Sudden Fear is a 1952 American film noir thriller film starring Joan Crawford and Jack Palance in a tale about a successful woman who marries a murderous man. Directed by David Miller, the screenplay by Lenore J. Coffee and Robert Smith was based upon the novel of the same name by Edna Sherry.
The Beat Generation is a 1959 American crime film noir from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. It is a sensationalistic interpretation of the beatnik counterculture of the "Beat Generation" The movie was also shown under the title This Rebel Age. The movie is about a "beatnik" who is a serial rapist, who is pursued by a police detective. The director was Charles F. Haas. Richard Matheson and Lewis Meltzer are credited with the screenplay.
The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando about a cop who takes on the crime syndicate that controls his city.
Criss Cross is a 1949 American film noir crime film starring Burt Lancaster, Yvonne De Carlo and Dan Duryea, directed by Robert Siodmak and written by Daniel Fuchs based on Don Tracy's 1934 novel of the same name. This black-and-white film was shot partly on location in the Bunker Hill section of Los Angeles. Miklós Rózsa scored the film's soundtrack. It was remade as The Underneath in 1995.
Niagara is a 1953 American film-noir thriller film directed by Henry Hathaway, produced by Charles Brackett, and written by Brackett, Richard L. Breen and Walter Reisch. The film stars Marilyn Monroe, Joseph Cotten, Jean Peters, and Max Showalter. It was one of 20th Century Fox's biggest box-office hits that year.
Steve Cochran was an American film, television and stage actor. He attended the University of Wyoming. After a stint working as a cowboy, Cochran developed his acting skills in local theatre and gradually progressed to Broadway, film and television.
Clash by Night is a 1952 American film noir drama directed by Fritz Lang and starring Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe and Keith Andes. The film is based on the 1941 play by Clifford Odets, adapted for the screen by writer Alfred Hayes. It is the first major film to credit Monroe before the title, albeit with fourth billing.
T-Men is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw. A year later, director Mann used the film's male lead, Dennis O'Keefe, in Raw Deal.
Scandal Sheet is a 1952 American film noir directed by Phil Karlson. The film is based on the novel The Dark Page by Samuel Fuller, who himself was a newspaper reporter before his career in film. The drama features Broderick Crawford, Donna Reed and John Derek.
Where Danger Lives is a 1950 American film noir thriller directed by John Farrow and starring Robert Mitchum, Faith Domergue and Claude Rains.
High Wall is a 1947 American film noir starring Robert Taylor, Audrey Totter and Herbert Marshall. It was directed by Curtis Bernhardt from a screenplay by Sydney Boehm and Lester Cole, based on a play by Alan R. Clark and Bradbury Foote.
Framed is a 1947 American crime film noir directed by Richard Wallace and starring Glenn Ford, Janis Carter and Barry Sullivan. It was released by Columbia Pictures. The movie is generally praised by critics as an effective crime thriller despite its low budget.
The Devil Thumbs a Ride is a 1947 American film noir directed by Felix E. Feist and featuring Lawrence Tierney, Ted North, Nan Leslie and Betty Lawford. It was produced and distributed by RKO Pictures.
The Kill-Off is a 1989 American crime drama film written and directed by Maggie Greenwald, based on a 1957 novel of the same name by Jim Thompson. It was an independent film, produced by Lydia Dean Pilcher and shot by Declan Quinn in his film debut.
Benito Alessi is a fictional character from the Australian soap opera Neighbours, played by George Spartels. Benito was introduced along with his wife and two sons, following the announcement of several cast departures. Spartels was glad to bring something different to the show as part of the first family with Italian heritage. He thought the introduction of the Alessis showed viewers "a broader picture" of Australia, after the show was criticised for not accurately representing suburban life. He made his first appearance during the episode broadcast on 28 July 1992.
Dark Ride is a 2006 American slasher film directed by Craig Singer and written by Singer and Robert Dean Klein. It was selected to play at the "8 Films To Die For" film festival, as one of the first eight films to be featured in the festival's series. The film revolves around a group of friends who are terrorized by a crazy masked murderer at a dark ride in Asbury Park.
Walk Softly, Stranger is a 1950 American romantic drama film starring Joseph Cotten and Alida Valli and directed by Robert Stevenson. Also regarded by some as either or both a film noir and crime film, it tells the story of a small-time crook on the run who becomes reformed by the love of a disabled woman.
The Man Who Cheated Himself is a 1950 American crime film noir directed by Felix E. Feist and starring Lee J. Cobb, Jane Wyatt and John Dall.
The House on Carroll Street is a 1988 American neo-noir film directed by Peter Yates, and starring Kelly McGillis, Jeff Daniels, Mandy Patinkin, and Jessica Tandy. Set in 1950s New York City, it follows a photojournalist who, blacklisted after refusing to disclose names to a 1951 House Un-American Activities Committee, stumbles upon a plot to smuggle Nazi war criminals into the United States.
Woman in Hiding is a 1950 American melodrama thriller film starring Ida Lupino, Howard Duff and Stephen McNally. It was directed by Michael Gordon, with cinematography by William H. Daniels. Peggy Dow, John Litel, and Taylor Holmes, appear in support. Some observers regard the picture as a film noir, a view not universally embraced.
