This Woman Is Dangerous | |
---|---|
Directed by | Felix E. Feist |
Written by | Story:' Bernard Girard Screenplay: Geoffrey Homes George Worthing Yates |
Produced by | Robert Sisk |
Starring | Joan Crawford Dennis Morgan David Brian |
Cinematography | Ted McCord |
Edited by | James C. Moore |
Music by | David Buttolph |
Distributed by | Warner Bros. |
Release date |
|
Running time | 100 minutes |
Country | United States |
Language | English |
This Woman Is Dangerous is a 1952 American film noir and crime drama by Warner Bros. starring Joan Crawford, David Brian, and Dennis Morgan in a story about a gun moll's romances with two different men against the background of her impending blindness. The screenplay by Geoffrey Homes and George Worthing Yates was based on a story by Bernard Girard. The film was directed by Felix E. Feist and produced by Robert Sisk.
A gangster woman, Beth Austin, plagued by headaches, is rapidly losing her eyesight, as her eye doctor tells her. Criminals dressed as police raid a gambling house where Beth is visiting, and rifle the safe; it is revealed that she planned for the raid to happen. She intends to visit a famous eye clinic in Indiana, as she tells her gangster boyfriend Matt Jackson, who is suspicious about her reasons for leaving.
Dr. Ben Halleck tells her the operation is very risky and unlikely to succeed; she tells him to go ahead. Matt, traveling in Louisiana in a trailer with his brother Will and towed by his sister-in-law Ann, kills a policeman who stops them after Matt gets angry and throws a bottle of liquor out the window. Beth lies in bed, eyes bandaged, avoiding movement, for weeks during recovery.
Matt phones her, but the phone is being tapped by police suspicious of her because of her ties (including her fingerprints in the trailer) to Jackson, whom the police are hunting after the policeman's murder. When Beth's bandages are removed, she can see again, but must wear goggles for a while. At her champagne farewell dinner at the clinic, Halleck tells her she must stay in town for a while, at a nearby hotel, even after leaving the clinic.
Ben develops an interest in her and plans dinner with her at the hotel, but phones her there and says he is busy. A private investigator, Joe Crossland, runs into her there, and intimates that he's working for Matt and wants her to be careful.
Ben drives her to go shopping in Indianapolis, though he has to stop at a woman's prison, and she waits in the car, Beth relives old experiences as she witnesses a guard yelling at prisoners. Ben returns and says the prisoner died holding his hand. At Ben's home, Beth meets his young daughter Susan and helps her cook. Ben reveals his wife left him for another man. Beth tearfully tells him she can't stay with him, and must leave promptly.
Crossland tries to shake her down in exchange for not telling Matt about the situation; she slaps him and he leaves. Ben is debriefed by the FBI about Beth's ties to Matt. Matt fights Will, who doesn't want Matt to have guns or deal further with Beth, and shoves Ann, who threatens him with a gun; Will and Ann relent and let him have the guns.
Ben has to do an emergency operation for a farmboy; Beth is sent for supplies. Beth leaves information with a Chicago florist for Matt, saying she'll see Matt in the morning.
She plans to take a bus out of town, but relents. At the farmhouse. she holds a light for Ben during the operation; Ben says the boy will recover. At the bus station, Ben reveals he knows about Matt; Beth says she's going back to Matt, whom she owes a debt for past favors. She leaves on a bus to Louisville, Kentucky. Crossland speaks to the FBI, pondering cooperation.
Beth arrives at the Jacksons, and learns Crossland kept them informed, and that Matt left to go kill Ben. They all leave for Indiana. Matt has Crossland trapped and interrogates him to learn Ben's name; after Matt leaves, Crossland calls the FBI, but Matt returns and kills him. Matt goes to Ben's hospital, and watches him perform surgery.
Beth's party sees Crossland's body taken away, then at the hospital, Beth finds Matt watching Ben and others perform surgery. The police, alerted by a nurse Matt spoke to, shoot Will, who shot several police. Matt breaks a window and asks which surgeon is Ben; Ben takes off his mask, but Beth hits away his gun as he fires at Ben.
The doctors run, Matt fires at Beth and wounds her, and the police kill Matt as he tries to escape: he crashes through the glass into the operating theater. FBI man Franklin says Beth may get leniency for her good deeds, and Ben and Beth hold hands as they hope for an eventual better future.
Because the script of a gangster who saw the light had become trite by the 1950s, some sources suggest that studio head Jack L. Warner offered Crawford the role hoping the expensive star would turn it down so he could put her on suspension. It could be the reason he offered the eye surgeon's role to Dennis Morgan, whose box-office appeal had diminished since World War II. To Warner's surprise, both stars accepted the film. Crawford later instructed her agents to negotiate an end to her contract at Warner Bros., and she then made the independently produced hit Sudden Fear , which earned the actress her third Academy Award nomination. [2]
Bosley Crowther in The New York Times called the film "junk", and Otis Guernsey Jr. of the New York Herald Tribune described it as "a long, windy, tiresome story." [3]
This Woman Is Dangerous was released on Region 1 DVD on March 23, 2009 (Crawford's birthday) from the online Warner Bros. Archive Collection.
This Woman Is Dangerous was presented on Lux Radio Theatre on March 16, 1953. The one-hour adaptation starred Virginia Mayo, with Morgan reprising his role from the film. [4]
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman, and starring James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.
Possessed is a 1947 American psychological drama directed by Curtis Bernhardt, starring Joan Crawford, Van Heflin, and Raymond Massey in a tale about an unstable woman's obsession with her ex-lover. The screenplay by Ranald MacDougall and Silvia Richards was based upon a story by Rita Weiman.
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins. Set in the underworld of Manhattan, Marked Woman tells the story of a woman who dares to stand up to one of the city's most powerful gangsters.
Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall. The supporting cast features Lionel Barrymore and Claire Trevor. The film was adapted by Richard Brooks and Huston from Maxwell Anderson's 1939 play of the same name. Key Largo was the fourth and final film pairing of actors Bogart and Bacall, after To Have and Have Not (1944), The Big Sleep (1946), and Dark Passage (1947). Claire Trevor won the 1948 Best Supporting Actress Academy Award for her portrayal of alcoholic former nightclub singer Gaye Dawn.
The Big Sleep is a 1946 American film noir directed by Howard Hawks. William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay, which adapts Raymond Chandler's 1939 novel. The film stars Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and leads to multiple murders.
Playing Around is a 1930 American pre-Code drama film with songs, starring Alice White, Chester Morris and William Bakewell. It was adapted from the story "Sheba", written by Viña Delmar. The film was produced and distributed by First National Pictures, a subsidiary of Warner Bros.
White Sands is a 1992 American crime thriller film directed by Roger Donaldson, written by Daniel Pyne, and starring Willem Dafoe, Mary Elizabeth Mastrantonio, Samuel L. Jackson, and Mickey Rourke. The film is about a small-town New Mexico sheriff who finds a body in the desert with a suitcase containing $500,000. He impersonates the man and stumbles into an FBI investigation.
Blues in the Night is a 1941 American musical film noir directed by Anatole Litvak and starring Priscilla Lane, Richard Whorf, Betty Field, Lloyd Nolan, Elia Kazan, and Jack Carson. It was released by Warner Brothers. The project began filming with the working title Hot Nocturne, the play upon which it is based, but was eventually named after its principal musical number "Blues in the Night", which became a popular hit. The film was nominated for a Best Song Oscar for "Blues in the Night".
Smart Money is a 1931 American pre-Code drama film produced and distributed by Warner Bros., directed by Alfred E. Green, and starring Edward G. Robinson and James Cagney. It is the only occasion Robinson and Cagney appeared in a film together, despite being the two leading actors, mainly portraying gangsters, at Warner Bros. studios throughout the 1930s. Smart Money was shot after Robinson's signature film Little Caesar had been released and during the filming of Cagney's breakthrough performance in The Public Enemy, which is how Cagney came to play a supporting role.
G Men is a 1935 Warner Bros. crime film starring James Cagney, Ann Dvorak, Margaret Lindsay and Lloyd Nolan in his film debut. According to Variety, the movie was one of the top-grossing films of 1935. The supporting cast features Robert Armstrong and Barton MacLane.
The Maltese Falcon is a 1931 American pre-Code crime film based on the 1930 novel The Maltese Falcon by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as femme fatale Ruth Wonderly. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and Dwight Frye. Maude Fulton and Brown Holmes wrote the screenplay; one contemporaneous report said that Lucien Hubbard was assisting them.
Mildred Pierce is a 1945 American melodrama/film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain, this was Crawford's first starring role for Warner Bros., after leaving Metro-Goldwyn-Mayer, and she won the Academy Award for Best Actress. In 1996, Mildred Pierce was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry.
Kid Galahad is a 1937 American sports drama film directed by Michael Curtiz and starring Edward G. Robinson, Bette Davis, Humphrey Bogart and, in the title role, rising newcomer Wayne Morris. A boxing film, it was scripted by Seton I. Miller and distributed by Warner Brothers. It was remade in 1941, this time in a circus setting, as The Wagons Roll at Night, also with Bogart, and in 1962 as an Elvis Presley musical. The original version was re-titled The Battling Bellhop for television distribution in order to avoid confusion with the Presley remake.
White Heat is a 1949 American film noir directed by Raoul Walsh and starring James Cagney, Virginia Mayo and Edmond O'Brien.
Penthouse is a 1933 American Pre-Code crime film starring Warner Baxter as a lawyer and Myrna Loy as a call girl who helps him with a murder case. The film features Charles Butterworth as the butler, Mae Clarke as the murder victim, Phillips Holmes as the suspected murderer, and C. Henry Gordon as the gangster who arranged the murder. It was directed by W. S. Van Dyke and written by Frances Goodrich and Albert Hackett, based on a novel by Arthur Somers Roche. The film was later remade as the more sanitized Society Lawyer (1939), without the risqué pre-Code dialogue.
Backfire is a 1950 American film noir crime film directed by Vincent Sherman starring Virginia Mayo and Gordon MacRae, with Edmond O'Brien, Dane Clark, and Viveca Lindfors in support.
Mystery House is a 1938 American mystery crime film directed by Noel M. Smith and starring Dick Purcell and Ann Sheridan as nurse Sarah Keate, and is based on the 1930 novel The Mystery of Hunting's End by Mignon G. Eberhart. Sheridan also played the same character in The Patient in Room 18, released in January 1938, while Aline MacMahon played her in While the Patient Slept in 1935.
Waterfront is a 1939 Warner Bros. crime-drama film directed by Terry O. Morse and starring Gloria Dickson, Dennis Morgan and Marie Wilson. It was adapted from the play Blind Spot by Kenyon Nicholson. It is preserved at the Library of Congress.
From Headquarters is a 1933 American pre-Code murder mystery film starring George Brent, Margaret Lindsay and Eugene Pallette, and directed by William Dieterle.