Tina Barney

Last updated
Tina Barney
Born
Tina Isles

(1945-10-27) October 27, 1945 (age 78)
New York City, US
OccupationPhotographer
SpouseJohn Joseph Barney
Family Emanuel Lehman (great-great-grandfather)
Philip Lehman (great-grandfather)
Stephane Groueff (step-father)
Alexandra Moltke (sister-in-law)

Tina Barney (born October 27, 1945) [1] is an American photographer best known for her large-scale, color portraits of her family and close friends in New York and New England. [2] She is a member of the Lehman family. [1]

Contents

Early life and education

Barney was born Tina Isles, [3] [4] one of three children of Philip Henry Isles (1912–1989) and his wife 1940s fashion model Lillian Fox. Her parents later divorced and her mother remarried to writer Stephane Groueff. Her great-grandfather was Emanuel Lehman, co-founder of Lehman Brothers. She was introduced to photography by her grandfather when she was a child. As a teenager, she studied Art History at Spence School in Manhattan, and at the age of 19, she lived in Italy for a time where she was able to further study art. [5] Barney first got involved with photography, when she was asked to volunteer for the Junior Council of the Museum of Modern Art in New York, around 1971, working in the photography department and cataloguing work for a show. She started to collect photographs and go to different galleries, to educate herself on the medium. After moving to Sun Valley, Idaho in 1973, she started to take photography classes as a hobby. [6] While in Idaho, she studied at the Sun Valley Center for Arts and Humanities in Ketchum, from 1976 to 1979. [7] Additionally, she has completed workshops with Frederick Sommer, Roger Mertin, Joyce Niemanas, Duane Michals, Nathan Lyons, John Pfahl, and Robert Cumming. [7]

Career

Barney is most well known for creating large format, colorful photographs of her wealthy, East Coast family. The images straddle the line between candid and tableau photography. [5] The wealthy became an aesthetic in Barney's work, her but "fascination is with the repetition of traditions and rituals. The idea that families no matter where they come from, kind of do the same thing." [8] Barney's work is in the collections of the George Eastman House International Museum of Photography and Film in Rochester, New York; the Museum of Modern Art in New York City; the Museum of Fine Arts in Houston, Texas; the JPMorgan Chase Art Collection in New York City; and the Museum of Contemporary Photography. [9] More recently her work has been shown at the New York State Theater in New York, in 2011; The Barbican Art Centre, London; Museum Folkwang in Essen, Museum der Art Moderne, Salzburg, and others.

Barney has also produced or co-directed short films on the photographers Jan Groover (Jan Groover: Tilting at Space, 1994) and Horst P. Horst (Horst, 1988). She had a documentary filmed about her life, aired 2007 on Sundance Channel, directed by Jaci Judelson. Barney has been the recipient of a John Simon Guggenheim Memorial Fellowship in 1991, and the 2010 Lucie Award for Achievement in Portraiture.

Barney is currently represented by the Kasmin Gallery in New York City.

Personal life

In 1966, she married John Joseph Barney of Watch Hill, Rhode Island. [4] Her brother, Philip Henry Isles II, married to actress Alexandra Moltke [10]

Notable works

Publications

Exhibitions

Awards and Grants

Related Research Articles

Ingeborg Hermine "Inge" Morath was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of Pulitzer Prize-winning playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.

Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.

<span class="mw-page-title-main">Berenice Abbott</span> American photographer (1898–1991)

Berenice Alice Abbott was an American photographer best known for her portraits of cultural figures of the interwar period, New York City photographs of architecture and urban design of the 1930s, and science interpretation of the 1940s to the 1960s.

<span class="mw-page-title-main">Juergen Teller</span> German fine-art and fashion photographer (born 1964)

Juergen Teller is a German fine-art and fashion photographer. He was awarded the Citibank Prize for Photography in 2003 and received the Special Presentation International Center of Photography Infinity Award in 2018.

Guy Bourdin, was a French artist and fashion photographer known for his highly stylized and provocative images. From 1955, Bourdin worked mostly with Vogue as well as other publications including Harper's Bazaar. He shot ad campaigns for Chanel, Charles Jourdan, Pentax and Bloomingdale's.

Joel Sternfeld is an American fine-art photographer and educator. He is best known for his large-format color pictures of contemporary American life and identity. His work contributed to the establishment of color photography as a respected artistic medium. Sternfeld documents people and places, furthering the tradition of roadside photography started by Walker Evans in the 1930s.

The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.

<span class="mw-page-title-main">Bruce Davidson (photographer)</span> American photographer

Bruce Landon Davidson is an American photographer, who has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities that are usually hostile to outsiders.

Robert Polidori is a Canadian-American photographer known for his large-scale color images of architecture, urban environments and interiors. His work has been the subject of solo exhibitions at the Metropolitan Museum of Art, Musée d'art contemporain de Montréal, Martin-Gropius-Bau museum (Berlin), and Instituto Moreira Salles. His photographs are also included in the collections of the Museum of Modern Art, New Orleans Museum of Art, J. Paul Getty Museum, Victoria & Albert Museum (London), Château de Versailles, Centre Pompidou (Paris), and Bibliothèque Nationale (Paris), as well as many private collections.

<span class="mw-page-title-main">Dayanita Singh</span> Indian photographer

Dayanita Singh is an Indian photographer whose primary format is the book. She has published fourteen books.

Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.

<span class="mw-page-title-main">Donovan Wylie</span>

Donovan Wylie is a Northern Irish photographer, based in Belfast. His work chronicles what he calls "the concept of vision as power in the architecture of contemporary conflict" – prison, army watchtowers and outposts, and listening stations – "merging documentary and art photography".

Christopher David Killip was a Manx photographer who worked at Harvard University from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is known for his black and white images of people and places especially of Tyneside during the 1980s.

Jan Groover was an American photographer. She received numerous one-person shows, including at the Museum of Modern Art in New York, which holds some of her work in its permanent collection.

Rosalind Fox Solomon is an American photographer based in New York City.

Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world.

<span class="mw-page-title-main">Mona Kuhn</span> Brazilian contemporary photographer (born 1969)

Mona Kuhn is a German-Brazilian contemporary photographer best known for her large-scale photographs of the human form and essence. An underlying current in Kuhn's work is her reflection on our longing for spiritual connection and solidarity. As a result, her approach is unusual in that she develops close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn's work shows the human body in its natural state while simultaneously re-interpreting the nude as a contemporary canon of art. Her work often references classical themes, has been exhibited internationally, and is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami.

<span class="mw-page-title-main">LaToya Ruby Frazier</span> American artist and professor of photography

LaToya Ruby Frazier is an American artist.

Clare Strand is a British conceptual photographer based in Brighton and Hove in the UK. She makes, as David Campany puts it, "black-and-white photographs that would be equally at home in an art gallery, the offices of a scientific institute, or the archive of a dark cult. ... They look like evidence, but of what we cannot know."

Jocelyn Lee is an American contemporary artist and photographer currently based in Portland, Maine and Brooklyn, New York.

References

  1. 1 2 Full text of "John L. Loeb Collection" retrieved October 28, 2015
  2. ↑ "so the story goes". Artic.edu. 2006-12-03. Retrieved 2016-02-04.
  3. ↑ Great Women Artists. Phaidon Press. 2019. p. 47. ISBN   978-0714878775.
  4. 1 2 Stony Brook University: "Exteriors, Interiors, and Positionality: The Photography of Tina Barney - A Dissertation Presented by Susan A. Van Scoy May 2010 - p.44
  5. 1 2 Grundberg, with texts by Tina Barney & Andy (1997). Tina Barney : photographs : theater of manners (1st Scalo ed.). Zurich: Scalo. ISBN   3931141608.
  6. ↑ Barney, Tina (1991). Friends and Relations: Photographs. Published in association with Constance Sullivan Editions. p. 5. ISBN   1-56098-048-6. How did you become involved with photography?" "A friend asked me to volunteer for the Junior Council of the museum of Modern Art in New York. The first project they gave me was to go to the photography department and catalogue photographs for a show. This was in 1971 or 1972. I had never heard of Ansel Adams or really looked at any art photography before, and I became totally enamored of photography. I started collecting it because you could buy photographs for very little money then. So I educated myself by going to the different galleries. My family and I decided to move to Sun Valley, Idaho in 1973. After living there for about a month, I found an art center with wonderful photography department, and started taking classes as a hobby. I was about twenty-eight years old, and had been married for eight years, with two little kids. I worked and learned how to print for about a year when a friend of mine said, 'you know, these are really good. You should have a show with me.' but I never took myself seriously because my standards were so high. And that's how it really all began.
  7. 1 2 "Tina Barney". artnet. Retrieved 5 April 2013.
  8. ↑ "Tina Barney’s Embarrassment of Riches." Interview by Joseph Akel. The Paris Review. September 26, 2017. Accessed February 9, 2019. https://www.theparisreview.org/blog/2017/09/26/tina-barneys-embarrassment-riches/.
  9. ↑ "Collection | Museum of Contemporary Photography". Mocp.org. Retrieved 2016-02-04.
  10. ↑ "WEDDINGS/CELEBRATIONS; Hannah Bond, Adam Isles". The New York Times. September 14, 2003.
  11. 1 2 3 4 Friedewald, Boris (2014). Women photographers : from Julia Margaret Cameron to Cindy Sherman. Munich. ISBN   978-3-7913-4814-8. OCLC   864503297.{{cite book}}: CS1 maint: location missing publisher (link)
  12. ↑ "Recontres d'Arles Past Festivals". Archived from the original on 2014-02-21.
  13. ↑ "Tina Barney: The Europeans exhibition at Barbican Art Gallery". Archived from the original on 2009-05-26.
  14. ↑ Barney, Tina (2005). The Europeans. Barbican Art Gallery, London and Steidl Publishers, Göttingen, Germany. ISBN   3-86521-095-3.
  15. ↑ Barney, Tina (2011). Players. Steidl Publishers. ISBN   978-3-86521-995-4.
  16. ↑ "Haggerty Museum of Art Winter 2012 News" (PDF).
  17. ↑ "Tina Barney, The Europeans, Exhibition at Haggerty Museum of Art".
  18. ↑ "Tina Barney. Small Towns exhibition at Janet Borden, Inc".
  19. ↑ "Tina Barney The Europeans exhibition at Frist Center for Visual Arts catalogue" (PDF).
  20. ↑ "Tina Barney, The Europeans exhibition at Frist Center for the Visual Arts".
  21. ↑ "Tina Barney Four Decades exhibition press release".
  22. ↑ http://www.paulkasmingallery.com/exhibition/tina-barney--four-decades Four Decades
  23. ↑ "Tina Barney 2010 Honoree: Achievement in Portraiture".
  24. ↑ "Tina Barney: John Simon Guggenheim Memorial Foundation Fellow 1991 Photography".
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.