his Contemporaries (Oxford, 1936), pp. 220-1.