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Stanley William Hayter was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, K.R.H. Sonderborg, Flora Blanc and Catherine Yarrow.
Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter.
Atelier 17 was an art school and studio that was influential in the teaching and promotion of printmaking in the 20th century. Originally located in Paris, the studio relocated to New York during the years surrounding World War II. It moved back to Paris in 1950.
Krishna Reddy was an Indian master printmaker, sculptor, and teacher. He was considered a master intaglio printer and known for viscosity printing.
Dolf Rieser (1898–1983) was a South Africa painter, printmaker, and teacher.
Józef Hecht, also known as Joseph Hecht, was a printmaker and painter. Born and educated in Poland, he made Paris his base from 1920. Trained in classical engraving techniques, Hecht was a founder of "Atelier 17", and had a profound influence on 20th-century printmakers.
Albert Dumouchel was a Canadian printmaker, painter and teacher. A multi-talented individual, Dumouchel also was a photographer and gifted musician. His work as an artist ranged from abstract to figurative.
Sue Fuller was an American sculptor, draughtsman, author, teacher and printmaker who created three-dimensional works with thread. She was a student of Hans Hofmann in 1934, Stanley Hayter in 1943, and Josef Albers in 1944. She was awarded the Alumni Merit Award by Carnegie Mellon University in 1974, and the Lifetime Achievement Award by Women's Caucus for Art in 1986. A passionate devotee of modern art, Sue Fuller began her career as a printmaker then used some of the techniques she experimented with to develop an original form of sculpture.
Joanne Elizabeth Manning was a Canadian etcher, painter and author.
Birgit Skiöld was a Swedish master printmaker and modernist artist who ran the highly successful Print Workshop in the basement of 28 Charlotte Street, London from 1958 to the late 1970s. She was a noted member of the London art scene during that period, and her life is commemorated by an eponymous award for innovation in printmaking.
Ghitta Caiserman-Roth was a Canadian painter and printmaker. She was a founder of the Montreal Artist School and her work is in the National Gallery of Canada. Caiserman-Roth was also an associate member of the Royal Canadian Academy and the first painter to receive the Governor General's Award for Visual Media and Art.
Louis-Pierre Bougie was a Canadian painter and printmaker specialized in engraving and etching. He developed his knowledge of intaglio techniques at Atelier Lacourière-Frélaut in Paris, where he worked for fifteen years, and through travel and study in France, Portugal, Poland, Ireland, Finland, and New York. His work is regularly shown in Canadian, American, and European galleries, and is represented in major public and private collections, notably in Québec and New York. Bougie was considered Québec's foremost engraver for the depth and consistency of his work. He died from pneumonia.
Martin Barooshian (1929-2022) was an American painter and printmaker. He is known for his ability to weave a tapestry of art historical influences with modernist elements and a contemporary sensibility. His work frequently dances the line of Surrealism and Expressionism, often with a pop and op art edge, incorporating aspects of primitive, Romantic, and Renaissance art. He has worked in a wide variety of media from miniature etchings to oversized oils on canvas. These have included woodcuts, lithographs, etchings and engravings with aquatint and soft ground, monotypes, gouache and watercolor paintings, and oils. He is also known for his technical skill and innovation.
Catherine Farish RCA is a Canadian artist known for experimental, contemporary printmaking. Elected to the Royal Canadian Academy of Arts in 2008, her large-format work unites "the discipline of engraving, free use of the plastic arts and the expressive force of lyric abstraction." Described as "one of Quebec's most innovative contemporary printmakers", she was awarded the 1992 Grand Prize, Loto-Quebec (1992), Montreal Acquisition Award (1992), and Boston Printmakers' Material Award (1997). Her work is found in the collections of the Musée national des beaux-arts du Québec, Bibliothèque et Archives nationales du Québec, and the Canada Council for the Arts Art Bank.
Helen Elizabeth Phillips, also known as Helen Phillips Hayter was an American sculptor, printmaker, and graphic artist active in San Francisco, New York, and Paris.
Benita Sanders is a Canadian printmaker, painter and pastelist.
Frances Sally McLaren is a British painter, printmaker and etcher who was born in London in 1936. She lives and works in East Knoyle, Wiltshire.
Not to be confused with lawyer and poet Joseph Converse Heywood
Master printmakers or master printers are specialized technicians who hand-print editions of works of an artist in printmaking. Master printmakers often own and/or operate their own printmaking studio or print shop. Business activities of a Master printshop may include: publishing and printing services, educational workshops or classes, mentorship of artists, and artist residencies.
Richard Lacroix is a Canadian engraver, painter and sculptor who increased recognition for Canadian printmaking. He was the founder of Atelier Libre (1964), the first printshop in Canada which made printmaking facilities available to contemporary artists, as well as the Guilde Graphique (1966).
References
- 1 2 3 4 "Tobie Thelma Steinhouse | The Canadian Encyclopedia". www.thecanadianencyclopedia.ca. Retrieved 20 November 2018.
- 1 2 3 4 5 6 7 "Tobie Steinhouse, poet-painter of light - Westmount Magazine". www.westmountmag.ca. Retrieved 20 November 2018.
- 1 2 3 "Canadian Women Artists History Initiative : Artist Database : Artists : STEINHOUSE, Tobie". cwahi.concordia.ca. Retrieved 20 November 2018.
- 1 2 3 "Tobie T. Steinhouse". www.collectionscanada.gc.ca. Retrieved 20 November 2018.
- 1 2 Duval, Paul (1972). Four Decades: The Canadian Group of Painters and Their Contemporaries, 1930- 1970. Toronto: Clarke, Irwin & Company. pp. 97–98.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 Kozinska, Dorota (28 April 1996). "Tobie Steinhouse: Artist and Printmaker Finds Serenity in Japanese Calligraphy". The Gazette.
- 1 2 3 Heller, Nancy; Heller, Jules (2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York: Routledge. p. 524.
- ↑ "Artists". www.guildegraphique.com. Guilde Graphique. Retrieved 11 December 2022.
- 1 2 3 Kozinska, Dorota (20 September 1999). "In Their Own Image: The Beaver Hall Group of 10 Woman painters – Dismissed by some Critics of the Day as 'Paintresses'- Shared a Passion for Art, Independence, and the Bold Lines of Feminism". The Gazette.
- 1 2 3 Duncan, Ann (17 April 1993). "All-Woman Art Show Has Become Major Hit". The Gazette.
- ↑ Duncan, Ann (16 April 1994). "Women's Art show is Growing in Reputation". The Gazette.
- 1 2 3 4 5 "Woman Artist Favours Intaglio Color Process". The Globe and Mail. 10 October 1963.
- ↑ Baele, Nancy (18 October 1990). "Japanese Printmakers Highlight Big Week at Galleries this is a Stellar Week for Visiting Ottawa Galleries". The Ottawa Citizen.
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