Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor, and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in September 1961. It also shared its operations with sister label Volt Records.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
"In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records, it reached number one on the R&B charts and peaked at number 21 on the pop charts.
Archie Lee Bell is an American solo singer and former lead singer of Archie Bell & the Drells.
Archie Bell & the Drells was an American R&B vocal group from Houston and one of the main acts produced by Kenneth Gamble and Leon Huff in the late 1960s before the duo formed their highly successful label Philadelphia International Records in 1971. The group's hits include "Tighten Up", "I Can't Stop Dancing", "There's Gonna Be a Showdown", "Girl You're Too Young" (1969), "Here I Go Again", "The Soul City Walk" (1975), "Let's Groove", "Everybody Have a Good Time" (1977), and "Don't Let Love Get You Down" (1976).
White Christmas is a Christmas album by Al Green, first released in 1983. It is his 18th studio album. The album has been reissued under different titles, and sometimes with different sequencing.
Home is the debut album by husband-and-wife singers Delaney & Bonnie, released on the Stax label. Most of the album was recorded at Stax Studios in Memphis, Tennessee, from February to November 1968, with additional overdubs in July 1969, and features many of Stax's house musicians, including Donald "Duck" Dunn, Steve Cropper, Booker T. Jones, and Isaac Hayes.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Back to Back is a live album by the Mar-Keys and Booker T & the M.G.'s, released on Stax Records in 1967. It features both groups playing live on the Stax/Volt package tour of Europe. The album peaked at number 98 on the Billboard 200 album chart in the United States.
Melting Pot is a 1971 studio album recorded by Booker T. & the M.G.'s for Stax Records. It is the last album to feature the group's classic lineup of Jones, Cropper, Dunn, and Jackson and the first of their albums to contain longer, jam-oriented compositions.
"Tighten Up" is a 1968 song by Houston, Texas–based R&B vocal group Archie Bell & the Drells. It reached No.1 on both the Billboard R&B and pop charts in the spring of 1968. It is ranked No.265 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time and is one of the earliest funk hits in music history.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Covers is the eighteenth studio album and the first covers album by singer-songwriter James Taylor released in 2008. The album was recorded with his regular touring band. Some of the tunes Taylor had been performing off and on in concerts for years, while others were new to his repertoire. It received general positive reviews and two Grammy Award nominations.
I Can't Stop Dancing is a 1968 album by American funk band Archie Bell & the Drells, released by the record label Atlantic.
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
For Losers is an album by Archie Shepp released on Impulse! in 1970. The album contains tracks recorded from September 1968 to August 1969 by Shepp with three different ensembles. The AllMusic review by Rob Ferrier states "for anyone wishing to understand the music and career of this brilliant musician, this is an undervalued piece of the puzzle".
Gettin' Up is an album by jazz organist Johnny "Hammond" Smith recorded for the Prestige label in 1967.
