Tilly of Bloomsbury | |
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Directed by | Leslie S. Hiscott |
Written by |
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Based on | play Tilly of Bloomsbury by Ian Hay |
Produced by |
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Starring | |
Cinematography | Bernard Browne |
Production company | Hammersmith Productions |
Distributed by | RKO Radio Pictures (UK) |
Release date |
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Running time | 83 minutes |
Country | United Kingdom |
Language | English |
Tilly of Bloomsbury is a 1940 British comedy film directed by Leslie S. Hiscot and starring Sydney Howard, Jean Gillie, Kathleen Harrison and Henry Oscar. It was based on the play Tilly of Bloomsbury by Ian Hay. The screenplay concerns a young woman who falls in love with an aristocrat, and attempts to convince his family that she is of their social class. [1]
The rich and wealthy aristocrat socialité bachelor Dick Mainwaring falls in love with a beautiful woman from a lower class, Tilly Welwyn, whose mother owns a boarding house. Their backgrounds give rise to problems. Dick is discouraged and behaves like a complete snob towards the hard working mother, but then he learns of the good side of their life. Dick brings Tilly to his family's mansion in the country over the weekend. The visit starts out badly, since his mother, Lady Marion, strongly disapproves with the couple's union. The mother tries to split the couple up, but they are aided by the cunning butler, Samuel Stillbottle. Ultimately their love grows stronger as they overcome their differences, and romance pull the longer straw in the end.
My Fair Lady is a musical based on George Bernard Shaw's 1913 play Pygmalion, with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins falls in love with her.
Screwball comedy is a subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged. The two engage in a humorous battle of the sexes, which was a new theme for Hollywood and audiences at the time.
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Tilly of Bloomsbury is a 1931 British comedy film directed by Jack Raymond and starring Sydney Howard, Phyllis Konstam, Richard Bird and Edward Chapman. It is based on the play Tilly of Bloomsbury by Ian Hay. The screenplay concerns a woman who falls in love with an aristocrat.
Tilly of Bloomsbury is a 1919 British comedic play written by Ian Hay. It is heavily influenced by the story of Cinderella and concerns a young woman from Bloomsbury in London, Tilly Wellwyn who falls in love with a wealthy aristocrat. Despite her poor background, she tries to pretend she is also from a noble background - attempting to fool his family also. She succeeds in this at first, but her attempts to make her own family pretend to be upper-class ultimately leads to the exposure of her ploy.
Tilly of Bloomsbury is a 1921 British silent comedy film directed by Rex Wilson and starring Edna Best, Tom Reynolds, Henry Kendall and Isabel Jeans. It is based on the play Tilly of Bloomsbury by Ian Hay, and was the first of three film adaptations.
Jean Gillie was an English film actress of the 1930s and 1940s. Gillie appeared in 20 British and two American films before her career was cut short by her early death.
No Hands on the Clock is a 1941 American comedy mystery film directed by Frank McDonald starring Chester Morris as detective Humphrey Campbell.
Youth Takes a Fling is a 1938 American comedy film directed by Archie Mayo and starring Joel McCrea.
When a Man Loves is a 1919 American silent drama film directed by Chester Bennett and starring Earle Williams, Tom Guise and Margaret Loomis. A young Englishman visits Tokyo and falls in love with a Japanese woman who he marries, but obstacles are presented by a jealous Englishwoman who hoped to marry him and the disapproval of his aristocrat father when he returns to Britain.