Related Research Articles
Renata Tebaldi was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "la voce d'angelo", and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
Judson College was a private women's college in Marion, Alabama. It was founded in 1838 and suspended its academic operations on July 31, 2021.
Martina Arroyo is an American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of black opera singers to achieve wide success.
Deborah Cook was an American operatic soprano who had a prolific international opera career during the 1970s and 1980s. Her career was primarily focused in Germany where she lived from 1972 through 1985. However, she did travel extensively throughout Europe and in the United States, performing in operas, concerts, recitals, and recording for radio productions. A gifted coloratura soprano, Cook sang a wide repertoire that encompassed English, German, French, and Italian opera from a variety of musical periods. She notably sang in a number of world premieres including Hans Werner Henze's We Come to the River at the Royal Opera, London in 1976.
The Miss Ohio Scholarship Program selects the representative for the U.S. state of Ohio to compete for the title of Miss America. The pageant is held annually, during the "Miss Ohio Festival" week, at the historic 1,600 seat Renaissance Theatre in Mansfield.
Maria Zamboni was an Italian operatic soprano who had a prolific career in Italy and South America between 1921 and 1936. Admired for her vivid character portrayals and expressive singing, Zamboni was a popular and frequent performer at both La Scala and the Teatro Costanzi. Her repertoire encompassed a broad spectrum, from Verdi and Wagner heroines to French grand opera and verismo roles. She became particularly associated with the works of Giacomo Puccini and notably sang the role of Liù in the original 1926 production of Turandot.
Herva Nelli was an Italian and American operatic soprano.
José Francisco Araiza Andrade is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's Fidelio. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions.
Sharon Sweet is an American dramatic soprano. Sharon Sweet has appeared in leading roles in several major venues in Europe and the United States and has made notable contributions to several recordings, in particular Lohengrin, Der Freischütz, Don Giovanni, and Il Trovatore. In 1999, she accepted a full-time teaching position at Westminster Choir College of Rider University. In a column in Opera News, Sweet stated that she made the move out of frustration with the current operatic scene which emphasized physical appearance over voice. She cited her struggles with Hashimoto's syndrome, a thyroid condition.
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."
Rolando Panerai was an Italian baritone, particularly associated with the Italian repertoire. He performed at La Scala in Milan, often alongside Maria Callas and Giuseppe Di Stefano. He was known for musical understanding, excellent diction and versatile acting in both drama and comic opera. Among his signature roles were Ford in Verdi's Falstaff and the title role of Puccini's Gianni Schicchi.
Mary Virginia Curtis Verna was an American operatic soprano, particularly associated with the Italian repertory.
Elinor Ross was an American opera singer, a dramatic soprano particularly associated with the Italian repertory. She made an international career, appearing regularly at the Metropolitan Opera in New York City and at major opera houses in Europe and the Americas, in roles such as Puccini's Tosca and Turandot.
Kenneth (Ken) Neate was an Australian operatic and concert tenor, opera producer and singing teacher, composer and author. He appeared at the Bayreuth Festival in 1963 as Loge in Das Rheingold and was noted as a dramatic tenor in German, French, and Italian repertoire in opera houses in England, France, Italy, Austria, Germany, and Australia. His operatic career lasted 38 years, followed by ten years as lecturer in Voice and Opera Studies at the Richard Strauss Conservatorium in Munich.
Romilda Pantaleoni was an Italian dramatic soprano who had a prolific opera career in Italy during the 1870s and 1880s. She sang a wide repertoire that encompassed bel canto roles, Italian and French grand opera, verismo operas, and the German operas of Richard Wagner. She became particularly associated with the roles of Margherita in Boito's Mefistofele and the title role in Ponchielli's La Gioconda; two roles which she performed in opera houses throughout Italy. She is best remembered today for originating the roles of Desdemona in Giuseppe Verdi's Otello (1887) and Tigrana in Giacomo Puccini's Edgar (1889). Universally admired for her acting skills as well as her singing abilities, Pantaleoni was compared by several critics to the great Italian stage actress Eleonora Duse.
Lois Jeanette McDonall is a Canadian operatic soprano, especially known for her performances in the operas of Mozart and Donizetti.
Angel Joy Blue is an American soprano. She won the Grammy Award for Best Opera Recording for the Metropolitan Opera production of Porgy and Bess in the 63rd Annual Grammy Awards. Her voice has been recognized for its shining and agile upper register, "smoky" middle register, beautiful timbre, and ability to switch from a classical to a contemporary sound. She has performed internationally and won numerous awards including a Grammy Award, Operalia and Miss Hollywood. According to family lore, her father Sylvester predicted her to be "the next Leontyne Price" when she was born.
Gemma Bosini was an Italian operatic soprano who had an active international performance career in 1909–1930. She is especially associated with the role of Alice Ford in Giuseppe Verdi's Falstaff, a role which she performed more than 400 times on stage during her career. She is also remembered for being the first soprano to record the role of Mimì in Giacomo Puccini's La boheme in 1917. She also made complete recordings of Gounod's Faust and Lehar's The Merry Widow. After retiring from performance in 1930, she devoted herself to teaching singing and managing the career of her husband, baritone Mariano Stabile.
Tichina Vaughn is an American operatic dramatic mezzo-soprano active internationally in opera, concert halls and recitals. Starting at the Lindemann Young Artist Development Program at the Metropolitan Opera, her American career expanded into Europe, as member of the permanent ensembles of the Semperoper in Dresden and the Stuttgart Opera, where she was awarded the title of Kammersängerin in 2006. She has been a regular at the Arena di Verona and other major theaters worldwide, singing a wide repertoire span, with a "voluminous and dark mezzo" voice the dramatic Verdi roles such as Amneris in Aida, Eboli in Don Carlo, Azucena in Il trovatore and Ulrica in Un ballo in maschera, Wagner's Ortrud Lohengrin, Venus Tannhäuser, Fricka Die Walküre, Waltraute in Götterdämmerung and Strauss, Herodias in Salome and Klytemnestra in Elektra. According to Opernglas, Vaughn has a natural "great intensity" on stage, with an ample "voice, which flows richly, even in the low registers." The Neue Zürcher Zeitung describes her voice as an "enchanting satisfyingly rich mezzosoprano". Bernard Holland of The New York Times called hers "A voice of quality", which had "the presence and personality that might well fit the Met... a mezzo-soprano whose strong upper register gave hints of a dramatic soprano to come".
Ingrid Kaiserfeld is an Austrian operatic soprano. She is best known as a Mozart interpreter, especially for her "Queen of the Night", which she sang over 80 times.
References
- ↑ Phil Gregory (March 20, 2009). "Titilayo Rachel Adedokun – Opera, Jazz and Musicals Performer – Germany". The Black Presence in Britain.
- ↑ Jayne Keedle (2009). West African Americans. Marshall Cavendish. p. 61. ISBN 9780761443131.
- ↑ "UC student shows winning ways and takes Miss America crown".
- ↑ "Miss South Carolina Is 1994 Miss America". Jet . Vol. 84, no. 23. Johnson Publishing Company. October 4, 1993. ISSN 0021-5996.
- ↑ Iver Peterson (September 18, 1993). "From Mixed Messages, Miss America Emerges". The New York Times .
- 1 2 "Black Female Musicians". Women of the African Diaspora. Retrieved March 6, 2018.
- ↑ "Munich Swings (München swingt)" (in German). September 2, 2012. Archived from the original on September 5, 2012.
- ↑ "From Opera to Ella: The former beauty queen Titilayo Adedokun studied classical singing and is one of the attractions at 'Munich swings'", Süddeutsche Zeitung , February 9, 2012, page R14 (interview with Oliver Hochkeppel)
- ↑ "Alumna Returns to Judson for Surprise Performance". The Alabama Baptist. September 12, 2013. Retrieved December 18, 2015.
