VOC opperhoofden in Japan were the chief traders of the Dutch East India Company in Japan during the period of the Tokugawa shogunate, also known as the Edo period.
Kunst zij ons doel, or KZOD, is the name of an artists club in the Waag, Haarlem.
The Eerste Schilderijenzaal, or Painting Gallery I, is one of two art gallery rooms in Teylers Museum and is the oldest art gallery for contemporary Dutch art in the Netherlands. It was built onto the back of Teylers Oval Room in 1838. It was the young museum's first exhibition space for paintings and could be entered through the Oval Room, which was itself located behind the Fundatiehuis, the former home of Pieter Teyler van der Hulst.
The Tweede Schilderijenzaal, or Painting Gallery II, is one of two art gallery rooms in Teylers Museum. The Tweede Schilderijenzaal was built in 1893 as an extension of the first gallery.
The Bureau Bijzondere Opdrachten was a Dutch secret service during World War II. The BBO dispatched secret agents to the German-occupied Netherlands, where they supported the local resistance and carried out sabotage activities.
The Great Theatre of Dutch Painters and Paintresses, or De groote schouburgh der Nederlantsche konstschilders en schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken. It was published in three volumes as a sequel to Karel van Mander's own list of biographies known as the Schilder-boeck. The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands. The Schouburg is listed as one of the 1000 most important works in the Canon of Dutch Literature from the Middle Ages to today.
The Lives of Dutch painters and paintresses, or De levens-beschryvingen der Nederlandsche konst-schilders en konst-schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Jacob Campo Weyerman. It was published in four volumes as a sequel to Arnold Houbraken's own list of biographies known as the Schouburgh. The first volume appeared in 1729, and the last volume was published in 1769. This work is considered to be a very important source of information on 17th-century artists of the Netherlands, specifically those artists who worked in The Hague and in London.
Oud Eik en Duinen is a cemetery in The Hague, the Netherlands, formerly called Eik en Duinen and also nicknamed "the Dutch Père-Lachaise". The cemetery is built around a chapel constructed around 1247 by William II of Holland in honor of his father, Floris IV, Count of Holland. This chapel was partially demolished in 1581, and in the 17th century the area was again used as a cemetery. When Eik en Duinen was full, a new cemetery, Nieuw Eykenduynen, was constructed in 1891 across the road, and since then the old cemetery is known as "Old" Eik en Duinen.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
Bantam Residency, sometimes spelled Banten Residency, was an administrative division (Residency) of the Dutch East Indies which existed from 1817 to 1942; it was located at the western point of Java and its capital was at Serang. Its borders largely correspond to the present-day Indonesian province of Banten.
